Slim Tin Fox – ‘Feed Me’

We were introduced to Slim Tin Fox‘s energetic and no nonsense rock ‘n’ roll with ‘Molly’ toward the end of last year and the Dublin-based foursome are back with double a-side ‘Feed Me’ & ‘Hometown Blues’.

‘Feed Me’ continues in the same vein as before; it is a thrilling blend of indie, rock, blues, garage, post-punk and punk. Vocals snarl, delivered with a rasp while brash and muscular rhythm rumbles below a deluge of meaty riffs, guitars and feedback. It is powerful, all-action jam delivered with a swagger and an ear for a hooky tune. All this is just a long winded way of saying this foursome from Dublin have come up with yet another thrilling tune.

Listen to ‘Feed Me’ below now:

Tebi Rex – ‘I Got My Whole’

Tebi Rex are a hip hop pairing – Max Zanga and Matt O – based in Maynooth, Co Kildare, who together craft slick and easy on the ear jams.

New single ‘I Got My Whole’ is a case in point; a lush, dreamy and sunny pop-infused track. It is a track of irresistible charm as the pair’s sweet, smooth and melodic vocals (delivering tongue in cheek lyrics) drift elegantly above a steady and seductive beat/groove al amid a plush and charming twinkling chime of shimmering synths and blanket of hazy electronic tones.It is a beautiful and delightfully addictive cut – one that will be stuck on your head for AGES.

Listen to  ‘I Got My Whole’ below.


Denise Chaila – ‘Chaila’

Limerick MC Denise Chaila has been on the up since the release of ‘Copper Bullet’ / ‘Duel Citizenship’ early last year but 2020 has been a big one.

In March Chaila appeared alongside other guests on God Know’s banger ‘Who’s Asking? South West Allstars Remix’ before a show stopping performance as part of Other Voices Courage 2020 series – and now, released a brilliant new single ‘Chaila’. A perfect blend of poise and poetry, it is slick, smooth and suave as it bobs along a ridiculously addicting groove and guitar riff – the latter is the hook that everything else is built on, providing an alluring platform for the syrupy smooth vocals to thrive as powerful and poignant lyrics. A superb track and one that’s been on constant rotation for the best part of the summer.

Listen to ‘Chaila’ below:

Sprints – ‘The Cheek’

Sprints are Dublin-based post-punk foursome of Karla Chubb (vocals/guitar), Colm O’Reilly (guitar), Sam McCann (bass) and Jack Callan (drums).

Together, Sprints create a raw, raucous and potent post-punk sound – one filled with a ferocious blend snarling vocals, driving rhythms, meaty riffs, swagger and noise. The aforementioned attributes are captured perfectly by their latest single ‘The Cheek’; re-released as part of  Nice Swan Records’ monthly singles club. ‘The Cheek’ is loud, confident, and defiant. Driven by a fierce and propulsive bass line, it grabs you from the off and refuses to relent as it swaggers along barrelling drumbeat. Guitars rumble, buzz and crunch amidst the hail of noise and feedback as Chubb’s vocals increase their bite, growing increasingly defiant, leading the charge to an electrifying climax. A huge, thrilling and furious jam, delivered with a swagger and laced with sarcasm, ‘The Cheek’ tackles sexuality head on.

An absolutely massive tune, listen ‘The Cheek’ below:

Eoin Dolan – ‘June Hope’

Whenever Galway musician and singer-songwriter Eoin Dolan, one of Ireland’s finest talents as it goes, releases new material it is a great day.

Following on from last year’s Commander of Sapiens – Dolan’s third album to date – new EP June Hope is a gentle, carefully crafted collection of psych-inflected indie-pop. Dolan has a remarkable ability for crafting sci-fi-tinged surf pop, marrying heartbreaking melodies and gentle instrumentation, sadness with beauty and interstellar psych-pop exploration – and this signature sound is all over ‘June Hope’. Breezy, light and thoughtful, it charts a journey from youth to young adulthood through the prism of seasonal change. It is woozy and dreamy as it drifts along a gently waltzing groove flanked by Dolan’s breezy air and twinkly guitar, while radiating a sense of hopeful optimism. As always, Dolan has delivered an absolute treasure.

Listen to the single below and check out the David Boland aka New Pope crafted video – the EP is here too.


FONDA – ‘No Begonias’

It’s been four years since we’ve heard new material from Irish post-punk outfit FONDA but the intervening period was anything but boring.

Lead singer and frontman Liam O’Connor did a stint with brilliant Limerick post-punk powerhouse Slow Riot through to their conclusion and subsequent posthumous album release, while Patrick Bourke & Laura Kelly left for pastures new in North America.

All that aside, O’Connor and FONDA are back with a new line-up featuring fellow Limerick musicians; John Ahern (Hey Rusty), Paul Cosgrave (Slow Riot) and Sean O’Mahony (Inner City Radio) and the first fruits from this new formation comes in the shape of powerful new single ‘No Begonias’. It is a huge and epic post-punk anthem with dark and dramatic vocal soaring stridently above as urgent guitars burn, riffs surge with intense and searing intensity, and meaty basslines relentless rhythm reverberate amid the distortion below. A gripping, insistent and emotionally charged post-punk fervour – a triumphant return from FONDA.

Listen to ‘No Begonias’ below:

Martha Ffion Announces New Album; shares ‘After the Fact’

Glasgow-based Irish singer-songwriter Martha Ffion (aka Claire McKay) has returned with a wonderful new single ‘After the Fact’.

Working with the excellent Lost Map Records again, ‘After the Fact’ is the first taste of from her forthcoming much-anticipated second album Nights to Forget, which will be released on August 14, 2020.

Ffion’s 2018 debut LP Sunday Best is a beautiful record, filled with gleaming guitar-pop, wistful-ballads, swooning sixties inspired indie-pop and touches of folk & country, and being as it was one the finest records of that year, the expectancy levels for its follow-up are set rather high. New single ‘After the Fact’ is magnificent; it is a glorious ray of gleaming indie-pop with an underbelly of melancholy and disquiet. A fractured pop song, Ffion’s honeyed lilting vocal is juxtaposed by the stuttering groove interspersed with angular riffs and stabs of off-kilter guitar, and the results are a glorious. This captures all that is greatest about Martha Ffion’s work in just three-and-a-half-minutes – a marvelous songwriting wrapped with bittersweet indie-pop.

Check out the new single below – and keep the eyes peeled for the new record coming in August:


The Pickled Onions – ‘Habbit Holes’

Dublin outfit The Pickled Onions aka Paddy McGovern has quite a knack for bright, breezy and joyous bouts of effervescent indie-pop.

McGovern already has two wonderful EPs under his belt – The Woods & The Mines – and he is back with a new (and equally enchanting) single called ‘Habbit Holes’. It is sweet and charming three-minute escape to a woozy world of peaceful tranquility. Radiating a floaty, carefree and daydream vibe, lush hazy vocals drift over a gentle strum, playful melody, colourful tones and psych brush strokes – while the rhythm is seductive and delivered with a pillowy soft fluffiness. A soothing and breezy tune, marked with hint of wistfulness and nostalgia, but filled dreamy vibes an irresistible charm – simply divine.

Listen to  ‘Habbit Holes’ below: 

Junk Drawer – ‘What I’ve Learned / What I’m Learning’

Junk Drawer have been creating unruly blasts of sonic fury since 2016 but the Belfast quartet are releasing their debut album Ready for the House this coming Friday (April 24th) via Art For Blind.

Ahead of the album’s arrival comes new single, and the album’s opening salvo, ‘What I’ve Learned / What I’m Learning’. Mixing it up with brush strokes of psych, post-punk, 90s indie, shoegaze, psych and post-punk Junk Drawer deliver a sprawling 7 minutes of relentless, frenzied delirium. Opening with a meandering array of slowburning guitars and riffs that melt the heart before subtly drifting away as rampaging rhythm, caustic guitar lines and barrage of relentless roar of searing riffs emerge through a swell of distortion, feedback and psychedelic drones. It is a raw and caustic thriller, an unrelenting electrifying juggernaut of a jam that screeches through serrated layers of sonic energy, squealing distortion and spiraling fuzz. As was previously stated, this is the album opener, and oh my, does this get you in the humour for the album. Yes sir. 

Taken from Junk Drawer’s debut LP Ready For The House, out April 24 via Art For Blind Records.

Ex Norwegian – ‘Jove Was At Home’

Miami Beach psych-rockers Ex Norwegian are spending their 2020 releasing new music almost every Friday, mostly obscure covers of favourites, like this one from Irish psych-folk troupe Dr. Strangely Strange’s 1971 track ‘Jove Was At Home’

The original, a gentle, playful and pristine psych-folk jaunt is afforded an electric make-over into a psych stomper. While retaining the sweetness and melody of the original, this re-imagining it saunters along a swaggering groove and stomping beat amid a heady haze of warm fuzz and distortion as guitars buzz, riffs fizz and fuzz with hazy, nonchalant vocals loom large in the background. A superb and very easy on the ear tune, this is one of the more unusual things to cross my path recently but a welcome one at that. I had the pleasure of seeing Dr. Strangely Strange live a few years back (on my Dad’s recommendation who is a big fan) and they were really enjoyable. 

Listen to Ex Norwegian do Dr. Strangely Strange and ‘Jove Was At Home’ below: