NANCY – ‘7 Foot Tall Post-Suicidal Feel Good Blues’

Based in the North East of England, NANCY have demonstrated an enigmatic talent with a propensity for audacious sonic adventures that are anything but conventional, and hot on the heels of the ‘Happy Oddities EP’ comes news of a brand new mini album ‘7 Foot Tall Post-Suicidal Feel Good Blues’, and we’ve been afforded the title track as a taste of things to come.

Inspired by all the bullshit he had to deal with getting picked on growing up, ‘7 Foot Tall Post-Suicidal Feel Good Blues’ is as wonderfully warped as anything NANCY has done to date. It’s dark, it’s stark and super catchy as it swaggers through a haze of fuzz with a super seductive glam rock era groove and stomping riff, and vocals unfurl with a drawn out warped drawl. Sounding like a warped record played on a dodgy turntable, this is a sleazy, stomping and groove ridden reminder of NANCY’s enigmatic talent and flair for the unconventional – perfect imperfection if you will.

With the 10 track mini album set for release on January 15, check out the title track below.

Sprints – ‘Manifesto’

Sprints are Dublin-based post-punk foursome – of Karla Chubb (vocals/guitar), Colm O’Reilly (guitar), Sam McCann (bass) and Jack Callan (drums) – who together, create a raw, raucous and potent post-punk sound – one bursting with a ferocious blend snarling vocals, driving rhythms, meaty riffs, swagger and noise.

These aforementioned attributes are offered in spades on their aptly titled latest single ‘Manifesto’, a tenacious statement of intent. An early taste of their forthcoming debut EP of the same name, due in the new year, it comes exploding out of the blocks. A powerful stomping beat underpinning an assertive and meaty bassline rumble as raspy, fierce and fiery vocals come to the for before soaring high above the explosion of buzzing guitar, scintillating riffs and crashing drums. It is a huge, explosive and supremely confident anthem. Previous single ‘The Cheek’ was great but ‘Manifesto’ sees them kick it up to another level entirely – a simply stunning tune.

Don’t just take my word for it, listen to ‘Manifesto’ below:

Low Hummer – ‘Take Arms’

Low Hummer are a Hull quintet who do a fine line in wonderfully crafted post-punk meets indie-pop, sprinkled with synths, it is danceable and ridiculously infectious.

Having formed in 2019, Low Hummer have been indulging us with a steady stream of superb singles of the aforementioned ilk – and follow their excellent previous single, ‘Sometimes I Wish (I Was a Different Person’), with another agitated jam which takes the band’s sound to the noisiest level yet. Driven by a pulsing synthline and relentless bass, ‘Take Arms’ is a fiery rallying cry bursting with rebellious spirit as powerful raspy vocals duke it out anxious guitar riffs amid a sea of frazzled electronics. Where previously guitars have taken centre-stage, on ‘Take Arms’, they take a backseat to the synth/electronics for a relentless, pulsating Krautrock indebted end of days address. It is searing, passionate and raw – while a little dancey too – ‘Take Arms’ is their finest work yet.

‘Take Arms’ is out now through Dance to the Radio.

Swine Tax – ‘Relax’

Newcastle-upon-Tyne outfit Swine Tax have proven their credentials for fiery, jagged and infectious post-punk with a slew of singles that are best described as a bit indie, a bit alternative rock, a bit rough-around-the-edges and a whole lot melodic.

The Newcastle quartet return with a thrilling new single ‘Relax’. Quite possibly their best work to date, it is produced by Barry Hyde of The Futureheads, who approached the band about producing their music following an intense live show in Sunderland last year, and ‘Relax’ is the first fruit to emerge from these sessions. The single itself is a spikey, agitated and hook-driven jam propelled by a throbbing bass groove and a heavy punk stomp as jerky riffs and power-pop chorus duke it out for an intoxicating, off-kilter dance. Yet another rousing, boisterous and brilliant blast of guitar hijinks from Swine Tax.

Listen to ‘Relax’ below:

Fax Machine – ‘Motorbike’


Fax Machine is the musical moniker of Newcastle Upon Tyne (UK) based songwriter David Turnbull who has a propensity for unconventional, off-kilter and colourful confections of sound as evidenced by 2019 debut Soup.

Turnbull is back with plans for a new album Ouch!, expected on Dec 11, it is preceded by the magical lead single ‘Motorbike’ – a giddy and playful slice of jerky post-punk, art-rock and indie-pop. It buzzes with excitement and exuberance as razor sharp riffs and hyper-active bursts of guitar jerky to-and-fro as a series of earworm hooks and playful melodies swirl around the colourful sound-palette akin to Futureheads meets The Beta Band. ‘Motorbike’ is a wonderfully manic, spikey and infectious jam coated in a fine veneer of power-pop – word of warning, this is a tune that will be stuck in your head for days and days but will leave you all the better for it. 

Listen to ‘Motorbike’ below – and keep an eye out for the new album next month.


Total Rubbish – ‘What’s Your Damage?’

Total Rubbish are Philadelphia-based garage rock trio – Bre Steinfeldt (bass), Cass Nguyen (guitar) and Kiki Schiller (drums) – who have released their debut EP, Triple Negative, and having introduced it, and their wares, with phenomenal debut single ‘Honey Ryder’, they are back with single #2, ‘What’s Your Damage?’.

‘What’s Your Damage?’ carries that same nineties-esque, alt-rock, grunge and psychedelic fuzz which was all over their debut. It stomps and swaggers through a guitar-heavy wall of sound with soft, melodic vocals, buzzing riffs and scorching licks for company. Once again, the inappropriately named Total Rubbish have eked out a perfect balance with powerful, brute force and ear for melody, coexisting in a sea of dense atmospheric tones and swirling riffs.

Listen to ‘What’s Your Damage?’ below now and Triple Negative is out now via Born Losers Records

MEMES – ‘So What?’

Glasgow lo-fi post punk outfit, MEMES, introduced their fiery, furious and feisty sounds with a series of scintillating singles last year with ‘Blah Blah Blah‘, ‘Funny Man‘, ‘Happy Shopper’ & ‘J.O.B.S.’ making them one of the finest new discoveries of 2019.

The Scottish noise-makers are readying their new EP, MEMES EP coming in November via Fierce Panda and ahead of which, share new single ‘So What?’ – and MEMES are back with a bang. ‘So What?’ rumbles and rattles into view, with all that raw and electrified swagger we’ve come to recognize as MEMES’ sound. Raspy vocals dance over jagged rhythms, looped bass, urgent guitars and scorching riffs for a feverish yet infectious blast of post-punk fury. A thrilling, raw and exhilarating jam, MEMES have nailed it again and will have you hooked from the get go.

Check out  ‘So What?’ below:

Bee Bee Sea – ‘Day Ripper’

Italian garage-psych trio Bee Bee Sea specialize in loud, propulsive and guitar-driven psych infused garage rock stompers – something patently clear from a cursory glance at their output to date.

Following on from ‘Daily Jobs’ & ‘Gonna Get Me’ early in the year, the Italian outfit continue to get us hyped for their new album Day Ripper – due on October 9 via Wild Honey Records – with the record’s title track. ‘Day Ripper’ is packed with all those trademark upbeat, frenzied riffs, sharp tempo shifts, melodic choruses, singalongs and huge hooks; all bathed in a haze of warm fuzz and distortion. Driven relentlessly onward with a propulsive motorik groove and  mesmerising, angular guitars, hypnotic vocals and bold and addictive choruses do battle with the jerky, spiraling riffs and swirls of distortion. ‘Day Ripper’ is a relentless, all-consuming and addictive jam – no question about it!

Listen to the single below and Day Ripper (the album) is due on October 9 via Wild Honey Records.

Field Trip to the Moon – ’62 Bullets’

Field Trip to the Moon is the musical project of London-based Manchester native Angela Christofilou, who with band in tow, has a flair for dark, potent – sometimes jagged or dramatic – post-punk infused garage-rock.

Together they released their debut album Something Owed in 2017 and they are back with a new self-titled EP, heralded by lead single ’62 Bullets’; a raw, raucous and thrilling jam. Opening with a catchy, fuzz-drenched riff introducing Christofilou’s raspy vocal before ’62 Bullets’ hurtles off in a blaze of buzzsaw riffs, stomping beats and shredded guitars all basking in a sea of fuzz and distortion. From the off, ’62 Bullets’ is a rip roaring blast of guitar wielding brilliance underpinned by a relentlessly driving beat and fiery energy, and whirlwind of fuzz, that is utterly irresistible.

Listen to the brilliant ’62 Bullets’ below and check out the new EP here.

Thousand Foot Whale Claw – ‘The Garden from Above’

Thousand Foot Whale Claw are an Austin-based instrumental quartet who deal in propulsive, krautrock inspired sonic escapism. 

This foursome fuse elements of psych-rock, krautrock and minimal electronica into seductive, transfixing and cosmic jams – as evidenced by mesmerizing latest single ‘The Garden from Above’. It is uplifting and bewitching, and is awesome in the truest sense of the word as layers of lavish synths glisten while effects-driven guitar shimmer as beat and bass merge seamlessly below the warm, seductive and expansive sonic wonder. ‘The Garden from Above’ is both beautiful and mesmerizing, a song to truly get lost in.

Listen to ‘The Garden from Above’ below: