DATE ARCHIVES : December 2015

2015 According to The Expert

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One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up next is The Expert.

Dublin’s hip hop producer extraordinaire The Expert (aka Cian Galvin), the production half of Messiah J & The Expert, has been has been producing beats for over fifteen years and it shows. His solo output, debut album included, has been astoundingly good; gloriously smooth, head nodding adventures, spliced and diced into infectious beat filled jams. A supreme talent, an expert you might say.

Before we take a look at his 2015 sound selections, you should check out The Expert’s superb fantastic debut album, Dynamic Drift and his GruffWuff inclusion, ‘Swapsies’ – of which you can download here for FREE.

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2015 According to Stephen Connelly

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One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up next, Stephen Connelly.

As was the case with any amount of gigs and whatnot, Stevie was my right hand man on GruffWuff and it wouldn’t have happened without him (or if it did, it wouldn’t have been half as good). His artwork was the final piece of the jigsaw, and it’s fuckin’ great (even if everyone on Broadsheet didn’t agree – the internet is a cruel mistress). A pleasure to work with as always, I’d like to thank him for all his work and enthusiasm toward GruffWuff, cheers buddy. When he’s not being hassled into doing stuff with me, among other things, he plays in Knoxville Morning, makes excellent video’s for bands and tries his best at 5-a-side. Now, time to take a look at his 2015 sound selections….

What was your personal high point of this year, musical and/or otherwise?

Three events stand out:

1. Really enjoyed working so close on the Gruffwuff compilation. Great to see so many bands getting behind the blog and also the great feedback we received.

 

2. It’s only really hitting me now that I got make the video for A Lazarus Soul’s latest single, ‘Mercury Hit a High’. I fucking love that band and to be able to contribute to one of my favourite albums was an incredible feeling.

3. Gig of the year has to go to Lynched in The Crane Bar in Galway. I was an emotional wreck by the end of the show, spent the week wrecking friends heads about how good it was going to be and they didn’t disappoint. Hadn’t got a buzz off Irish folk music since L.A.P.D. played the Electric Picnic a few years back.

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The Foetals – ‘Nothing’

Manchester based lo-fi pop outfit The Foetals is the latest project from Jolan Lewis (who also fronts of The Pink Teens, plays in Francis Lung’s (ex WU LYF) band & Aldous RH too – busy guy).

Lewis and his cohorts released their debut LP Meet The Foetals, last week through PNKSLM Recordings, and with that a new single. Entitled ‘Nothing’ – The Foetals new single – is the latest of Lewis’ tunes to convey his preference for fuzz-drenched, ’60s inspired nostalgic garage pop and provides a timely reminder of his finesse and knack for a good pop tune. Irresistible scuzzy fuzz is the name of the game here, allied gloriously by jangly guitars, earworm melodies and muffled drums, to leave us with a retro fest of to allure your ears and warm your heart. Endearing and charming, Lewis makes crafting wonderfully catchy songs seem so simple.

You can check out ‘Nothing’ for yourself below. The debut LP Meet The Foetals, is out now via PNKSLM Recordings on limited edition 12″ vinyl and as a special edition deluxe package. One worth checking out for sure, and not to get lost in a sea of end of year lists.

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2015 According to Captain Moonlight

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One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up next, it’s Captain Moonlight.

Obsessive about politics, philosophy, literature, music and hurling, Kilkenny rapper Captain Moonlight, has long been one of Irish Hip Hop’s shining lights. Never one to shirk saying what’s on his mind, he tackles serious political issues, creating intelligent, hard-hitting, often humorous hip-hop in the process. One of my favourite artists over the past decade, and gent too.

Before we take a look at his 2015 sound selections, you should check out Captain Moonlight’s previous, excellent albums and his GruffWuff inclusion, ‘What Is Property’ – of which you can download here for FREE.

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Millions Like Us Podcast – Episode #7

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We’re back once again with a brand new episode of ‘Millions Like Us’, and we’re delighted as always.

This is Episode #7 (time really is flying) of Justin & I’s music podcast in conjunction with Vancouver news & culture site 604now. It is a bi-weekly digest of music from metro Vancouver and beyond, the latest serving has the usual whimsical chatter and top tunes, comprised from an eclectic mix of styles and genres. Hopefully you enjoy podcast #7 and we plan to have an end of year round-up Pod recorded before the close of 2015, hopefully you tune in to that too.

You can read more on it here and listen below, and the tracklist (with links) is after the jump too. You can subscribe to ‘Millions Like Us’ on iTunes & Podcast Republic or find us on Facebook & Twitter.

Hopefully you enjoy our curated pickings, and thanks for listening as always.

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2015 According to Knoxville Morning

Knoxville Morning 2015

One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up next is Ciaran Dwyer, of Knoxville Morning.

The Knoxville Morning project was inspired by a trip around the USA taken by chief troublemaker Ciaran Dwyer. The result of which is a combination of sweet folk, country and Americana. While it certainly wears it’s US influences on it’s sleeve, Ciaran’s intuitive storytelling remains a cornerstone as does their home town roots. A longtime BarryGruff favourite that never cease to deliver, again and again.

Before we take a look at his 2015 sound selections, you should check out Knoxville Morning’s fabulous self-titled debut LP, and their GruffWuff inclusion, ‘Bridget’ – of which you can download here for FREE.

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Teleman – Share ‘Fall In Time’, & A New Album for 2016

Teleman Fall in time 2015

Teleman have returned! The London based quartet have shared new single ‘Fall In Time’, a sublime first taste of the band’s second album, and follow-up to their 2013 debut Breakfast.

Due out in spring 2016, it follows on from the stellar, Dan Carey produced, one-off single from earlier this year ‘Strange Combinations’. That encounter must have got the creative juices flowing, as Teleman returned to Carey’s studio, with Carey taking full production duties for the forthcoming second album. ‘Fall in Time’ picks up exactly where Thomas Sanders & Company’s debut left off. Gripping, pensive and rather somber in mood, formulated through dulled guitar tones, sparse synths and slightly sinister sense of foreboding before breaking the darkness, with a stirring bout of optimism toward the conclusion. As has been the case many times before, Teleman sweet spot between pop and indie, with a hefty dose of their recognizable psych textures, splendid crystalline pop sensibilities and consuming guitar-pop. Utterly brilliant!

More details on Teleman’s second album are still to be announced but for now, let us just savor ‘Fall In Time’. Check it and ‘Strange Combinations’ below.

2015 According to Seth Mowshowitz from Fold

One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up next is Seth Mowshowitz, from Fold.

Leeds based Trip Hop / Breakbeat / Hip-Hop outfit Fold have the propensity for producing the magnificent. The inventive and experimental quartet pride themselves on live production, ceating incredible music while blending their enviable creativity with a social consciousness. In a similar sort of vein to Public Service Broadcasting, spoken word samples are set to real drums, bass, guitar and a blend of triggered samples, together they combine for an utterly stunning sound of funk, groove, urgency and cool. Long-standing BarryGruff favourites, Fold are one of the most unique and exciting acts around.

Before we take a look at his 2015 sound selections, you should check out Fold’s superb self-titled debut album, and their GruffWuff inclusion, ‘That’s It’ – of which you can download here for FREE.

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2015 According to Mr Huw

Mr Huw Du Llun

One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up next is Mr Huw.

Welsh maestro Mr Huw is an artist to be treasured, cherished and of course, enjoyed. Welsh lends itself to music rather well, regardless of whether you can understand it or not, and he is one of the most prolific and finest exponents of Welsh language music out there. Huw’s rough and unpolished, DIY style indie/post-punk has a glorious Half Man Half Biscuit aesthetic to it and generally packed with powerful rhythms, pointed riffs and broached with some infectious melodies and peppered with hooks you could hang your hat on. Mr Huw is an absolute gem! 

Before we take a look at his 2015 sound selections, you should check out his sublime Du Llun EP (which roughly translates as ‘Black Monday’), and Mr Huw’s GruffWuff inclusion, ‘Bai Neb Ond Fy Hun’ – of which you can download here for FREE.

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2015 According to Disconcerting P

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One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up first is Padraig McCauley of Disconcerting P.

McCauley has impressed as much as any Irish artist over the past few years – prolific, passionate and prodigious – McCauley’s already amassed a pretty impressive back catalogue. As a songwriter, singer and performer, he entertains us through a vast range of extensive influences and genre splicing styles, carefully crafted into soothing, dreamy and jaunty americana/country tinged jams. It’s been said many times, but how someone with an abundance of talent and dearth of great tunes can remain in the shadows for so long, is a bloody mystery.

Before we take a look at his 2015 sound selections, you should check out his wonderful Shakin EP, and Disconcerting P’s GruffWuff inclusion, ‘Treated You Rough’ – of which you can download here for FREE.

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