Koresma – ‘New Frontier’ (Remix by Nifty Earth)

Koresma (aka Ryan Lindberg) is an electronic producer based in the mountains of Asheville, North Carolina who favours a blend of chilled electro-acoustic music grounded by strong grooves and inspired by the natural world around him.

Over the past 18 months or so, Koresma has treated our ears to a series of hypnotic, chilled and easy on the ear bouts of escapism – and with those qualities, it is as opportune time as any to return with some soothing sounds. Koresma has enlisted the talents of fellow US producer Nifty Earth on remix duties. It is a perfect union; both have a flair for the colorful, the imaginative and chilled-out rhythms and grooves – something born out exquisitely here. Centered around the dual power of the piano melody and mesmerizing beat, we are whisked away to an aura of calm and beauty, as percussive grooves project a hypnotic, trance like state of breezy tones, lush colours and soft, precise beats that weave in and out of lush melodies. This is absolutely stunning, simple as that.

Let the bewitching tranquility of Nifty Earth’s rework of ‘New Frontier’ wash over you below & it is lifted from North Remixes, you can listen to that here.


Orpine – ‘Sondern’

Orpine are Eleanor Rudge and Oliver Catt, an indie-folk pairing with a flair for harmonies, ear for melody and pitting rhythmic with the rumbustious.

Rudge and Catt introduce themselves with stunning first single ‘Sondern’. Lifted from debut album Grown Ungrown due in May 2020, ‘Sondern’ is about grief and defeat and written around the time of the first Brexit deadline. It opens with a burst of melodic exuberance before retreating to gentler more sombre surroundings, plateauing to a place of calm where duetting vocals and harmonies wash against gentle strums. The latter increases in pace in tandem with the percussion before bounding back into life with ebullience as propulsive groove is reborn. An absolutely stunning introduction, a masterclass in melody, harmony, rhythmic prowess and of course, juxtaposition.

Listen to ‘Sondern’ below and watch out for Grown Ungrown, it is due for release in May.

The Wants – ‘Container’

The Wants are a NYC trio whose gloomy, propulsive post-punk resides on the darker side of life as post-punk, new-wave, techno/dance and industrial collide.

The Wants began life when drummer Jason Gates and Velding-VanDam met in New York in 2014, but became fully formed while VanDam and Elle were working together under the Bodega moniker years later. Finding a common passion for electronic music, the trio began writing together, and debut album Container is the result of this collaboration. Released earlier in March, it is fronted by lead single and title track which perfectly captures the essence of their sound. ‘Container’ is gritty, thrashy and dark post-punk fare, loaded with a menacing air and anxious noise, and gripped by the dead-pan delivery from VanDam. This gripping sense of foreboding chimes perfectly with the insistent, nagging bassline,  increasingly manic, winding guitar and metronomic drumbeat which underpins this dark and gloomy but utterly captivating post-punk monster.

Listen to ‘Container’ below and if that is to your liking, why not try the album here.

bad tuner – ‘Fluid Borders’

Born in Yugoslavia, raised in Russia and is now residing in Brooklyn, bad tuner is moniker of musician and producer Jozef Sergei Dimitrov.

Bad tuner’s specialty appears to be woozy dancefloor focused electronica and introduced said penchant with ‘Adelaide’s Voyage’, and he’s returned with a similarly a stunning sonic distillation in the shape of ‘Fluid Borders’. Shuffling along a sweet and seductive groove, it basks in a shimmering, sunkissed haze peppered with warm synths, lush textures and bright chimes riding a woozy wave of soft beats and danceable allure. With a protracted promise of the euphoric, the rhythmic oscillations woo the soul as the deep groove bewitches the listener into a state of blissful stupor. Yet another lavish, woozy wonder from Dimitrov.

Listen to  ‘Fluid Borders’ below, it is lifted from his new record Operational Interference, you can listen to that here.


Adwaith – ‘Lan y Môr’

With a string of brilliant singles and Welsh music prize winning debut album Melyn, in the past few years, Welsh outfit Adwaith – Hollie Singer, Gwenllian Anthony & Heledd Owen – never cease to amaze with their intense, compelling and unique experimental post punk sounds.

The Carmarthenshire trio are back with new single ‘Lan y Môr’, marking Welsh Music Day, and adding to their ever growing catalogue of brilliance. Bursting with potent energy ‘Lan y Môr’ is built around bright grooving melodies, buzzing bass, surfy guitar and interlocking riffs as it takes off, fizzing like a rocket underpinned by frenetic and transfixing motorik beats. As always, Adwaith are fearless in their creative endeavor as trio deliver yet another potent blast of post-punk – and it goes without saying, Adwaith are unique and one of the most exciting bands on the planet.

Listen to ‘Lan y Môr’ below and if you haven’t done so already, check out their Welsh music prize winning debut album Melyn here.

Many Voices Speak – ‘Want It Kept’

Sweden’s Many Voices Speak – aka Matilda Mård – has a real knack for beautiful slumbering whispers of lush dream pop; something offered in abundance on 2018 debut Tank Town.

The good news is that Mård is back in action with a new single called ‘Want It Kept’, and it is divine. The master of misty-eyed, melancholic and hazy indie, Mård opens with a slowly swirling, shapeless mist that seeps forward engulfing her sad but elegant and beautiful vocals as they hover above slowly waltzing groove and undulating melodic bubble. Delicate, dreamy and truly beautiful, ‘Want It Kept’ will have you transfixed with its beguiling beauty and smouldering emotive draw.

Listen to ‘Want It Kept’ below:


PRIG – ‘PLANTS’

Berlin-based duo PRIG released their debut EP toward the end of 2019; a vividly weird, ragged and off-kilter strain of post-punk.

A couple of months on from its release and PRIG have shared the video for title track and EP opener ‘PLANTS’. Opening with a playful twinkling synth / guitar, a mash of crunchy guitars, jerky angular riffs and  howling synths flash by like a tidal wave as low-toned vocals strain to be heard above the clamour. ‘PLANTS’ is quite bananas but done so with a enviable creative blend of post-punk, psych and art-rock as a mesmeric hypnotic pattern emerges. It thrives in a space where playfulness mingles with jarring guitars, rumbling rhythm it a powerhouse of energy.

Check out PLANTS (single & EP), the video is colourful and bizarre too –  watch / listen below.

Oddnesse – ‘All American Lie’

Oddnesse is the fruitful collaboration between musician Rebeca Arango and producer Grey Goon, two east-coast heads based in Los Angeles with a shared affinity for catchy hooks, heavy grooves and apocalyptic hypotheticals.

Together they have produced a steady stream of lush, dreamy and alluring indie-pop gems – ‘Are You Down’, ‘I Used To, ‘Donut Shop’ & ‘Lover’s Calling’ instantly spring to mind – and the pair have shared their first release of 2020, ‘All American Lie’; an elegant and intimate slice of lavish indie-pop. It oozes sophistication and melodic allure as we are treated to a dazzling blend of subtle guitar-lines, glistening chords, sleek synths and lush tones that shimmers and drip with a rich melody while the pristine honeyed vocals are a perfect pairing for this glittering pop. As has been the case so many times in the past, Oddnesse deliver a beautiful, melodic and lush pop treat – and one that will be bobbing around your head all week.

Listen to ‘All American Lie’ below now:

Simen Mitlid – ‘Weeks’

Simen Mitlid is a Norwegian singer-songwriter hailing from the woodlands of Os, who has a precocious talent for lush, dreamy indie-folk.

This statement is backed up by two sublime albums – 2017’s Everything is the Same & 2019’s Neutral – and mere months after releasing the latter, Mitlid is back with ‘Weeks’, a first offering from a new forthcoming album Birds. Featuring Norwegian contemporaries Tuvaband, ‘Weeks’ is a beautiful, dreamy and heart-melting beautiful slice of indie-folk. It is lush and dreamy, tender and intimate as woozy layers and textures abound as atmospheric tones swirl around a gentle, melodic strum. ‘Weeks’ is brimming with blossoming pop euphoria as Mitlid’s lilting vocals, imbued with warmth, add another level of  innate tenderness and compassion that is wholly irresistible. It is yet another charming, heartwarming and utterly bewitching slice of indie-folk – that new album can’t come quick enough.

Tune into ‘Weeks’ below:


Life Aquatic Band – ‘Underwater Highway’

Life Aquatic Band are a seven piece forged in the furnaces of Sheffield, crafting a charming and seductive blend of indie, psych, funk, disco and pop.

Life Aquatic Band are fresh from releasing their debut album LABPD or BAND ON THE HUNT;  a concept album built around the premise that Paul McCartney has been on the run since Wings album ‘Band on the Run’ in 1973, and the Life Aquatic Band Police Department are determined to catch their man. Accompanying the new album is new single ‘Underwater Highway’ and a marvellous entry point the playful and slightly oddball world of Life Aquatic Band. It is a woozy and melodic slice of sombre indie-pop propelled by meaty, funky bassline as hushed vocals float amid shimmering psych guitars and cosmic sparkle, provided by the spacey, Casio-esque synths. It is colourful, charming and playful brilliance, and it is but one of many to be found on the new album.

Listen to  ‘Underwater Highway’ below and you can give the new album a spin here too.