FFUG – ‘Love Is Stupid’

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FFUG (pronounced ‘Feeg’ and Welsh for ‘Fake’) have shared their raucous new single ‘Love Is Stupid’, which is taken from their forthcoming self-titled second album.

Due out on August 5th through Strangetown Records, the record was recorded and produced by Super Furry Animals‘ drummer, Dafydd Ieuan. ‘Love Is Stupid’ is feisty, explosive indie-rock-meets-punk, as it hurtles forward, bludgeoning its way through with heavy, distorted guitars, pummelling beats and a sort of understated rasp. This barnstorming bluster is dished out with youthful energy, aggression and exuberance. Two minutes long it maybe, but what a exhilarating two minutes it is. Their name may be Welsh for fake, but these four guys from Cardiff are are a genuinely ferrous punk-rock powerhouse.

You can check out ‘Love is Stupid’ below, while the forthcoming second LP, FFUG, is due out on August 5th.

 

Millions Like Us Podcast – Episode #15

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Yip, it’s that again already and we’re thrilled to share yet another Millions Like Us Podcast with you all.

Every two weeks, Justin & I, in conjunction with Vancouver news & culture site 604now, aim to deliver an eclectic selection of top class music. There’s plenty to chew on for Episode #15, well over an hour in fact, of great tunes and plenty of chat, encompassing everything fro, Bluetooth headset wearers, Siri bashing, Fergie time, NOFX hoodies, the Rocky Mountains and of course, music.

You can read more on it over here and of course, listen below (and the tracklist (with links) is after the jump too). You can subscribe to ‘Millions Like Us’ on iTunes & Podcast Republic, Mixcloud & SoundCloud, or find us on Facebook & Twitter. Or you can email us at millionslikeuspodcast[at]gmail[dot]com.

As mentioned in this episode, Justin has been busy compiling tracks featured in the series. If you’re a Spotify user, then you can access this 6 hours plus playlist here.

Thanks for all the support and once again, till next time, thanks for listening! We hope you enjoy Episode #15. And last but not least, thanks to Caroline for the stylish image.

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Foreign/National – ‘Tristesse’

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Having wooed us with a series of sublime singles and self-titled EP, Foreign/National are almost ready to share their debut album with us.

Accompanying this news is new single, ‘Tristesse’, a sneaky peek of the Melbourne band’s debut album, produced by long-time pal Joey Walker of King Gizzard & The Lizard Wizard. Unsurprisingly (and thankfully) it is the latest in a long, long line of stellar singles which draws on their love affair with warped, nostalgic­-pop, and it is utterly mesmerizing. Strutting along with an irrepressible groove, sense of coolness and an underlying hint of melancholy, it moves fluently through a swirl of these aforementioned predilections, mixed with a spread of wonderfully colourful, breezy, brightly imaginative and saturated fuzz-pop, fused with 70’s disco, Motown and funk. Foreign/National say themselves that ‘Tristesse’ is a lovesick postcard from the end of an Australian summer but for those of us outside of the Southern Hemisphere, it is a tantalizing reminder of what is yet to come. In terms of summer and, importantly, from Foreign/National.

No firm date on when the album is to be expected as yet, but for now, get your ears around ‘Tristesse’.

 

Colleen Green – ‘Green My Eyes’

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Colleen Green has recorded six brand new tracks for a forthcoming self-titled EP, Green’s contribution to the latest instalment of the Infinity Cat Cassette Series, due on May 13.

‘Green My Eyes’ is the latest track lifted from the forthcoming EP, which follows 2015’s I Want To Grow Up, yet on the surface at least, has more in common with her earlier work. Having briefly dispensed with her trusty drum machine  in favour of Casey Weissbuch on drums for the 2015 LP, we find Green back on a DIY perch. ‘Green My Eyes’ is a short, sharp, slice of super-charged fuzz-pop with a steadfast drum-machine beat, underscoring her recognizable self-aware ramblings. A superlative blend of mildly punchy, sweetly sung and irresistible fuzzy-pop; Ms. Green’s modus operandi.

You can listen to ‘Green My Eyes’ below, while you will have to waiting till May 13th for her self-titled EP, out on metallic gold cassette only via Infinity Cat Recordings.

Koloto – ‘Fay’

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Canterbury based producer Maria Sullivan has been creating music for over a decade. Sullivan was the bassist in Delta Sleep and most recently, working under the moniker of Koloto, has demonstrated a passion and prowess for glitchy, homemade, hand-crafted sounds; treating us to a series of first-rate electronic compositions.

The latest of which, comes in the form of new single ‘Fay’. Released through Abandon Building, it is a typically intricate and delicately constructed, beat-driven cut of gorgeous, glitchy, electronic music. Profoundly wonderful and imaginative, it is matched in all manner of greatness by the accompanying animated video by Sabine Volkert, an animator, illustrator, and designer currently based in Nürnberg, Germany. While there can be no complaints with Koloto’s output thus far, here’s hoping that we get an album, or another EP, sooner rather than later.

You can stream ‘Fay’ below and it is available from Bandcamp now, just ‘name your price’.

 

Amber Arcades – ‘Fading Lines’

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Netherlands native Amber Arcades, aka Annelotte de Graaf, has shared the title track of her debut album, Fading Lines, due on June 3.

The second single taken from her forthcoming debut, following the amazing ‘Right Now’, ‘Fading Lines’ is another dazzling piece of ‘60s tinged, psychedelic jangle-swirl. It sparkles with a warm glimmer, as de Graaf’s dreamy vocals majestically hover above an abundance of floating pop melodies, hypnotic, lush jangly guitars, swirling psych atmospheric effects, all coated with light layer of fuzzy distortion. This is flawless jangly fuzz-pop with an upbeat groove and distinct ’60s retro feel, but importantly while sounding familiar, it stays on the right side of familiar. Produced by Ben Greenberg (Beach Fossils, The Men, Destruction Unit) and backed by a band comprised of members of Real Estate, Quilt and Kevin Morby, the album is a culmination of songs written over the years; so far so good.

Fading Lines is out June 3rd on Heavenly Recordings. Check out the magnificent title track below:

Estrons – ‘Drop’

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Cardiff-based Estrons announced themselves LOUDLY with their debut single ‘Make A Man’ – a powerful ‘indie-rock’juggernaut – and guess what? They are back with an equally exhilarating new single, ‘Drop’.

Tali Källström and co.’s latest effort ‘Drop’ is just as good and just as loud, as the previous effort, showing yet again why they are a band to keep an eye on. A three-and-a-half-minute burst of coiled up aggression, ‘Drop’ gets in your face from the get go and never relents.Spiky, uncompromising and muscular, it is a frenetic and scintillating explosion of energetic, blistering guitar riffs, pounding drums and Källström’s incredibly powerful, searing vocals. ‘Drop’ is a dizzying display of what makes Estrons a very, very exciting proposition indeed. It is a hell of a ride, just hold on.

You can check out ‘Drop’ below:

Accompanying the new track, ESTRONS have announced a headline show at London’s Waiting Room, on May 5th. And they also support Dilly Dally on their upcoming European tour.

SALES Share Single ‘Ivy’, Ahead of Debut LP on April 20th

Over the past 18 months or so Florida duo SALES, have repeatedly proven themselves to be a reliable and plentiful source of catchy, melodic and pleasantly chill dream-pop.

Now, with their long-awaited debut LP almost upon us, Lauren Morgan and Jordan Shih have shared new single ‘Ivy’. It is a pensive, slinky, free-flowing meander with a mildly distorted drumbeat and repeated guitar riff, undulating around Morgan’s gentle, gauzy and alluring vocals. It all softly splashes, swirls together, working perfectly with their pre-existing penchant for mellow guitar, bedroom pop. The pair couldn’t have created a more endearing tracking, it is simply wonderful. Not only that but it showcases everything that makes SALES such a wonderful band and exciting proposition, and why if you’re not already looking forward to the release of their debut album on April 20th, you probably should be.

SALES’ self-titled debut is out on April 20th but till then, you can check out the marvelous ‘Ivy’ below:

SALES’ have a whole host of live dates lined-up across North America, you can check the full list here.

 

Introducing: Omaloma

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Omaloma is the new musical project of Welsh artist George Amor. Formerly of now defunct Welsh psyche supremos Sen Segur, and current bass player for Palenco, Amor has heralded this fine news with a debut single of shimmering, psychedelic escapism, in the shape of ‘Ha Ha Haf’.

Released on Cae Gwyn Records, ‘Ha Ha Haf’ (translates as ‘Ha Ha Summer’) is ever so pleasing on the ear. Imbued with a suitably sunny disposition, it is a bright, cheery and beautiful, psych flavoured pop song. Awash with undulating effects, cosmic rhythms and meandering melodious, it perfectly combines piano, jangly guitars and soft, soothing vocals (sung in Amor’s native Welsh). Breezy pop brilliance from Omaloma, which much like April in Vancouver thus far, is an early taste of summer.

Needless to say, it is going to interesting tracking Omaloma’s progression through 2016, and beyond. For now, you can enjoy the wonderful Ha Ha Haf’ and ‘Lutra’, Omaloma’s inclusion on Swooshed; Cae Gwyn Records’ most recent and most excellent compilation (it is available here).

 

L.A. Witch – ‘Drive Your Car’

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Los Angeles garage-rock trio L.A. Witch –  Sade Sanchez, Irita Pai, and Ellie English – are releasing a new 7″ single to celebrate their North American tour with The Kills.

The single is question, ‘Drive Your Car’, is a perfect exponent of their signature sound that veers between moody post-punk and explosive blues-punk-garage. It is a just-over three-minute ferocious blitz of scuzz and sass. Amid the reverb, coarse guitars, chugging riffs and explosive drumming are chased down Sanchez’s ghostly, howling vocal. Softening the blow somewhat, there is a hint of the psychedelic chipping away at what is fierce, fierce track. All in all, this combination makes it impossible not to love, and an easy one to enjoy on repeat.

You can check out ‘Drive Your Car’ below, the 7″ is out now and comes b-side ‘Ain’t Comin Home Master’.

Meanwhile, L.A. Witch will hit the gig trail across North America with The Kills incl. Vancouver on May 31st, in the Commodore Ballroom – full list of dates here.