Something for the Weekend: New Music Playlist #30


After a couple of weeks absence, ‘Something for the Weekend’ returns with a relatively short Spotify playlist featuring some of the finest new music to prick my ears over the course of past while.

Clocking in at just over an hour, it’s an easily digestible slice of new music, just in time for the weekend. There’s a nice mix of genres and styles too, allowing me to share even more crackin’ tunes. Well, without further ado, here’s #30 – Something for the Weekend: New Music Playlist. Get stuck into the tunes & enjoy the weekend!

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B O K E H – ‘Great Heights’


B O K E H is the artistic alter-ego of Berlin-based, New Zealand-raised actress/musician Chloë Lewer who is proving quite a master for rather wonderful and spiritually sprinkled 80s inspired electro-pop.

‘Great Heights’ is the third single to be released from B O K E H’s debut EP, Don’t Leave The Fire. It is an intimate and emotionally charged cut of cosmic electro-pop crafted around a dreamy beat and eerie but powerfully emotive vocals. Intimate and sincere, Lewer’s vocals score the epic in a dreamy and illuminating world of colourful, 80s indebted electro-pop. There is beauty, there is pain and there is loss – all painted vividly by a colourful, powerful and stunning performance.

You can sample the stunning delights of ‘Great Heights’ below. If that’s to your liking, B O K E H’s debut EP is here in its entirety.

Weaver – ‘Boxes’


‘Boxes’ is the latest single from Swedish artist Weaver – aka Johan Weber – the first in a series of tunes earmarked for release before the dawn of the new year.

Formed in 2012, Weber has two EPs under the Weaver moniker and has built a solid rep for folklore stepping, steel guitar wielding Americana in his native Sweden. A supremely infectious, upbeat burst of Americana-tinged indie-pop, ‘Boxes’ skips along melodic keys, an array of chugging guitars and experimental endeavours, as Weber’s commanding (almost theatrical) vocal tone brings to mind a certain David Byrne quality; standout component among standout components, in a compelling, captivating and creative sounds. Accompanying the single is an extraordinarily brilliant Video. Made in conjunction with artist Johan Ejerblom – and jointly under the name ‘Silver N’ Silk’ – it took 14 months to create (far longer than the original 3 months they gave themselves), painstakingly recreating a Swedish city using recycled materials, to tell an incredible story. A sublime single, matched in every respect by the equally stunning video. Bravo!

You can sample ‘Boxes’ and it’s sublime visual companion below – both do not disappoint!

NASAYA – ‘Milk (ft. Myra)’


Born and raised in Reunion Island – next to Madagascar – French musician and producer, NASAYA (aka Theo Hoarau) makes electronic music bursting with ideas, invention and vitality.

that blends influences from a broad range of influences from Jamie xx, Tame Impala, Flume and Michael Jackson to Jimi Hendrix, Supertramp and Chick Corea. These influences evidently run wild on NASAYA’s genre-hopping, musical splicing-and-dicing latest single ‘Milk (ft. Myra)’. It is a colourful, imaginative tune that shuffles over some slick beats with a slinky, super-cool bounce before a blend of glitchy 8/16bit era computer game sounds reveal themselves, adding another dimension to this warped, yet beautiful sound collage. The final touch of class for ‘Milk’? Well, that is an honour reserved for guest vocalist Myra’s irresistible and mellifluous cooing. A sublime, super-colourful introduction to an artist that we hopefully hear plenty more from in the future.

Do your ears a solid and listen to ‘Milk (ft. Myra)’ below.

Oddnesse – ‘I Used To’


Beginning life as a studio collaboration between musician Rebeca Arango and producer Grey Goon, Oddnesse is the shared a vision for infectious beautiful music with a dark, heavy groove from two east-coast expats based in Los Angeles.

Oddnesse introduced themselves to us with hypnotic, mellow and colourful single ‘Are You Down’, and the pair are back with another beguiling beauty in the shape of ‘I Used To’. It is a dreamy slice of indie-pop inspired by Utah, White Snake, and Broken Social Scene. ‘I Used To’ is utterly gorgeous. Opening with a slow-burning organ hum, terrific low-key guitar work and heart-strung rhythms, all overwhelmingly imbued with emotion. But it is with the arrival of Arango’s voice that seals the deal, leaving you powerless and awestruck. Sensationally lush and warm, her vocals will cause a simultaneous feeling of melancholic heartache and hopeful optimism. Oddnesse have a real knack for lush, warm sounds, comprised of intricate, layered grooves with catchy melodies and dreamy vocals to top of the hazy dreaminess.

Based on what we’ve heard so far – ‘Are You Down’ & ‘I Used To’ – what’s next for Oddnesse is definitely worth keeping an eye out for.

Listen to ‘I Used To’ below – it is quite simply superb.