Black Beach Baby – ‘All I Know’

Black Beach Baby are Stockholm-based duo of Andy and My, who since forming in 2017, have been bringing all the gorgeous, dreamy indie-pop vibes – and with their single ‘All I Know’ delivers all that and more.

We got acquainted with the Swedish pair through previous single ‘Loser’ – a magnificent slice of melodic guitar pop – and ‘All I Know’ follows a similarly joyous path. It is bright, breezy and dreamy as hazy guitar, jangling riffs and snappy beat set the lush and alluring backdrop for the hushed and airy vocal tones to thrive. Dripping with a rich melody, ‘All I Know’ is buoyed by irresistible hooks and pop sensibilities as they charm our ears with their warm and infectious brand of lo-fi indie-pop. What they do is deceptively simple and that is by no means a bad thing; they just craft great songs.

Listen to the beautiful and sun-kissed sounds of ‘All I Know’ below:

MARTH – ‘Golden Hour’

MARTH is a multi-Instrumental producer/composer from Netherlands who’s sound is born from a preference for Future Beats with hip hop, electronica and jazz influences.

Utilising a mix of electronic and live instruments, with an emphasis on trumpet, MARTH creates a chilled sound brimming with positivity and natural rhythm, and latest single ‘Golden Hour’ is a perfect case in point. Inspired by a painting from Van Gogh, it a trumpet focused chilled three-minutes. A laid-back groove slides along lulling you into this relaxing world, making your mind susceptible the serene mixture of soulful electronics, 90s chill, jazzy vibes with an added hip-hop pulse, and funky, brazen beat beneath. It is quite wistful and thought provoking, set to a scene of serenity, leaving you refreshed, relaxed and chilled.

Tune in below:

Strange Neighbors – ‘Hilltopper’

Strange Neighbors are indie-pop foursome – Aidan (vocals), Tracey (drums), Dana (bass) and Zach (guitar) – based in New York.

Together, they craft effervescent guitar-pop that is sometimes quiet, sometimes loud, and sometimes somewhere in between, but always the sweet sort of sound to paste smiles of faces. Definitely of that ilk is ‘Hilltopper’ – the first lifted from their forthcoming debut album How to Human – and its a bright and breezy three minutes of pristine guitar-pop that cruises along with infectious ease. Bright, buoyant and infectious, it builds upon an enchanting flair for pop and lush, sinuous melodies, and met with an irresistible guitar-jangle, sweet, honeyed vocals and a delicious layer of The Primitives-esque sparkle. A bright and breezy slab of fizzy, energetic guitar-pop – pop perfection personified; it is an allure that is charming, enchanting and altogether impossible to resist.

Tune in below:

BDRMM – ‘Question Mark’

BDRMM are a Hull based 5-piece who reside in a world blurring the lines between ‘90s indie-rock, shoegaze, psych and slacker dream pop.

They introduced intricately weaved dreamy sonics and sentimental tales with singles ‘C.U’ and ‘Heaven’ over the past nine months, and they are back new single ‘Question Mark’. Teaming up with Sonic Cathedral’s Singles Club it is slowburning, gently anthemic and highly evocative as we take a slumbering stroll through a woozy world of layered swirling textures. Anchored by shimmering guitar, ‘Question Mark’ floats like a lackadaisical daydream, the delicate instrumentals the bouncy for the dreamy vocals and bittersweet lyrics. A moving, evocative and elegant slice of dream-pop perfection, yet another exquisite single from BDRMM.

Listen to ‘Question Mark’ below:

Sywel Nyw – ‘Jumping Fences’

Sywel Nyw is the new musical project from Welsh musician and Yr Eira frontman Lewys Wyn.

For his new project, Wyn has traded indie-rock wares for a more dreamy synth-based sound experimenting with guitars, synths and drum loops.The first fruits of this new project comes in the form of stellar debut single ‘Jumping Fences’. It gently swaggers along a seductive, slinking groove sprinkled with shimmering guitar tones, psych brush strokes, woozy synth lines, melancholic riffs and heavenly harmonies creating a soothing and hopeful vibe. Marked by melancholy but brimming with optimism, ‘Jumping Fences’ is buoyed by hope and overwhelmed by warmth, beauty and swells with a powerful sense emotional resolution.Vocally meanwhile, ‘Jumping Fences’ shifts between English and Welsh organically, for a thoughtful and introspective look on the effects of social media – a glorious tune that will have you headed straight for repeated listens.

Tune in below:

Mindchatter – ‘Kerosene’

NYC producer Mindchatter has been dazzling us with genre-hoping aural delights; ‘Trippy’, ‘Blood’ & ‘Tough as Nails’.

Mindchatter is back with a similarly seductive single ‘Kerosene’. It is a sombre, slumbering sound that gentle meanders through a rich and textured soundscape marked by a bittersweet feel as hushed tones hover above the shimmers of synth and soft, popping beats. There is a tension and unease at play here but it is nicely cushioned by a sweetness and charm, creating a dremay and effortlessly chilled musical atmosphere. ‘Kerosene’ has a devastatingly powerful magnetism and becomes increasingly addictive and alluring with each and every listen.

Listen to ‘Kerosene’ below and if you like what you hear, you can check out previous single here too.

Green Buzzard – ‘I Don’t Want To Be Alone’

Green Buzzard is the moniker of Sydney’s Paddy Harrowsmith who, judging by latest single at least, has a Midas touch when it comes to sweet and charming slices of sugar-spun psych-pop.

‘I Don’t Want To Be Alone’ is his first new material in two years and it is an absolute delight. It’s fusion of dripping melodies, bright hooks and catchy singalong chorus leaves you powerless to resist its hypnotic allure, as the sweet guitar jangle and popping percussion are coated in a warm blanket of fuzz. It is bright and breezy, sun-kissed and summery, and finds a perfect balance between sweet pop and crunchy indie and hypnotic psych. It is an engrossing sub three-minute masterclass adorned with some of the catchiest, most compelling pop hooks in the known universe. Dreamy and melodic, it’s charm, allure and delight is hard to resist.

Tune into ‘I Don’t Want To Be Alone’ below:

Menik – ‘Long Distance’

Menik is a producer with a preference for music that is colourful, ambient, melodic and driving, and drawing inspiration from everything from blues, rock and hip hop, jazz, house and techno, and everything in between.

Menik introduced himself with the seductive, dreamy and wide-eyed ‘Brothers’ and having released debut album Story Time this month, he’s lifted another single from it ‘Long Distance’ unfurls with poise, shuffling along a soft and seductive hip hop inspired beat. Dripping with melody, it slinks on its merry mellow way through a sea of soothing sounds and dreamy undulations only to be shaken from its slumber by intermittent bouts of frazzled electronics. It is warm and washed-out, chilled and soothing but the beatwork entrusts it is not only transfixing but also infectious.

‘Long Distance’ is below and if you like what you hear, you can listen to the entire album here.

Honey Moon – ‘Magic’

London jangle-pop outfit Honey Moon have made a habit of crooning their way way into our hearts with heartfelt, hazy and lackadaisical slice of indie-pop goodness.

This prodigious talent for crafting three minute plus pop gems is evidenced by last year’s wonderful Four More From… EP, and 2019 single ‘If I Could Only Dream’, and they are at it once again. Honey Moon’s latest single ‘Magic’ has liberal dusting of just that. Their trademark doo-wop and crooning enchantment is given a more lavish flavour, one of more grandiose proportions. It is a rich and colourful confection, it is bright and breezy,and swelling with elegant strings, sinuous melodies, lilting hooks and jangly guitars that will please your ears and melt your heart. This is another enchanting and whimsical illustration of classic pop-craft, Honey Moon have got a right knack for creating tunes the right side of familiar.

Listen to ‘Magic’ below – it is exactly what it says it is.

Faux Canada – ‘Stockton’

Faux Canada is a San Francisco-based indie-pop foursome, heavily inspired by the early 00’s Secretly Canadian lineup of indie rockers, the quartets influences also touch on elements of 90’s shoegaze, grunge, and electro-lounge, all wrapped up in a delightfully charming and energetic pop sheen.

The aforementioned brew is the sound of their new EP, Liars’ Teeth, which is led by single ‘Stockton’. It is a charming and melodic delight as sporadic guitars mesh with sweet harmonies, catchy riffs and sharp hooks, propelled onward by drums and meaty bassline, and engulfed in a mild blanket of warm fuzz and distortion. An effortlessly sweet and catchy slice of bright and bouncy indie-pop laden with delicious harmonies and warm fuzz. Faux Canada have figured out the deceptively simple, age-old secret to transcending influences: just write top notch songs.

Listen to ‘Stockton’ below and if that is to you liking, check out their new EP, Liars’ Teeth here.