As has become tradition for this time year, I’ve asked bands and artists who’ve played a BarryGruff show during the year, to put their own list making skills to the test in picking their ‘favourite album of 2014′, ‘favourite song/remix of 2014′ & ‘favourite Irish song of the year’. I’ve really enjoyed these over the past few years so why break with tradition?
Right, that is enough waffling from me, it’s over to Cormac Brady to share his picks from 2014…..
Favourite albums of 2014:
01. Run the Jewels – ‘Run the Jewels 2’
My number one album slot last year was El-P and Killer Mike’s first record together as RTJ, so it’s a little predictable but entirely honest that their second gets the top spot from me in 2014. And deservedly so too – RTJ2 is another two headed beast of an album, but this time more earth shaking and spitting twice the fire. I find it so reassuring that in this fucked up world there are two incredible rappers that head off to a remote cabin in the woods to take loads of hallucinogens and other drugs and make fucking outstanding rap records that rip on religion, politics, law, business and all that other rancid soul destroying shit. It means a lot to me to know that. Sniff. Long live Run the Jewels.
02. Teebs – ‘E s t a r a’
I don’t know a whole lot about Teebs, other than that he did some shit with Prefuse 73 ages ago and he’s from LA (I think). A pretty lame opening line for a review I’ll admit, but I want to keep my knowledge of Teebs limited. This album is intimate, textured, warm, glowing and puts me in a good place when I listen to it. I don’t want to over elaborate on why I love the record, or what makes it so great because I’m afraid I might ruin it for myself. I recommend you listen to it and get lost in it like I did, it’s very rewarding.
03. RATKING – ‘So It Goes’
This album feels to me like the modern equivalent of a few lads back in the day cooked up in a flat making hip hop tunes on an MPC and a couple of SM58s. Of course So It Goes is sonically more sophisticated than could be achieved with the aforementioned tools and lyrically more poetic would be associated with early hip hop, but there’s something completely real and honest at work here and it’s class.
