NANCY – ‘7 Foot Tall Post-Suicidal Feel Good Blues’

Based in the North East of England, NANCY have demonstrated an enigmatic talent with a propensity for audacious sonic adventures that are anything but conventional, and hot on the heels of the ‘Happy Oddities EP’ comes news of a brand new mini album ‘7 Foot Tall Post-Suicidal Feel Good Blues’, and we’ve been afforded the title track as a taste of things to come.

Inspired by all the bullshit he had to deal with getting picked on growing up, ‘7 Foot Tall Post-Suicidal Feel Good Blues’ is as wonderfully warped as anything NANCY has done to date. It’s dark, it’s stark and super catchy as it swaggers through a haze of fuzz with a super seductive glam rock era groove and stomping riff, and vocals unfurl with a drawn out warped drawl. Sounding like a warped record played on a dodgy turntable, this is a sleazy, stomping and groove ridden reminder of NANCY’s enigmatic talent and flair for the unconventional – perfect imperfection if you will.

With the 10 track mini album set for release on January 15, check out the title track below.

Sprints – ‘Manifesto’

Sprints are Dublin-based post-punk foursome – of Karla Chubb (vocals/guitar), Colm O’Reilly (guitar), Sam McCann (bass) and Jack Callan (drums) – who together, create a raw, raucous and potent post-punk sound – one bursting with a ferocious blend snarling vocals, driving rhythms, meaty riffs, swagger and noise.

These aforementioned attributes are offered in spades on their aptly titled latest single ‘Manifesto’, a tenacious statement of intent. An early taste of their forthcoming debut EP of the same name, due in the new year, it comes exploding out of the blocks. A powerful stomping beat underpinning an assertive and meaty bassline rumble as raspy, fierce and fiery vocals come to the for before soaring high above the explosion of buzzing guitar, scintillating riffs and crashing drums. It is a huge, explosive and supremely confident anthem. Previous single ‘The Cheek’ was great but ‘Manifesto’ sees them kick it up to another level entirely – a simply stunning tune.

Don’t just take my word for it, listen to ‘Manifesto’ below:

Swine Tax – ‘Relax’

Newcastle-upon-Tyne outfit Swine Tax have proven their credentials for fiery, jagged and infectious post-punk with a slew of singles that are best described as a bit indie, a bit alternative rock, a bit rough-around-the-edges and a whole lot melodic.

The Newcastle quartet return with a thrilling new single ‘Relax’. Quite possibly their best work to date, it is produced by Barry Hyde of The Futureheads, who approached the band about producing their music following an intense live show in Sunderland last year, and ‘Relax’ is the first fruit to emerge from these sessions. The single itself is a spikey, agitated and hook-driven jam propelled by a throbbing bass groove and a heavy punk stomp as jerky riffs and power-pop chorus duke it out for an intoxicating, off-kilter dance. Yet another rousing, boisterous and brilliant blast of guitar hijinks from Swine Tax.

Listen to ‘Relax’ below:

Fax Machine – ‘Motorbike’


Fax Machine is the musical moniker of Newcastle Upon Tyne (UK) based songwriter David Turnbull who has a propensity for unconventional, off-kilter and colourful confections of sound as evidenced by 2019 debut Soup.

Turnbull is back with plans for a new album Ouch!, expected on Dec 11, it is preceded by the magical lead single ‘Motorbike’ – a giddy and playful slice of jerky post-punk, art-rock and indie-pop. It buzzes with excitement and exuberance as razor sharp riffs and hyper-active bursts of guitar jerky to-and-fro as a series of earworm hooks and playful melodies swirl around the colourful sound-palette akin to Futureheads meets The Beta Band. ‘Motorbike’ is a wonderfully manic, spikey and infectious jam coated in a fine veneer of power-pop – word of warning, this is a tune that will be stuck in your head for days and days but will leave you all the better for it. 

Listen to ‘Motorbike’ below – and keep an eye out for the new album next month.


Total Rubbish – ‘What’s Your Damage?’

Total Rubbish are Philadelphia-based garage rock trio – Bre Steinfeldt (bass), Cass Nguyen (guitar) and Kiki Schiller (drums) – who have released their debut EP, Triple Negative, and having introduced it, and their wares, with phenomenal debut single ‘Honey Ryder’, they are back with single #2, ‘What’s Your Damage?’.

‘What’s Your Damage?’ carries that same nineties-esque, alt-rock, grunge and psychedelic fuzz which was all over their debut. It stomps and swaggers through a guitar-heavy wall of sound with soft, melodic vocals, buzzing riffs and scorching licks for company. Once again, the inappropriately named Total Rubbish have eked out a perfect balance with powerful, brute force and ear for melody, coexisting in a sea of dense atmospheric tones and swirling riffs.

Listen to ‘What’s Your Damage?’ below now and Triple Negative is out now via Born Losers Records

MEMES – ‘So What?’

Glasgow lo-fi post punk outfit, MEMES, introduced their fiery, furious and feisty sounds with a series of scintillating singles last year with ‘Blah Blah Blah‘, ‘Funny Man‘, ‘Happy Shopper’ & ‘J.O.B.S.’ making them one of the finest new discoveries of 2019.

The Scottish noise-makers are readying their new EP, MEMES EP coming in November via Fierce Panda and ahead of which, share new single ‘So What?’ – and MEMES are back with a bang. ‘So What?’ rumbles and rattles into view, with all that raw and electrified swagger we’ve come to recognize as MEMES’ sound. Raspy vocals dance over jagged rhythms, looped bass, urgent guitars and scorching riffs for a feverish yet infectious blast of post-punk fury. A thrilling, raw and exhilarating jam, MEMES have nailed it again and will have you hooked from the get go.

Check out  ‘So What?’ below:

Field Trip to the Moon – ’62 Bullets’

Field Trip to the Moon is the musical project of London-based Manchester native Angela Christofilou, who with band in tow, has a flair for dark, potent – sometimes jagged or dramatic – post-punk infused garage-rock.

Together they released their debut album Something Owed in 2017 and they are back with a new self-titled EP, heralded by lead single ’62 Bullets’; a raw, raucous and thrilling jam. Opening with a catchy, fuzz-drenched riff introducing Christofilou’s raspy vocal before ’62 Bullets’ hurtles off in a blaze of buzzsaw riffs, stomping beats and shredded guitars all basking in a sea of fuzz and distortion. From the off, ’62 Bullets’ is a rip roaring blast of guitar wielding brilliance underpinned by a relentlessly driving beat and fiery energy, and whirlwind of fuzz, that is utterly irresistible.

Listen to the brilliant ’62 Bullets’ below and check out the new EP here.

NANCY – ‘Orange Yellow Orange’

Based in the North East of England, NANCY have demonstrated an enigmatic talent with a propensity for audacious sonic adventures that are anything but conventional.

More accustomed to frenzied blasts of art-rock meets post-punk steeped-in-psychedelia, on this occasion NANCY affords us a glimpse at a softer side with synthy single ‘Orange Yellow Orange’. It is a woozy little jam that will lull you into a trance with its seductive melody and laidback tranquility. Basked in a hazy glow, lush synths and pillowy soft percussives provide the perfect environment for the soothing and transfixing whistle to whisk you away before hushed vocals flutter into view. ‘Orange Yellow Orange’ is hazy, gentle and swoons with a heart melting melody doused with a tinge of beautiful melancholy.

‘Orange Yellow Orange’ offers us a glimpse into forthcoming EP ‘Happy Oddities’, which is out on August 7.

Neurotic Fiction – ‘Happy Goth’

Neurotic Fiction are Bristol-based outfit with a penchant for fast-paced, frantic, jerky and melodic post-punk sounds.

The foursomes latest release, EP Romance, is something of a bittersweet moment. Yes, it is a wonderful blast of jerky, agitated guitar pop but it marks their final bow, as they go their separate ways. Across the four tracks the EP offers us a short but precise insight to the magical allure of Neurotic Fiction’s sound and if there is one track that encapsulates their harmonic balance between frenzied guitar heroics and resplendent, intricate pop craft and ear for melody and the catchiest of hooks, it is EP closer ‘Happy Goth’. Propelled by relentless driving bass and urgent drums, jerky riffs and reverb-drenched surfy guitars collide to provide a twitchy and agitated backdrop. In lesser hands, the juxtaposition of this with the sunnier, lush and dreamy vocals probably wouldn’t work but thankfully Neurotic Fiction nail it.

Listen to ‘Happy Goth’ below, a standout from a superb EP (which is here). It’s a shame to see them ride off into the sunset…..

Mofer – ‘Across the Border’

Mofer are a German post-punk trio with a penchant for rough, raw and immediate sounds rooted in 80s and 90s indie and post punk vein.

The trio’s latest single ‘Across the Border’ is a perfect encapsulation of their sound. A bit indie, a bit post-punk, a bit alt-rock and a bit rough around the edge it – this coarseness is not to be confused with lacking skill. The gritty raw materials of slant-edged rhythms, chugging riffs and distortion provide a perfect vehicle for the sullen yet reflective vocals. It is a compelling jam filled with menace, noise and melancholy, and also ear pleasing melodies.

Listen to ‘Across the Border’ below: