Something for the Weekend: New Music Playlist #4

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A new feature to blog, a short weekly Spotify playlist series featuring some of the finest new music to prick my ears.

Clocking in or around and hour, it’s an easily digestible slice of new music, just in time for the weekend. There’s a nice mix of genres and styles too, allowing me to share even more top tunes for your ears. Well, without further ado, here’s #4. Enjoy!

Silverbacks Ready New EP; Share ‘Dirty Money

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Lo-fi indie noise-merchants Silverbacks have returned, brandishing a new single ‘Dirty Money’; the first track to be lifted from their forthcoming EP Sink The Fat Moon.

The Dublin-based quintet will release the new EP on May 19 and judging by the new single, we’re in for a treat. Silverbacks have already eked out a solid rep for themselves when it comes to whipping up lashings of ’90s inspired lo-fi fuzz. Another self-produced effort, it a brusque, harmonic three-minutes of masterful indie noise. It slips from languid meanderings to brash, searingly loud riffage with an effortless ease; and swagger to boot. A marvelous & confident return from Silverbacks (with their re-jigged line-up) and it is one of their finest offerings to date. Quite a claim given their propensity to proliferate superb singles.

Listen to ‘Dirty Money’ below – you’ll be hooked before you know it!

Sink The Fat Moon is out via Miami Records on May 19, pre-order here.

Silverbacks support Sea Pinks in the Roisin Dubh, Galway on May 25 & play Whelan’s Upstairs, on May 27 (launching the new EP).

Why not get acquainted with Silverbacks’ most recent album, ‘Hot Bath’, released in 2015, it’s ace! You can get that for free from Bandcamp.

Mayfly – ‘Losing You’

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Hailing from London, Mayfly conjures up magical electro-pop that will transfix, and have you reaching for the repeat button

‘Losing You’ is the debut single from Mayfly, written, produced and performed by this clandestine London artist. Mayfly has a supreme ear for melody, paired with a sweet and heavenly (folk flavoured) vocal, ‘Losing You’ slowly reveals itself along an easy-on-the-ear bass-line, with layer upon layer of entrancing sounds. Our senses are immersed in a colourful mix of electronics, ethereal tones and swirling synths leaving us with a most captivating, breathtaking and irresistible of tunes.

Listen to the crystalline dynamics and intricate sound collage that is ‘Losing You’ below. It does not disappoint!

Le Trouble – ‘How Was I to Know?’

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Le Trouble are a Montreal-based quintet – comprised of friends Michael, Max, Garrett, Bao-Kahn and Jesse – with a flair for slick, finely chiselled and upbeat indie.

The Canadian outfit’s most recent record Making Matters Worse was released earlier via Indica Records. Lifted from that LP, ‘How Was I to Know?’ offers a bustling snapshot of what they are all about. It’s a spiky, hyperactive and swaggering slice of indie, with burly, compelling vocals soaring above big hooks, a guitar melody reminiscent of The Strokes circa Is This It with a supercharged energy. A blistering, catchy and upbeat piece of punky indie-pop perfection. Magnifique!

You can listen to ‘How Was I To Know’ below now. Also, you can stream their latest LP, Making Matters Worse here.

Something for the Weekend: New Music Playlist #3

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A new feature to blog, a short weekly Spotify playlist series featuring some of the finest new music to prick my ears.

Clocking in or around and hour, it’s an easily digestible slice of new music, just in time for the weekend. There’s a nice mix of genres and styles too, allowing me to share even more top tunes for your ears. Well, without further ado, here’s #3. Enjoy!

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Yungblud – ‘King Charles’

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19-year-old Yorkshire-born artist Dominic Harrison aka Yungblud, is pissed off, he’s riled up and he’s going to tell you about it!

That is the premise of his debut single ‘King Charles'; a passionate outcry against the misrepresentation of his generation, who as he sees it, are almost entirely forgotten about. Snarling, abrasive and infectiously in-your-face, ‘King Charles’ superbly blends catchy lyrical quips – spat with ferocity – with break-beats, guitar-hooks and bopping pop rock. It’s all well and good being pissed off but you’ve to have the tunes to go with it; something Harrison doesn’t need to worry about. It’s a massively passionate, confident and finely executed first offering.

‘King Charles’ is out now. Tune in below.

Introducing: Bad Pop

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Bad Pop are the Vancouver-based trio of Chris Connelly (vocals/guitar), Catherine Hiltz (bass/vocals/trumpet) & Aaron Klassen.

Self-deprecating titles aside, this Canadian trio are anything but bad – and just a little bit pop. The proof, well, that would be wonderful recent double a-side ‘Same House/Masculism’. It displays two rather different sides of a band with an inherent capacity for the tongue-in-cheek and ace tunes. ‘Same House’ is a sort of hyperactive warped psych-disco-pop that’s as weird as it is wonderful, and catchy as hell. Jerky, art-rock guitar riffs dance with crashing cymbals and to-die-for harmonies. ‘Masculism’ on the other hand, is a hard-rocking stomper; delivering a ferocious brew of pounding riffs, sledge-hammer percussion and raspy vocals. An engaging, addicting and brilliant introduction to a band with exceptional promise.

‘Same House/Masculism’ is out now via Metropolis Recordings. Tune in below.

If the double a-side is to your liking, Bad Pop are playing a few shows in the UK in May: Sebright Arms, London (18/05), Bleach, The Great Escape (TGE), Brighton (19/05) & Canada House, TGE, Brighton (20/05).