Low Hummer – ‘Sometimes I Wish (I Was a Different Person)’

Low Hummer are a Hull quintet who do a fine line in wonderfully crafted post-punk meets indie-pop, sprinkled with synths, it is danceable and ridiculously infectious.

Having formed in 2019, Low Hummer have been indulging us with a steady stream of superb singles of the aforementioned ilk – the latest of which, ‘Sometimes I Wish (I Was a Different Person)’, is the best yet. A song about alienation, confusion, contradictions and wishing you could be someone else. ‘Sometimes I Wish (I Was a Different Person)’ opens  with a twinkle of electronics and buzzing angular guitar riff, it swaggers along a deep groove interspersed with jerky rhythms, synth riffs, stellar guitar work, fuzz and formidable vocals, and all dripping with syrupy smooth melodies. A massive, powerful and memorable jam – you will be all the better for a wee bit of Low Hummer in your life,

‘Sometimes I Wish (I Was a Different Person)’ is out now through Dance to the Radio.

Total Rubbish – ‘Honey Ryder’

Total Rubbish are Philadelphia-based garage rock trio – Bre Steinfeldt (bass), Cass Nguyen (guitar) and Kiki Schiller (drums) – who will be releasing their debut EP, Triple Negative, soon and have introduced it, and their wares, with phenomenal single ‘Honey Ryder’.

While taking their cue from 90s alt-rock and grunge, on the evidence of ‘Honey Ryder’ there are 60s psych brustrokes and echoes of shoegaze at play too. It stomps and swaggers out of the blocks with distorted guitar, buzzing meaty riff and scorching lick cutting through a wall of fuzz and distortion as we tread carefully along a steady, solid beat with the hypnotic hushed vocals floating above. With ‘Honey Ryder’ the inappropriately named Total Rubbish have eked out a perfect balance with powerful, brute force and ear for melody, coexisting in a sea of dense atmospheric tones and swirling riffs.

Listen to ‘Honey Ryder’ below now and Triple Negative is out on November 20th via Born Losers Records

Field Trip to the Moon – ’62 Bullets’

Field Trip to the Moon is the musical project of London-based Manchester native Angela Christofilou, who with band in tow, has a flair for dark, potent – sometimes jagged or dramatic – post-punk infused garage-rock.

Together they released their debut album Something Owed in 2017 and they are back with a new self-titled EP, heralded by lead single ’62 Bullets’; a raw, raucous and thrilling jam. Opening with a catchy, fuzz-drenched riff introducing Christofilou’s raspy vocal before ’62 Bullets’ hurtles off in a blaze of buzzsaw riffs, stomping beats and shredded guitars all basking in a sea of fuzz and distortion. From the off, ’62 Bullets’ is a rip roaring blast of guitar wielding brilliance underpinned by a relentlessly driving beat and fiery energy, and whirlwind of fuzz, that is utterly irresistible.

Listen to the brilliant ’62 Bullets’ below and check out the new EP here.

Introducing: Ford Corl

With a decade’s worth of work already to his name, Ford Corl’s new record, The Dumb Album, is the culmination of four years graft.

Corl’s calling card is a heady brew of starry-eyed indie-rock with shoegaze and psych brushstrokes; as demonstrated by ‘Day Goes On’ and ‘Vitamins’ – both lifted from the new record.

‘Vitamins’ is a crunching yet melodic blast of fuzz-filled, lo-fi leaning indie. Guitars fizz, fuzz and buzz amid a sea of dream-like hazy distortion and infectious reverb while all strewn with hooks you could hang your hat on. It slinks and swaggers on it melodic meander as the straining vocal echoes through the shimmering haze – a tantalising taste of Ford Corl at his most catchy. While not born from a similar hook heaven, ‘Day Goes On’ is captivating but offers a more groove focussed side to Ford Corl’s psych-rock explorations. An exhilarating seven-plus-minutes, it is spearheaded by a relentless motorik groove and droning synth which cuts through the mist of swirling fuzz and distortion as melodic vocals float into view of the bustling guitars and buzzing riffs. An all consuming, immersive and hypnotic jam, and one that reveals itself even more enticing, intriguing and dynamic upon further listens.

Tune in to ‘Day Goes On’ and ‘Vitamins’ below and if they are to your liking, why not check out the new record here.

Deep Sea Diver Announce New Album, Share ‘Lights Out’

Seattle’s Deep Sea Diver have announced their third album — Impossible Weight — will be released via High Beam Records on October 16th.

Accompanying this news, the indie-rock outfit led by Jessica Dobson have shared lead single ‘Lights Out’ to whet the appetite, and oh my, does it ever. ‘Lights Out’ explodes out of the blocks with an urgent, propulsive bassline driving us onward as guitars flash and flurry of angular riffs flash amid the mild fuzz while Dobson’s own electrifying guitarwork is front and centre, a suitable backdrop to more fully illuminate the power of her vocals. ‘Lights Out’ is a massive, massive tune built upon thrilling momentum and restless intensity as we careen through mesmerizing highs and lows that are raucously defiant yet delicate at the same time.

Check out  ‘Lights Out’ below – the new album is out on October 16th.

Thousand Foot Whale Claw – ‘The Garden from Above’

Thousand Foot Whale Claw are an Austin-based instrumental quartet who deal in propulsive, krautrock inspired sonic escapism. 

This foursome fuse elements of psych-rock, krautrock and minimal electronica into seductive, transfixing and cosmic jams – as evidenced by mesmerizing latest single ‘The Garden from Above’. It is uplifting and bewitching, and is awesome in the truest sense of the word as layers of lavish synths glisten while effects-driven guitar shimmer as beat and bass merge seamlessly below the warm, seductive and expansive sonic wonder. ‘The Garden from Above’ is both beautiful and mesmerizing, a song to truly get lost in.

Listen to ‘The Garden from Above’ below:

NANCY – ‘Orange Yellow Orange’

Based in the North East of England, NANCY have demonstrated an enigmatic talent with a propensity for audacious sonic adventures that are anything but conventional.

More accustomed to frenzied blasts of art-rock meets post-punk steeped-in-psychedelia, on this occasion NANCY affords us a glimpse at a softer side with synthy single ‘Orange Yellow Orange’. It is a woozy little jam that will lull you into a trance with its seductive melody and laidback tranquility. Basked in a hazy glow, lush synths and pillowy soft percussives provide the perfect environment for the soothing and transfixing whistle to whisk you away before hushed vocals flutter into view. ‘Orange Yellow Orange’ is hazy, gentle and swoons with a heart melting melody doused with a tinge of beautiful melancholy.

‘Orange Yellow Orange’ offers us a glimpse into forthcoming EP ‘Happy Oddities’, which is out on August 7.

Neurotic Fiction – ‘Happy Goth’

Neurotic Fiction are Bristol-based outfit with a penchant for fast-paced, frantic, jerky and melodic post-punk sounds.

The foursomes latest release, EP Romance, is something of a bittersweet moment. Yes, it is a wonderful blast of jerky, agitated guitar pop but it marks their final bow, as they go their separate ways. Across the four tracks the EP offers us a short but precise insight to the magical allure of Neurotic Fiction’s sound and if there is one track that encapsulates their harmonic balance between frenzied guitar heroics and resplendent, intricate pop craft and ear for melody and the catchiest of hooks, it is EP closer ‘Happy Goth’. Propelled by relentless driving bass and urgent drums, jerky riffs and reverb-drenched surfy guitars collide to provide a twitchy and agitated backdrop. In lesser hands, the juxtaposition of this with the sunnier, lush and dreamy vocals probably wouldn’t work but thankfully Neurotic Fiction nail it.

Listen to ‘Happy Goth’ below, a standout from a superb EP (which is here). It’s a shame to see them ride off into the sunset…..

Mofer – ‘Across the Border’

Mofer are a German post-punk trio with a penchant for rough, raw and immediate sounds rooted in 80s and 90s indie and post punk vein.

The trio’s latest single ‘Across the Border’ is a perfect encapsulation of their sound. A bit indie, a bit post-punk, a bit alt-rock and a bit rough around the edge it – this coarseness is not to be confused with lacking skill. The gritty raw materials of slant-edged rhythms, chugging riffs and distortion provide a perfect vehicle for the sullen yet reflective vocals. It is a compelling jam filled with menace, noise and melancholy, and also ear pleasing melodies.

Listen to ‘Across the Border’ below:

Slim Tin Fox – ‘Feed Me’

We were introduced to Slim Tin Fox‘s energetic and no nonsense rock ‘n’ roll with ‘Molly’ toward the end of last year and the Dublin-based foursome are back with double a-side ‘Feed Me’ & ‘Hometown Blues’.

‘Feed Me’ continues in the same vein as before; it is a thrilling blend of indie, rock, blues, garage, post-punk and punk. Vocals snarl, delivered with a rasp while brash and muscular rhythm rumbles below a deluge of meaty riffs, guitars and feedback. It is powerful, all-action jam delivered with a swagger and an ear for a hooky tune. All this is just a long winded way of saying this foursome from Dublin have come up with yet another thrilling tune.

Listen to ‘Feed Me’ below now: