Black Beach Baby – ‘All I Know’

Black Beach Baby are Stockholm-based duo of Andy and My, who since forming in 2017, have been bringing all the gorgeous, dreamy indie-pop vibes – and with their single ‘All I Know’ delivers all that and more.

We got acquainted with the Swedish pair through previous single ‘Loser’ – a magnificent slice of melodic guitar pop – and ‘All I Know’ follows a similarly joyous path. It is bright, breezy and dreamy as hazy guitar, jangling riffs and snappy beat set the lush and alluring backdrop for the hushed and airy vocal tones to thrive. Dripping with a rich melody, ‘All I Know’ is buoyed by irresistible hooks and pop sensibilities as they charm our ears with their warm and infectious brand of lo-fi indie-pop. What they do is deceptively simple and that is by no means a bad thing; they just craft great songs.

Listen to the beautiful and sun-kissed sounds of ‘All I Know’ below:

BDRMM – ‘Question Mark’

BDRMM are a Hull based 5-piece who reside in a world blurring the lines between ‘90s indie-rock, shoegaze, psych and slacker dream pop.

They introduced intricately weaved dreamy sonics and sentimental tales with singles ‘C.U’ and ‘Heaven’ over the past nine months, and they are back new single ‘Question Mark’. Teaming up with Sonic Cathedral’s Singles Club it is slowburning, gently anthemic and highly evocative as we take a slumbering stroll through a woozy world of layered swirling textures. Anchored by shimmering guitar, ‘Question Mark’ floats like a lackadaisical daydream, the delicate instrumentals the bouncy for the dreamy vocals and bittersweet lyrics. A moving, evocative and elegant slice of dream-pop perfection, yet another exquisite single from BDRMM.

Listen to ‘Question Mark’ below:

Sywel Nyw – ‘Jumping Fences’

Sywel Nyw is the new musical project from Welsh musician and Yr Eira frontman Lewys Wyn.

For his new project, Wyn has traded indie-rock wares for a more dreamy synth-based sound experimenting with guitars, synths and drum loops.The first fruits of this new project comes in the form of stellar debut single ‘Jumping Fences’. It gently swaggers along a seductive, slinking groove sprinkled with shimmering guitar tones, psych brush strokes, woozy synth lines, melancholic riffs and heavenly harmonies creating a soothing and hopeful vibe. Marked by melancholy but brimming with optimism, ‘Jumping Fences’ is buoyed by hope and overwhelmed by warmth, beauty and swells with a powerful sense emotional resolution.Vocally meanwhile, ‘Jumping Fences’ shifts between English and Welsh organically, for a thoughtful and introspective look on the effects of social media – a glorious tune that will have you headed straight for repeated listens.

Tune in below:

Chloe Foy – ‘Without You’

Manchester-based singer, songwriter and folk artist Chloe Foy introduced herself with the beautiful, expansive and melodic folk of ‘Oh You Are Not Well’, and with a debut album in the works, Foy has returned with new single ‘Without You’.

Thoughtfully arranged and elegantly expressed, ‘Without You’ draws power from juxtaposition; it is delicate yet intense, beautiful yet harrowed, sad but resilient and uplifting. It waltzes along a cushioned bass stomp and rhythmic guitar strum amid an elegant yet increasingly intense atmosphere swirl, tempered by lilting melodies and chiming guitars. This exquisite textured backdrop is the perfect and bewitching companion for Foy’s strikingly beautiful voice to bend you to the power of its whim.

Listen to ‘Without You’ below:

James Leonard Hewitson – ‘Deader’

Hartlepool native James Leonard Hewitson is an artist with a flair for fuzzed-up, infectious slices of slacker(ish) indie-rock; a rep fleshed out with a series of well-received demos.

James Leonard Hewitson has a debut LP called Only The Noise Will Save Me coming in the Autumn via Butterfly Effect Records and lead single ‘Deader’ is a charming bopper adorned with all the aforementioned attributes, and more. Buoyant yet sombre, ‘Deader’ is constructed around buzzing bass lines, crunchy riffs, raucous guitar, smashing drums, and all treated to a lavish lashing of warm fuzz. It is upbeat and bright pop song armed with hooks you could hang your hat on and the most alluring, singalong chorus you’ll hear this year; “I’m feeling deader, deader, deader.

Listen to ‘Deader’ below (you will feel better for it) and keep an eye out for that album come Autumn.

Remington Super 60 – ‘The Highway Again’

Remington Super 60 are a Norweigan outfit revolving around the songwriting exploits of Christoffer Schou with a preference for retro-flavoured indie-pop brimming with warmth and dreamy nostalgia.

Having formed in 1998, Remington Super 60 are something of veterans but on the evidence of their timeless and blissed out new single ‘The Highway Again’, the years have been good to them and have lost none of their sparkle. It is a deliciously sweet of confection that purrs with a rich melodic allure as it drifts along a wave of blissful dreamy nostalgia. A joyous affair of sumptuous swelling harmonies, gentle guitar jangle and Casio synth melody; it is a magical, timeless and ridiculously catchy single with a hopefully vibe. Three-minutes of blissful indie-pop perfection,‘The Highway Again’ is something rather special and resides on the right side of familiar.

A new EP is in the works for later this year but for now, you can listen to ‘The Highway Again’ below:

Wilding – ‘Speed King of the Commonwealth’

Melbourne psych-pop purveyor Wilding – aka Justin Wilding Stokes – has charmed us with gloriously playful, jovial and off-kilter pop at every given opportunity but over the past few years, all has been quiet on the music front.

However, Wilding has broken this unholy vow of silence with new single ‘Speed King of the Commonwealth’, the lead track lifted from his forthcoming third LP The Death of Foley’s Mall. Wilding has become synonymous fabulous, charming and sprightly indie-pop and his return marks no deviation from this rich vein of form. A two-and-a-half minute pop nugget, ‘Speed King of the Commonwealth’ whizzes and fizzes by with scuzzy guitars, smiley melodies, charming hooks and his signature preference for playful, jovial and off-kilter pop, and all covered in delightful layers of fuzz. Infectious doesn’t even cover the half of it; this is sparkling indie-pop perfection – one to be treasured and enjoyed, no question!

Listen to ‘Speed King of the Commonwealth’ below and keep an eye out for the new record later this year.

Elly Swope – ‘Habits’

Elly Swope is a multi-instrumentalist based in Portland, Oregon. Swope’s sound is a rambunctious, off-kilter and colourful confection of art-punk hi-jinx and indie-pop brilliance; think St. Vincent and Courtney Barnett, with a touch of The Futureheads and early day The Strokes.

Swope introduced herself towards the end of last year with wonderful debut EP It Feels the Same Everytime and has returned with a brand new single, ‘Habits’. Propelled by a muted guitar riff and driving synthesizer line, Swope’s lilting, fractured vocals tackle the intricacies of codependency. It is mellow yet meaty, confident while introspective and the synth/guitar combination is ever so seductive. As is its penchant for off-kilter, playful bouts, especially the charming melody and frazzled synth squiggles; both have their own bewitching allure.

Tune in below:

Green Buzzard – ‘I Don’t Want To Be Alone’

Green Buzzard is the moniker of Sydney’s Paddy Harrowsmith who, judging by latest single at least, has a Midas touch when it comes to sweet and charming slices of sugar-spun psych-pop.

‘I Don’t Want To Be Alone’ is his first new material in two years and it is an absolute delight. It’s fusion of dripping melodies, bright hooks and catchy singalong chorus leaves you powerless to resist its hypnotic allure, as the sweet guitar jangle and popping percussion are coated in a warm blanket of fuzz. It is bright and breezy, sun-kissed and summery, and finds a perfect balance between sweet pop and crunchy indie and hypnotic psych. It is an engrossing sub three-minute masterclass adorned with some of the catchiest, most compelling pop hooks in the known universe. Dreamy and melodic, it’s charm, allure and delight is hard to resist.

Tune into ‘I Don’t Want To Be Alone’ below:

Honey Moon – ‘Magic’

London jangle-pop outfit Honey Moon have made a habit of crooning their way way into our hearts with heartfelt, hazy and lackadaisical slice of indie-pop goodness.

This prodigious talent for crafting three minute plus pop gems is evidenced by last year’s wonderful Four More From… EP, and 2019 single ‘If I Could Only Dream’, and they are at it once again. Honey Moon’s latest single ‘Magic’ has liberal dusting of just that. Their trademark doo-wop and crooning enchantment is given a more lavish flavour, one of more grandiose proportions. It is a rich and colourful confection, it is bright and breezy,and swelling with elegant strings, sinuous melodies, lilting hooks and jangly guitars that will please your ears and melt your heart. This is another enchanting and whimsical illustration of classic pop-craft, Honey Moon have got a right knack for creating tunes the right side of familiar.

Listen to ‘Magic’ below – it is exactly what it says it is.