Psych-O-Positive – ‘Make Me Wanna’

Psych-O-Positive are New Jersey outfit – Andy Gilchrist (vocals, lead guitar), Karyn Kuhl (drums), Judy Nock-Olsen (vocals, electric sitar), Debby Schwartz (vocals, bass) & Louis Zhelesnik (lead guitar) – with a flair gloriously ramshackle and instantly addictive lo-fi garage pop.

Psych-O-Positive’s latest single ‘Make Me Wanna’ is an utterly infectious, sun-drenched lackadaisical garage jam with a nods to 60’s garage band The Prophets and a Who-based tangent and back again. Sun-drenched, hazy and whimsical vibes combine with rumbling drums, scratchy guitars, seductive reverb-soaked guitars and melodies and memorable harmonies. This rollicking adventure is draped with infectious exuberance, inherent sassiness and layers of scuzz – not too far away from Jonathan Richman / The Modern Lovers – what’s not to like? 

Tune into ‘Make Me Wanna’ below: 

Bee Bee Sea – ‘Day Ripper’

Italian garage-psych trio Bee Bee Sea specialize in loud, propulsive and guitar-driven psych infused garage rock stompers – something patently clear from a cursory glance at their output to date.

Following on from ‘Daily Jobs’ & ‘Gonna Get Me’ early in the year, the Italian outfit continue to get us hyped for their new album Day Ripper – due on October 9 via Wild Honey Records – with the record’s title track. ‘Day Ripper’ is packed with all those trademark upbeat, frenzied riffs, sharp tempo shifts, melodic choruses, singalongs and huge hooks; all bathed in a haze of warm fuzz and distortion. Driven relentlessly onward with a propulsive motorik groove and  mesmerising, angular guitars, hypnotic vocals and bold and addictive choruses do battle with the jerky, spiraling riffs and swirls of distortion. ‘Day Ripper’ is a relentless, all-consuming and addictive jam – no question about it!

Listen to the single below and Day Ripper (the album) is due on October 9 via Wild Honey Records.

Field Trip to the Moon – ’62 Bullets’

Field Trip to the Moon is the musical project of London-based Manchester native Angela Christofilou, who with band in tow, has a flair for dark, potent – sometimes jagged or dramatic – post-punk infused garage-rock.

Together they released their debut album Something Owed in 2017 and they are back with a new self-titled EP, heralded by lead single ’62 Bullets’; a raw, raucous and thrilling jam. Opening with a catchy, fuzz-drenched riff introducing Christofilou’s raspy vocal before ’62 Bullets’ hurtles off in a blaze of buzzsaw riffs, stomping beats and shredded guitars all basking in a sea of fuzz and distortion. From the off, ’62 Bullets’ is a rip roaring blast of guitar wielding brilliance underpinned by a relentlessly driving beat and fiery energy, and whirlwind of fuzz, that is utterly irresistible.

Listen to the brilliant ’62 Bullets’ below and check out the new EP here.

Bee Bee Sea – ‘Gonna Get Me’

Italian garage-psych trio Bee Bee Sea specialize in loud, propulsive and guitar-driven psych infused garage rock stompers – something patently clear from their latest single ‘Gonna Get Me’, taken from their upcoming new album ‘Day Ripper’ which is due on October 9 via Wild Honey Records.

Following along the same lines as previous single ‘Daily Jobs’, new one ‘Gonna Get Me’ is a wildly addictive blast of scuzzy, hyperactive and incredibly catchy garage rock. The Italian trio combine their trademark upbeat, frantic and frenzied tempo with sunny vibes, cheery melodies and huge hooks; all bathed in a haze of warm fuzz and distortion. This is, like ; ‘Daily Jobs’ before it, hugely addictive stuff – but the kind of addiction that leaves you better for it.

Tune in to ‘Gonna Get Me’ below:

Bee Bee Sea – ‘Daily Jobs’

Italian garage-psych trio Bee Bee Sea specialize in loud, propulsive and guitar-driven psych infused garage rock stompers.

New single ‘Daily Jobs’ encapsulates everything you need to know about their scuzzy, frantic and frenzied sound in just over three minutes. It is a furious assault of frenzied riffs, crunchy guitars, sharp tempo shifts, melodic choruses, euphoric singalongs and whopper hooks all bathed in fuzz and distortion; it is both wildly manic and ridiculously catchy. The latter reflective of the burden of life as it swings wildly and the all-consuming thirst for hope, release and escapism; shitty jobs can be suffocating. ‘Daily Jobs’ a frantic, frenzied of barrage of scintillating riffs, hooks and fuzz; an absolute beast but one that is rather easy on the ear at the same time.

Listen to ‘Daily Jobs’ below:

Drens – ‘Saditsfiction’

Dortmund/Cologne fuzz loving garage rock / surf punk foursome Drens are back with their new single ‘Saditsfiction’.

‘Saditsfiction’ is the second single lifted from the German outfit’s forthcoming debut EP‚ Pet Peeves‘, and in case you’re wondering, it is a doozy! Less frenzied and spiky than previous singles – ‘No’ & ‘Yellow Teeth’ – ‘Saditsfiction’ opens with a reverb drenched, new wavey guitar hook and met by dreamy guitar underpinned by a bubbling bassline groove as it shifts through the gears of catchy, power-pop addiction. It is an undeniable earworm; fuzzed up and catchy as hell, it’s got swagger, danceability and hooks you could hang your hat on while vocally, it slides from nonchalant to passionate with an ease and breeze. A more nuanced side of their talents, this might be the best we heard yet from Drens.

Listen to ‘Saditsfiction’ below while we await the new EP, due on May 15th.

Los Blancos – ‘Ti Di Newid / Cadw Fi Lan’

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Last year was a rather good one for Welsh foursome Los Blancos, establishing themselves as one of Wales’ most exciting prospects.

A band bonded in friendship – Gwyn, Dewi, Emyr and Osian have known each other since school days – Los Blancos have proven a reliable source of irresistible slacker/garage-rock, a fact that isn’t about to change anytime soon as they waste no time in opening their account for 2019 with a new double A side single ‘Ti Di Newid / Cadw Fi Lan’ via Libertino Records.

Sung in their native Welsh, Los Blancos’ scuzzy, fuzz-filled sound mutates somewhat between each release – something that can be seen with the contrasting nature of both new singles. ‘Ti Di Newid’ is a gritty and dynamic feast of melodic fuzz and distortion, smouldering with emotion and packed with blazing riffs, crunchy guitars and soaring choruses. While it is rough, ragged and raw musically and emotionally, there is a beauty and brittleness to the genuine heartfelt emotion as it chugs along with a surging vitality and screeching riffs. ‘Cadw Fi Lan’ is the calmer of the two tracks, providing a hazy meander sojourn to warm and swooning sliding guitar-led alt-country meets lo-fi indie filled with a melancholic end of summer youthful sweetness. Aside from their native tongue and dash of garage fuzz, the other constant is Gwyn Rosser’s voice, his drawl consistently delivering that added emotional punch with aplomb.

Listen to ‘Ti Di Newid’ and ‘Cadw Fi Lan’ below; the double a-side is out now via Libertino Records.

Submotile – ‘Eastern Sky Sundown’

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Formed in early 2018, Submotile are the Dublin-based duo of Daniela Angione and Michael Farren. Together, blurring the lines between shoegaze, drone, ambient and post-rock, Submotile have created a brand of layered, exploratory and moody alternative rock, all of their own.

In the autumn of last year, the pair released five-track EP, We’re Losing the Light, and Submotile have kicked off 2019 with ‘Eastern Sky Sundown’, the first single from an album in the making. It is all-out bombast from the get go, powered by a relentless surging rhythmic energy, ‘Eastern Sky Sundown’ goes huge on the powerful, layers of guitars, which come in wave after wave interspersed with snappy drums that are matched by taut, twisting chords. Amid this admittedly massive whirring sound of fuzz and distortion, there is a lightness, all down to the understated melody and sweetness of Daniela’s voice. And like that, it is over but you will be reaching to repeat.

‘Eastern Sky Sundown’ is out now and you can listen to it below and along with it, while we wait for more on their debut album, why not try out their We’re Losing the Light EP here.

Dentist – ‘Upset Words’

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Dentist are a New Jersey-based indie-pop/surf rock outfit centred around the songwriting partnership of Emily Bornemann (vocals/bass) and Justin Bornemann (guitar), who are complemented and kept on point by Matt Hockenjos on drums.

2018 saw the trio release their third album ‘Night Swimming’ via Cleopatra Records, and it is a feverishly infectious collection of fuzzed-out, surf punk-tinged indie pop jangle and sun-kissed garage rock crunch.

Dentist have marked the coming of 2019 with the release of the album’s opener ‘Upset Words’, which pretty much captures everything that makes the trio’s sound so lovable in just three-minutes. It is a freewheeling, furious and fuzzed out blast of lively and addictive surf-tinged guitar-pop with waves of choppy guitar and big meaty riffs, propulsive drum rhythm and churning bass. This more forceful, aggressive side to Dentist is tempered and complimented perfectly by an abundance of hooks and infectious melodies, and Emily Bornemann’s sweet and buoyant vocals. ‘Upset Words’ is wonderful and like the album from from whence it came, is completely and utterly addictive.

Listen to ‘Upset Words’ below and you can check out all of ‘Night Swimming’ here – it is definitely worth some of your time and attention.

Introducing: Los Blancos

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Los Blancos are slacker/garage-rock foursome from Carmarthenshire, South West Wales.

A band bonded in friendship, Gwyn, Dewi, Emyr and Osian have known each other since school days, there is a quiet, understated confidence underpinning Los Blancos’s ’90s inspired garage sound. Drawing inspiration from the slanted sounds of Pavement, Brian Jonestown Massacre and the playfulness of Mac Demarco their songs are simultaneously gloomy yet hopeful and sun-kissed.

Sung in their native Welsh, Los Blancos’ scuzzy, fuzz-filled sound mutates somewhat between each release. ‘Cadi‘ is a ragged hook-filled rattle revolving around frenetic riffing and insistent percussion that combine in a languid, very Velvet Underground kind of way. With ‘Chwarter I Dri’ the melodic meanderings and ramblings are punctuated by soaring riffs, melodies and towering vocals while ‘Cadw Fi Lan’ offers a hazy meander sojourn to warm and swooning sliding guitar-led alt-country meets lo-fi indie. Aside from their native tongue and dash of garage fuzz, the other constant is Gwyn Rosser’s voice, his drawl consistently delivering that added emotional punch with aplomb.

These are songs that cheerily worm their way into your heart through perfect songcraft and you can check out some choices cut below.