Omaloma announce debut album; share ‘Walk The Dog’

Welsh outfit Omaloma has etched out a rather special place on the musical landscape with a series of sublime singles marking him out as a reliable source of blissful, spacey psych-pop.

Originally the solo-project of Welsh artist George Amor, Omaloma is now a full band operation – including Amor Llŷr Pari (drums, sample pad), Daf Owain (bass), Alex Morrison (synths) & Gruff ab Arwel (guitar) – and together they will release their much anticipated debut album, Swish on April 3, 2020.

Ahead of the forthcoming album, they have shared lead singe ‘Walk The Dog’ and is filled with all the alluring stardust that has charmed us thus far. It gently grooves along a syrupy smooth groove, languidly meandering through an alluring blend of slinky synth-pop amid cascading twinkles of electronics, psych brush strokes, woozy synth lines and Amor’s soft, soothing soft vocals. ‘Walk The Dog’ is a blissful sojourn to a peaceful and tranquil plain in a world gone mad and makes the debut record a mouthwatering prospect.

Listen to ‘Walk The Dog’ below. Swish is out tomorrow (April 3, 2020) via Cae Gwyn Records.

bdrmm – ‘Happy’

Hull-based outfit bdrmm have been blurring the lines between ‘90s indie, shoegaze, psych and dream pop since 2018, and dazzling us in the process.

Following on from their debut EP in 2019, bdrmm are now focused on their debut album. Recorded and mixed by Alex Greaves (Working Mens Club, Bo Ningen) and mastered by Heba Kadry (Slowdive, Beach House) the record is led by new single ‘Happy’. Simultaneously taut and dreamy, ‘Happy’ hares off along a propulsive rhythmic groove with clipped guitar lines and while reverb-drenched vocals float above the shimmering haze of atmospheric splendor. It is whizzes and fizzes by as those guitars glisten amid the glorious cloud of mild fuzz and distortion. An utterly dazzling tune, and one that harnesses its core strength from embracing the combination of seemingly opposites as the lead guitar spirals into the hushed, dreamy vocals and emphatic rhythmic energy.

Listen to ‘Happy’ below – there is no concrete date for the album but expect it sometime later in the year.


CIEL – ‘Days’

CIEL are Brighton-based, Dutch dream-pop trio fronted by Michelle Hindriks (also of Sväva).

Together, Hidrinks and company concoct a heady brew of starry-eyed dream pop with shoegaze, psych and indie brushstrokes – beautifully demonstrated by new single ‘Days’. Lifted from the forthcoming debut Movement EP, ‘Days’ is a swirling cloud of hazy and magical charm as bright guitars soar to heavenly heights while cymbal-heavy percussion plunge in the opposite direction in something of a psych see-saw action. Amid this shimmering haze melodies come flying out at all angles over and lush dreamy vocals fly above while way beneath a bubbling propulsive groove rumbles with motorik precision. It is absolutely stunning – power, procession and beauty in all the right quantities.

Listen to ‘Days’ below:

Introducing: Anton Che

Anton Che is a producer from Khabarovsk, Russia who has a preference for captivating, escapist and cinematic sounds, matched in no small way by a supreme ear for groove.

The latter is a constant, a hallmark or calling card throughout his work, and more specifically on Che’s latest singles ‘UFO’ and ‘Loose. The former is an elegant arrangement that glistens and flickers as minimal flourishes of synths and frazzled electronic radiate a sense of wonderment and awe before the soft and seductive beat emerges to navigate through a world cosmic splendor. ‘UFO’ is an atmospheric beauty; an engrossing and transfixing escape. ‘Loose’ meanwhile is more earthy and grounded as it stutters and shuffles along seductive, bubbling bassline and choppy chords while soft beats click-clack amid a sea of fresh and hazy tones.  Both tracks lean heavily on groove; from the subtle bassy swagger of ‘Loose’ to the relaxing stasis of ‘UFO’ – and are captivating and mesmerizing in their own ways.

Listen to ‘UFO’ & ‘Loose’ below:

Imploded View – ‘Don’t Know What To Call This Feeling’

It’s been a while since we’ve heard from Irish producer Imploded View (aka Jerome McCormick) – and mores the pity.

A longtime favourite around these parts, whether bestowing elegantly sculpted downtempo soundscapes or buoyant electro, the Longford-based producer never disappoints. In keeping with tradition Imploded View has come bouncing back into our lives with a lavish slice of the latter in the shape of ‘Don’t Know What To Call This Feeling’. Built around a funky synth and bass, the allure of the groove runs deep to the core as catchy hooks, warm shimmers of synth and cascading frazzled electronics illuminate a path for this funk-filled strut. Amid the bright and bouncy jaunty air, a pang of unease emerges through a wining string line grounds us an the hushed vocals from McCormick which offer introspective exploration marked by a raw and redemptive tone. A marvelous tune, musically and thematically. Welcome back!

Check out ‘Don’t Know What To Call This Feeling’ below and it’s worth mentioning that much of the video was actually shot by McCormick’s six-year-old daughter. Enjoy!


Seatbelts – ‘Superstardom’

Liverpool outfit Seatbelts introduced their joyful brand of guitar pop with a slew of super singles – ‘Hey, Hey Tiger!’, ‘Content Crush’, ‘Capitalist Confession’ & ‘Black Strings’ – and absolutely nailed it with each and every opportunity.

Comprised from James Madden and Ryan Murphy of Hooton Tennis Club, and Abigail Woods and Alex Quinn, Seatbelts are back with new single ‘Superstardom’. Produced by Edwyn Collins, it is a bouncy three-minute celebration of human uniqueness as it skips along a jaunty strut and bubbling bassline while new wavey guitars glisten and woods powerful honeyed vocals soar above the seductive groover below. It is bright, playful and superbly addicting, and will no doubt have your head nodding and feet tapping. Seatbelts are a real favourite around these parts, each new release is a step up from the last and as utterly irresistible as ‘Superstardom’ is, I can’t help but wonder what they’ll have in store for us next.

Check out ‘Superstardom’ below and if that is to you liking, they’ve plenty more where that came from.

The Whags – ‘Fraction Of’

The Whags are a Seattle-based five piece whose sound is a joyous amalgam of indie, psych, funk and soulful Americana with rich vocal harmonies and a deep seductive grooves.

‘Fraction Of’ is the first in a series of singles set for 2020, and is the perfect distillation of their sound. It is a deep grooving and swaggering slice of soulful pop the slowly unfurls into a beautifully bright, breezy and wholly optimistic jam. Everything feels big and bright as soaring choruses, lush harmonies and sweet licks are peppered with an uplifting air shimmering tones while the lilting, soul-filled vocals roll across the top.This a heavenly jam dripping with melody and lavishly coated with lush harmonies as it swells to enraptured bouts of euphoria. This an absolute joy, a treasure in fact and food for the soul.

Tune in to the wondrous sounds of ‘Fraction Of’ below:

Max Bloom – ‘Thinking ‘Bout You’

Best known for his role in London-based lo-fi loving indie outfit Yuck, Max Bloom is stepping out on his own, and releasing his debut solo album, Perfume, on April 24.

Ahead of that, Bloom has shared a new single lifted from his debut called ‘Thinking ‘Bout You’. Shifting away from distorted guitars and ’90s inspired lo-fi fuzz that marked his work with Yuck, ‘Thinking ‘Bout You’ is a bright and uplifting slice of joyous pop – made all the more alluring (and fun) by the triumphant bursts of brass that illuminate the guitar bop and power-pop punch. It is an unbelievably catchy jam filled with sinuous melodies and adorned with huge hooks, ones you could hang your hat on. If you need cheering up, this is the right job for you.

‘Thinking ‘Bout You” is out now and Max Bloom’s debut is expected on 24 April via Anniversary.

Tia Gostelow – ‘Rush’

Australian artist Tia Gostelow introduced us to her lavish and exquisite indie folk / pop stylings with superbly addictive singles ‘Giants’& ‘Phone Me’ back in 2018.

Two years on, amid working on a new album, Gostelow has returned with a dazzling new single ‘Rush’. Delivered with recognizable pop finesse, it is a lush blissful and colourful burst of indie pop – exploring more feel-good territory than before. Gostelow’s sweet honeyed tones are the perfect pairing for the warm and colourful confection that shimmers above the seductive groove and propulsive synthline. This is lush, feelgood and bewitching electro-pop. It is irresistible and danceable as it goes, a sonic embrace made in heaven. ‘Rush’ is simply stunning and as good as anything she has produced to date – and that is lofty enough praise in itself.

Get lost in the feelgood blissfulness of ‘Lush’ below – three minutes of much needed relief from the realities of the world at the moment.


Koresma – ‘New Frontier’ (Remix by Nifty Earth)

Koresma (aka Ryan Lindberg) is an electronic producer based in the mountains of Asheville, North Carolina who favours a blend of chilled electro-acoustic music grounded by strong grooves and inspired by the natural world around him.

Over the past 18 months or so, Koresma has treated our ears to a series of hypnotic, chilled and easy on the ear bouts of escapism – and with those qualities, it is as opportune time as any to return with some soothing sounds. Koresma has enlisted the talents of fellow US producer Nifty Earth on remix duties. It is a perfect union; both have a flair for the colorful, the imaginative and chilled-out rhythms and grooves – something born out exquisitely here. Centered around the dual power of the piano melody and mesmerizing beat, we are whisked away to an aura of calm and beauty, as percussive grooves project a hypnotic, trance like state of breezy tones, lush colours and soft, precise beats that weave in and out of lush melodies. This is absolutely stunning, simple as that.

Let the bewitching tranquility of Nifty Earth’s rework of ‘New Frontier’ wash over you below & it is lifted from North Remixes, you can listen to that here.