Stealing Sheep – ‘Barracuda’

Liverpool trio Stealing Sheep – Becky Hawley, Emily Lansley and Lucy Mercer – are always worth keeping an eye on.

Formed in 2010, the electro-pop outfit have three albums to their name – Into the Diamond Sun (2012), Not Real (2015) & Big Wows (2018) – all worthy of your attention. Stealing Sheep’s sound has developed from its sweet and heavenly voiced psych-pop origins, evolving into something a more upbeat, dancey and colourful confection of electro-pop joyfulness. And if there was ever a track (in reality, there is an abundance) to capture the trio’s fun and infectious sound it is ‘Barracuda’ – the 1977 Heart rock jam re-imagined. It struts, swaggers and swerves all across the dancefloor as a steady disco-infused beat centres their colourful confection of sound as the Liverpool trio expand upon their signature three-part harmonies and fresh and breezy  melodies with a glittery blend synths, drum machines, glitches, and fun electronic blips and beeps. ‘Barracuda’ is playful and infectious as they come, stacking irresistible hook upon irresistible hook amid the glittery bounce.

‘Barracuda’ is the first single to be released digitally from the Instant Replay Album, a lovingly curated record of covers from 1971-1981 – including some of the finest funk, folk, punk, pop and ballads of the time – for Lush. You can find out more about the Instant Replay Album here.

Abracadabra – ‘Dirty Pan’

Abracadabra are Oakland-based outfit comprised of core duo Hannah Skelton (cassiopeia) and Chris Niles (Maus Haus) that craft unconventional electro-pop music littered with imaginative ideas and unique sounds.

The pair have just released new single ‘Dirty Pan’ into the world which captures the essence of their exquisite sound in just four-minutes. A reflection on the struggles we face as a society, both in a social and environmental sense, that have been amplified by the current pandemic, ‘Dirty Pan’ radiates an otherworldly dreamlike surrealism that is utterly transfixing. It skips and swaggers along a strutting drum machine led rhythm amid a sea of atmospheric textures, sparkling synth and fizzing electronics while ethereal vocals, mesmerise and enchant in equal measure. A tantalizing and groove-driven slice wonky-electro-pop – magnificent!

Listen to’Dirty Pan’ below, and keep your eyes peeled for their debut album is set to be released on on July 24 on Anniversary . 

Jouska – ‘Born In Cash’

Oslo-based musical duo Jouska – comprised of Marit Othilie Thorvik and Hans Olav Settem – have impressed at every given opportunity with an intriguing and inventive array of tunes as they explore some of the more outer realms of electronica.

The pair are back with a new single ‘Born In Cash’ – the second lifted from their so far unnamed album following the slinky R&B of ‘Bring You Back’ in February – in which they continue to reside and thrive in leftfield climes. That being said, ‘Born In Cash’ has more of club focus than some of its predecessors; big beats bang and bass rumbles beneath as sea of slowburning synths and dark atmospheric swirls, and all peppered with cascading cracking and frazzled electronics. It is a song built on push and pull torn between two stools as evidence by the twin vocal path; one lush and dreamy and the defiant and confrontational. It is an absolute banging club track, albeit dark and somewhat introverted but that is what we’ve come to expect from Jouska; unconventional exceptionalism.

Listen to ‘Born In Cash’ below:

Jo Marches – ‘Long Term Parking’

Jo Marches – an Utrecht outfit fronted by the inimitable Johanneke Kranendonk – specialise in heady brew of psych-infused swirling synth-pop, sophisticated pop sensibilities and infectious melodies.

Having impressed no end with a seemingly endless supply of excellence, Jo Marches dazzle us again with new single ‘Long Term Parking’. The first single lifted from a third EP, Moon Mirror, expected in October 2020, ‘Long Term Parking’ is all dreamy and ethereal allure. Kranendonk’s breathy, elegant vocals float breezily along, smouldering with emotion, as sparse origins give way to a growing swell of bass, shimmering synths, keys and glistening guitar. It is a gorgeous song filled with woozy vibes and lush melodic allure and all sprinkled with cosmic dust.

‘Long Term Parking’ is another enchanting piece of psych-infused cosmic synth-pop. Tune in below. 

Many Voices Speak – ‘Want It Kept’

Sweden’s Many Voices Speak – aka Matilda Mård – has a real knack for beautiful slumbering whispers of lush dream pop; something offered in abundance on 2018 debut Tank Town.

The good news is that Mård is back in action with a new single called ‘Want It Kept’, and it is divine. The master of misty-eyed, melancholic and hazy indie, Mård opens with a slowly swirling, shapeless mist that seeps forward engulfing her sad but elegant and beautiful vocals as they hover above slowly waltzing groove and undulating melodic bubble. Delicate, dreamy and truly beautiful, ‘Want It Kept’ will have you transfixed with its beguiling beauty and smouldering emotive draw.

Listen to ‘Want It Kept’ below:


Superheart – ‘Heaven’s In Your Head’

UK-based producer Luke Batt aka Superheart has built a rep as a reliable source of comforting and dreamy electronic-pop over the past two years or so, and Batt is at it again.

New single ‘Heaven’s In Your Head’ is yet another delight and serves as a nexus to their lush electronic-pop; of cosmic vibes, dreamy vocals, hopeful lyrics and shimmering synthesis. It is a blissed-out blend of cosmic vibes as lush, layered vocals and dreamy keys usher us through hazy ambient surroundings as it gently builds, drifting along until a warm rapture envelopes you and everything else around you leaving you floating in a dreamlike state. Marked by Batt’s signature flair for elegant, blissful and ethereal production, ‘Heaven’s In Your Head’ is a seductive slice of lush and transfixing electronic-pop; and one that will leave you all the better for making its acquaintance.

Listen to ‘Heaven’s In Your Head’ below:

Mayfly – ‘Selfish Girl’

London’s Mayfly (aka Elena Garcia) captivates and transfixes with deceptively sad but spellbinding electronic pop songs.

Debut track ‘Losing You’ and follow up ‘Breathe’ served as a breathtaking introduction to what the 22-year-old Londoner has to offer – and with ‘Selfish Girl’, conjures up another truly glorious single. Written and produced by Garcia, ‘Selfish Girl’ ratchets things up a gear or two. While retaining the icy, steeliness of her previous work, this glacial excursion is anchored by a propulsive groove and steady beats that drive the track forward as simmering synths and pulsing electronics illuminate a path for Garcia’s exquisite and steely vocals to mesmerise. Mayfly has already proven a reliable source of spellbinding sounds but this is her finest yet, and demonstrates a knack for crafting infectious alt-pop but with bite.

Check out the stunning new single below:


Jouska – ‘Titanic’

Oslo-based musical duo Jouska – comprised of Marit Othilie Thorvik and Hans Olav Settem – have impressed at every given opportunity with an intriguing and inventive array of singles and debut EP Frog Fiction, as they explore some of the more leftfield realms of electronica.

Latest single ‘Titanic’ comes from a similar realm of colourful cosmic imagination – albeit delivered in a slight more mellow package. Tempered by a breezy atmosphere and ethereal ambience, ‘Titanic’ moves softly over a gentle alluring groove protruded by bubbling synths and flecks of electronics, creating a lush and dreamy world of cosmic electronica. Amid this utterly beautiful soundscape, another alluring layer of bewitching beauty is provided by the heavenly, hushed and ever so melodic vocals. ‘Titanic’ is a lush, mellow and heavenly track, marked by moments of exquisite beauty and bouts of mild euphoria.

Listen to ‘Titanic’ below, it is lifted from their so far unnamed album expected at some stage in the future.

NOGYMX – ‘Nakatomi Plaza’

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It’s fair to say that Galway-based producer NOGYMX (pronounced no-gimmicks) has a slight infatuation with the synthesizer sounds of the ’80s and synth-based cinematic film scores.

Of course, this is not a bad thing at all, and it is from this base that NOGYMX’s sleek, slick and cinematic vision of synth-pop takes shape, as evidenced by ‘Nakatomi Plaza’. Retro yet futuristic, ‘Nakatomi Plaza’ is a fascinatingly imaginative and richly developed electronic excursion to a place where dreams and reality can coexist in the same space as ’80s video games, and sci-fi and adventure movie scores. Propelled forward on a wave of driving beats, kicks, slow-motion chord changes and neon-bright synths, it is smooth, oozes cool and feels a little dangerous. Masterfully pieced together from start to finish, colourfully creating an incredible sense of wonderment and adventure it excels unequivocally in producing a severe case of nostalgia while feeling forward thinking and futuristic too.

Listen to ‘Nakatomi Plaza’ below now & if you like what you hear, there is more where that came from on NOGYMX’s latest album NO EMPERORS – tune in here.

O Future – ‘Voyeur’

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Formerly known as OOFJ, O Future is the pairing of Katherine Mills Rymer from South Africa and Jens Bjornkjaer originally from Denmark, who both now reside in Los Angeles.

Together, the pair have cultivated something of a niche, fusing electronic, orchestral and art pop music to create a colourful, imaginative and dance-y tunes that will get firmly lodged in your head, as evidenced by previous single ‘Smell You’ and latest effort ‘Voyeur’. It is a tantalizing meeting of eerie, somewhat menacing, yet sweeping symphonic sound. ‘Voyeur’ is jittery and claustrophobic as quickfire drumbeat hits first, accompanied by somewhat manic synths and buzzing bass it swells, growing more intense in tandem with Mills Rymer’s breathy but increasingly feverish vocals. A stunning and seductive single that is beautiful yet eerie, with the sweeping orchestra strings adding a final alluring touch of cinematic class and sweeping grandeur.

Listen to ‘Voyeur’ below – and there is more here.