Fauna Twin – ‘Rudy’

It has been far too long since we’ve heard from Fauna Twin – the pairing of Parisian singer-songwriter Claire Jacquemard Ginsberg & Wales’ Owain Ginsberg (Hippies Vs Ghosts / We Are Animal) – who released their debut ‘The Hydra’ in 2016.

The good news is that toward the end of 2020, Fauna Twin returned with a wonderful new single called ‘Rudy’. It has an eerie and mysterious air to it as an insistent strum joins a meandering groove in taking us on a woozy waltz through hushed and haunting atmospheric textures that slowly swell, sending a shiver down the spine, while Jacquemard Ginsberg’s powerful vocals rise to soar above with stunning consequence. ‘Rudy’ is sublime, a chilling track that tenderly introducing itself before swelling and engulfing you completely. It is a magnificent evolution of what made their previous work so compelling.

Listen to ‘Rudy’ below and rumour has it, we should be seeing (or hearing rather) more from Fauna Twin in 2021.

Total Rubbish – ‘Someone Else’s Dream’

Philadelphia trio, Total Rubbish, have garnered a serious rep for solid psychedelic garage rock gold throughout 2020 and culminating in debut EP, Triple Negative – a tour de force of psych-rock.

The trio are back with another single called ‘Someone Else’s Dream’. Lifted from the EP and much like the previous singles – ‘Honey Ryder’ & ‘What’s Your Damage?’ – it ekes out a sweet spot between forcefulness and ear for melody, coexisting in a sea of dense atmospheric tones and swirling riffs. ‘Someone Else’s Dream’ sees dreamy vocals float breezily above the buzzing riff, crunchy guitar, slo-mo swagger and rich melodic allure – and all bathed it a thick layer of fuzz and distortion. Yet again, the inappropriately named Total Rubbish have served up an irresistible slice of dreamy yet swaggering psych-infused rock.

Tune in to ‘Someone Else’s Dream’ below now:


Vanessa Anne Redd – ‘Dark Minds’

London-based British/German artist Vanessa Anne Redd is preparing to release her third album, Sweet Way Around, in the new year., and ahead of which, Redd has shared lead single ‘Dark Minds’.

As far as intros go, ‘Dark Minds’ is as fine as you could ask for. It sweeps into view with hazy, smokey vocals centre stage as it drifts and meanders along a languid and syrupy groove, aided and abetted by undulating bubbly bass and snare combo before shifting through the gears. The seductive grooves are complimented (rather than overwhelmed) by a surging swell of fuzzed-up riffs and crunchy guitars, with Redds powerful vocals matching the rising tide step for step. It is dreamy, seductive and languid yet ultimately rousing and anthemic by the close – an utterly stunning song.

Tune in to ‘Dark Minds’ below and keep the eyes and ears open for the new record come the new year:

Sprints – ‘Manifesto’

Sprints are Dublin-based post-punk foursome – of Karla Chubb (vocals/guitar), Colm O’Reilly (guitar), Sam McCann (bass) and Jack Callan (drums) – who together, create a raw, raucous and potent post-punk sound – one bursting with a ferocious blend snarling vocals, driving rhythms, meaty riffs, swagger and noise.

These aforementioned attributes are offered in spades on their aptly titled latest single ‘Manifesto’, a tenacious statement of intent. An early taste of their forthcoming debut EP of the same name, due in the new year, it comes exploding out of the blocks. A powerful stomping beat underpinning an assertive and meaty bassline rumble as raspy, fierce and fiery vocals come to the for before soaring high above the explosion of buzzing guitar, scintillating riffs and crashing drums. It is a huge, explosive and supremely confident anthem. Previous single ‘The Cheek’ was great but ‘Manifesto’ sees them kick it up to another level entirely – a simply stunning tune.

Don’t just take my word for it, listen to ‘Manifesto’ below:

A.S. Fanning – ‘All Time’

Berlin-based, Dublin-raised, singer/songwriter A.S. Fanning has shared the single ‘All Time’ ahead of the release of new album ‘You Should Go Mad’ on 13 November via Proper Octopus Records.

It is the follow up to Fanning’s 2017 solo debut Second Life and ‘All Time’ indicates a continued evolution of his blend of folk, country and rock & roll, with psych and gothic brushstrokes. Fanning combines these aforementioned sensibilities to create a richly resonant, dark and foreboding backdrop with subtle layers of psychedelic textures and glistening production adding a touch of respite and illumination; illumination for Fanning’s finest attribute, his brilliant songwriting and storytelling abilities, to thrive. His world weary baritone vocal delivers a vivid introspective tale through time and memory for a compelling 7-minutes of rich and powerful emotion.

Listen to ‘All Time’ below now – and You Should Go Mad’ is out on November 13.

Jacqueline Tucci – ‘Home’

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Jacqueline Tucci is a Toronto-based musician with a penchant for 90s indebted alt-rock as evidenced by 2020 singles ‘Fear’ & ‘Sweeter Things’.

Further strengthening this rep, Tucci has released a powerful and potent new single, ‘Home’. It is a powerful and potent alt-rock anthem that is bristling with raw biting emotion and intensity as guitars burn and wind through mild fuzz and feedback with a bouncy bass bass riff for company, with Tucci’s powerful vocals soaring above. It is a huge tune that while meaty, raw and powerful, there is deftness to it too. It once again demonstrates Tucci’s brilliant ear for melody, a catchy chorus and lyricism, wonderfully switching as it does, from softer, more melancholic verses to euphoric, uplifting and anthemic choruses with seamless ease. 

Check out ‘Home’ below – it will not disappoint.

Total Rubbish – ‘What’s Your Damage?’

Total Rubbish are Philadelphia-based garage rock trio – Bre Steinfeldt (bass), Cass Nguyen (guitar) and Kiki Schiller (drums) – who have released their debut EP, Triple Negative, and having introduced it, and their wares, with phenomenal debut single ‘Honey Ryder’, they are back with single #2, ‘What’s Your Damage?’.

‘What’s Your Damage?’ carries that same nineties-esque, alt-rock, grunge and psychedelic fuzz which was all over their debut. It stomps and swaggers through a guitar-heavy wall of sound with soft, melodic vocals, buzzing riffs and scorching licks for company. Once again, the inappropriately named Total Rubbish have eked out a perfect balance with powerful, brute force and ear for melody, coexisting in a sea of dense atmospheric tones and swirling riffs.

Listen to ‘What’s Your Damage?’ below now and Triple Negative is out now via Born Losers Records

Low Hummer – ‘Sometimes I Wish (I Was a Different Person)’

Low Hummer are a Hull quintet who do a fine line in wonderfully crafted post-punk meets indie-pop, sprinkled with synths, it is danceable and ridiculously infectious.

Having formed in 2019, Low Hummer have been indulging us with a steady stream of superb singles of the aforementioned ilk – the latest of which, ‘Sometimes I Wish (I Was a Different Person)’, is the best yet. A song about alienation, confusion, contradictions and wishing you could be someone else. ‘Sometimes I Wish (I Was a Different Person)’ opens  with a twinkle of electronics and buzzing angular guitar riff, it swaggers along a deep groove interspersed with jerky rhythms, synth riffs, stellar guitar work, fuzz and formidable vocals, and all dripping with syrupy smooth melodies. A massive, powerful and memorable jam – you will be all the better for a wee bit of Low Hummer in your life,

‘Sometimes I Wish (I Was a Different Person)’ is out now through Dance to the Radio.

Total Rubbish – ‘Honey Ryder’

Total Rubbish are Philadelphia-based garage rock trio – Bre Steinfeldt (bass), Cass Nguyen (guitar) and Kiki Schiller (drums) – who will be releasing their debut EP, Triple Negative, soon and have introduced it, and their wares, with phenomenal single ‘Honey Ryder’.

While taking their cue from 90s alt-rock and grunge, on the evidence of ‘Honey Ryder’ there are 60s psych brustrokes and echoes of shoegaze at play too. It stomps and swaggers out of the blocks with distorted guitar, buzzing meaty riff and scorching lick cutting through a wall of fuzz and distortion as we tread carefully along a steady, solid beat with the hypnotic hushed vocals floating above. With ‘Honey Ryder’ the inappropriately named Total Rubbish have eked out a perfect balance with powerful, brute force and ear for melody, coexisting in a sea of dense atmospheric tones and swirling riffs.

Listen to ‘Honey Ryder’ below now and Triple Negative is out on November 20th via Born Losers Records

Field Trip to the Moon – ’62 Bullets’

Field Trip to the Moon is the musical project of London-based Manchester native Angela Christofilou, who with band in tow, has a flair for dark, potent – sometimes jagged or dramatic – post-punk infused garage-rock.

Together they released their debut album Something Owed in 2017 and they are back with a new self-titled EP, heralded by lead single ’62 Bullets’; a raw, raucous and thrilling jam. Opening with a catchy, fuzz-drenched riff introducing Christofilou’s raspy vocal before ’62 Bullets’ hurtles off in a blaze of buzzsaw riffs, stomping beats and shredded guitars all basking in a sea of fuzz and distortion. From the off, ’62 Bullets’ is a rip roaring blast of guitar wielding brilliance underpinned by a relentlessly driving beat and fiery energy, and whirlwind of fuzz, that is utterly irresistible.

Listen to the brilliant ’62 Bullets’ below and check out the new EP here.