POSTS TAGGED : Mowbird

BarryGruff’s Albums of 2015 So Far……

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I’m not exactly the best at keeping you and the site up-to-date with album reviews, to be honest, it’s the old enemy time. Discovering the hours to scribble some thoughts about this album or that has become rather elusive, but thankfully finding time to listen to albums, and music in general, is less of an issue.

Here are a list of my most listened and loved records of 2015 so far with Spotify links and playlists for overall albums of 2015. There are plenty of playlists on Spotify and Soundcloud and on the blog too. Oh, and with regards to albums *cough, cough*, you can still download GruffWuff, a 19 track compilation celebrating 5 years of BarryGruff, for FREE from bandcamp, *cough, cough*.

Top 24 albums of 2015 so far…

01. Czarface – ‘Every Hero Needs A Villain’

02. H. Hawkline – ‘In The Pink Of Condition’

03. Villagers – ‘Darling Arithmetic

04. Blur – ‘The Magic Whip’

05. Ghost Culture – ‘Ghost Culture’

06. Boxed In – ‘Boxed In’

07. Django Django – ‘Born Under Saturn’

08. Girlpool – ‘Before The World Was Big’

09. Stealing Sheep – ‘Not Real’

10. The Charlatans – ‘Modern Nature’

11. Courtney Barnett – ‘Sometimes I Sit and Think, and Sometimes I Just Sit’

12. Gaz Coombes – ‘Matador’

13. Hot Chip – ‘Why Make Sense?’

14. Applescal – ‘For’

15. Public Service Broadcasting – ‘The Race For Space’

16. Jamie xx – ‘In Colour’

17. Sen Segur – ‘Films’

18. Zefur Wolves – ‘Zefur Wolves’

19. Faith Healer – ‘Cosmic Troubles’

20. Mowbird – ‘One-Offs’

21. Joanna Gruesome – ‘Peanut Butter’

22. Fort Romeau – ‘Insides’

23. Rozi Plain – ‘Friend’

24. Pale Honey – ‘Pale Honey’

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BarryGruff’s April 2015 Playlist

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A regular monthly feature to the blog; a nice, neat and handy playlist of tracks featured during the month.

It was another excellent month for new music, one which saw the return of CZARFACE, Miaoux Miaoux, Girlpool and Jinx Lennon, with new tracks from their respective forthcoming albums. There were new singles from The Urges, Wilding, Fold, Tuff Love, Hippies Vs Ghosts, Lazy Day, Freedom Fry & Imploded View, and tracks from forthcoming EPs from Tomorrows, Graham Cooney & JUNK.

Also featuring on the playlist are: The School, Fueds, Mowbird & Cotton Wolf. Yeah, so, April was pretty damn good.

Listen to BarryGruff’s April 2015 playlist below.

Mowbird – ‘Audrey, Are We Lost?’ & ‘One-Offs’ Compilation

 

Welsh lo-fi-fuzz pop wizards Mowbird are releasing a compilation album called One-Offs, available only at live shows, it celebrates five years the band and features singles, demos, one-offs and four previously unreleased tracks.

Mowbird have long been firm favourites around these parts and their predilection for fuzz pop, fused with parts surf-rock, slacker indie and some garage punk nuances has served up sublime fun filled blasts of scuzzy, charming, soul-consuming guitar jams. Taken from the One-Offs compilation and recorded in the same session as their excellent debut record Islander, ‘Audrey, Are We Lost?’ captures everything that is wonderful about Mowbird. A hyperactive, gritty and surf inspired garage-rock belter, ‘Audrey, Are We Lost?’ is just over two-minutes jammed packed with energy, poppy sheen, riffs, catchy hooks and some stunning organ work – something that really marks their sound out as something very special indeed. Magnifique!

While One-Offs is currently limited to 50 copies and only available at live shows, you can stream it on their Bandcamp page. Perhaps one day, the album will be available digitally, here’s hoping.

Favourite New Sounds of 2014

 

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Originally published for Dukla Prague Away Kit on November 27th 2014 – where by I shared some of my favourite new musical discoveries from 2014. Pretty self-explanatory this….

David Harks

“Infectious, upbeat and colourful..”

Hailing from Brighton in the UK, David Harks, is a singer-songwriter who creates lush elegant electronic-pop music. Harks left quite an impression throughout 2013 with a number of beautiful, blissful and uplifting singles. The pièce de résistance of this heart-pumping, well-whisked blend of soul and pop, with electronic undertones being ‘Illusion’. Hushed, inviting and transfixing vocals float upon a beautifully warm melody. Flowering beats and percussion, usher a soft hypnotic psychedelic feel and a simply irresistible listen. Infectious, upbeat and colourful, with tender vocals, it is a soul-filled, synth-kissed, soothing sound with flourishes of warmth. David Harks’ is definitely worth some of your time and one to keep your eye on in future.

Distant Cousin

“Hazy chants, swirling synth and subtle melodic embellishments”

Earlier this year LA-based producer Distant Cousin released his promising and stylistically diverse self-titled debut EP. Both pensively cinematic and reflective, it delves headlong into a textural depth that goes far beyond the constraints of one single genre. Done with majestic progression, he paves a winding path through a chilling hinterland of electronica, techno and even hip-hop. Of which, ‘Floating/Above Nothing’ is a perfect example of this exemplary touch. Opening in bubbling slow-burning fashion, the murky origins are expanded upon by hazy chants, swirling synth and subtle melodic embellishments. Chugging relentlessly toward a deep and mysterious well of rich sounds, then bang, we have lift off. A heavy bassline and mutating synthwork laid over a thick bed of bristling percussion as the euphoric underbelly comes to the fore, only relenting to allow the poignant spoken sample ring through. Utterly captivating beat and synth work. Exciting times lie ahead.

Oh Boland

“With every rumbling note their music proves ever more captivating and palatable..”

Oh Boland are a garage rock trio – Niall Murphy, Éanna Mac Donnchadha and Simon McDonagh – from Tuam, Co. Galway.

Admittedly formed close to two years ago, their charms having remained elusive (to me anyway) till January of this year, a discovery I’m all the better for. The trio’s rough, ragged and somewhat abrasive sound borrows from an earthy mix of garage rock, indie, pop and some local guitar flavours. To date they released two EPs Oh! & Ho!, and this year’s super spilt release with Me and My Dog. Taken from the latter, ‘Tidy Is’, a rollicking indie rock number with crashing drums and rumbling guitars, pretty much captures the essence of this band. With every rumbling note their music proves ever more captivating and palatable, as it screeches and howls harmonically as the sheer thrashing nature rings through. Bands of this ilk are relatively rare commodity Ireland and rarely are they so utterly fuckin’ brilliant, which is all the more reason to treasure them. With a debut LP on the horizon they’re one’s to keep an eye out for in the new year. Listen here.

Mowbird

“Hurled together with exuberant bursts of energy, and a sheen of poppy harmonies..”

Welsh lo-fi-fuzz pop wizards Mowbird specialize in scuzzy, charming, soul-consuming guitar jams.

Fusing a predilection for fuzz pop, with parts surf-rock, slacker indie and some garage punk nuances to create fun filled blasts of sub 3 minute, easy to listen to tunes. There is a real spontaneity and energy to their sound; a theme running throughout their dedut LP Islander. It kind of feels unrehearsed and unplanned as it goes where feels right without putting a single foot wrong, with ‘Return to the Sea’, ‘Islander’ and ‘Empress’ are exemplary exponents of this prowess. Hurled together with exuberant bursts of energy, and a sheen of poppy harmonies, melodies, catchy hooks and some stunning organ work (an intrinsic part of their sound), and you’ve got yourself absolute joyous amalgam of sounds that lives in the moment. Quite simply one of the finest things crafted in Wrexham since Mickey Thomas’ free kick against Arsenal in ’91. Listen here.

The Careers

“There is a scrappy imperfection and absence of glossy production..”

The Careers are a garage- rock band comprised of four young men – Luke O’Neill, Eoin Conway, James Moone & Fergal Hennessy – from Cork.

They’ve a certain penchant for the past and sound as though they were raised on a steady diet of ‘6os rock and roll and garage bands. They’re a rock ‘n roll band, plain and simple. To date, they’ve released one EP, Atomic Cosmosaurus, recorded in the drummer’s shed, it’s filled with lively and stomping gems of the fuzzy, garagey variety. These scratchy, rough and ragged home recordings are endearing in their unique imperfection, and pleasing to the ear and an eminently repeatable experience. While there is a scrappy imperfection and absence of glossy production to their sound, the execution is tight, as any number of examples from the EP are testament to – from the bashed kickdrums and turbulent guitar riffs of ‘Won’t Go Far’ to the slinking swagger of ‘Try [Try, (Try)]’ or stomping retro-fitted rock ‘n roller ‘All The All The Whiles’. Combining a clever use of great riffs, driving rhythms and catchy hooks and melodies, The Careers have struck an incredible balance between sounding familiar, yet wholly original at the same time. Hopefully we’re hearing more from them soon. Listen here.

Mowbird – ‘Lady Lion’ ft. Sweet Baboo

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It’s been a good year for Welsh lo-fi-fuzz pop wizards Mowbird. It is a year that saw the release of their dedut LP Islander, one of 2014’s finest, it is littered with blasts of sub three minute scuzzy, charming, soul-consuming guitar jams.

Not content with that, the Wrexham quartet have teamed up with the wonderful Sweet Baboo for a re-recorded version of ‘Lady Lion’ from their 2011 Ilk EP. Out now via Shape Records, ‘Lady Lion’, thankfully doesn’t deviate from what Mowbird do best, that is to say they continue to blend their collective predilection for fuzz pop, parts surf-rock, slacker indie and some garage/punk. Centred around Sweet Baboo’s vocals and guitar, some scorching riffage and simply stunning (and now signature I guess) organ work, they blast out a magnificently scuzzy and proper sing-a-long tune. A cracking way to see out the year in my book. And in other Mowbird related news, they shall be heading back into the studio in the spring to record the follow up to their debut record, and if this is indication of their mood, it should be a belter. Delightful!

You can check out ‘Lady Lion’ ft. Sweet Baboo below and it is available along with b-side ‘Teen Drama’ from here.

BarryGruff’s Albums of the Year 2014

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So, it’s that time of year again, yeah, it’s favourite albums of the year time. Loads of great music this year, some old faces and plenty of new ones too but for those of you who care, here are my 25 albums of 2014. Enjoy!

25. Second Storey – ‘Double Divide’

24. Beach Day – ‘Native Echoes’

23. Globelamp – ‘Star Dust’

22. Sex Hands – ‘Pleh’

21. The #1s – ‘The #1s’

20. Attaque – ‘ON LY YOU’

19. Shit Robot – ‘We Got Love’

18. Mowbird – ‘Islander’

17. Oh Boland/Me & My Dog – ‘Delphi’

16. Jamie T – ‘Carry on the Grudge’

15. Pharoahe Monch – ‘PTSD’

Following on from his 2011’s W.A.R, comes fourth solo LP, PTSD (aka Post Traumatic Stress Disorder), a loose-concept album which sees Pharoahe Monch speaking as a weary independent warrior against the industry machine and dealing with the struggle of the black male experience in America. It’s dense, raw and sometimes painfully raw, as he relives harrowing memories of his struggle with addiction, depression and suicidal thoughts. It’s all draped with his familiar top-notch storytelling, cavernous vocabulary, thought-provoking rhymes, precise delivery and thought-provoking metaphors, placing him right up top of the current hip-hop pile.

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Half Time Reflections: Albums Of The Year So Far (2014)

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With over half the year already passed, it is ripe time for some half-time reflection on the many albums that have preoccupying my attention so far in 2014. As it is well overdue there is no need to waste and more time, here they are, in all their glory!

Sleaford Mods – ‘Divide & Exit’

Lo-fi English punk duo of Jason Williamson and Andrew Fearn are Sleaford Mods, who’ve been grunting through gritted teeth since ’08. With their new album, Divide & Exit, they deliver a clever, often funny, foul mouthed and angry record, overloaded with attitude as their gripes and grievances with modern Britain (and beyond) are vehemently aired. Chief rabble-rouser, Williamson is both scathing and sardonic, who airs his many gripes and grievances, with a combination of vitriolic anger and acerbic wit. An extremely clever wordsmith, his righteous and infectious rantings are as quotable as Half Man Half Biscuit. You could argue forever as to what line in the gold-standard song is the greatest. This extremely clever wordplay is strewn among grimey beats and wiry post-punk guitars from Fearn. While owing as much to hip-hop and grime as to post-punk, and could be seen to be the the modern inheritors of the brilliance of Mark E Smith, The Streets, Shaun Ryder and HMHB. While there are traces of those artists here, there is, and never has been anything quite like Sleaford Mods. Top fucking class.

The Horrors – ‘Luminous’

On their fourth LP, The Horrors continue to refine sophisticated and colourful sound. The synthesisers are more to the fore, and a noticeably greater influence from electronic and dance music but without ever quite adapting dance-music tempos. The darkness which marks much of their previous work seems to have abated, except for Faris Badwan recoginzable brooding croon, replaced by a late ’80s tingle of euphoria, mellow synth sounds and a bouncy back-beats to create pulsating, danceable psychedelia. The Horrors are light years ahead of anyone else of the ‘indie guitar music’ canon. Tune in, drift away in this bliss of colourful groove.

Gruff Rhys – ‘American Interior’

After concept albums about a wealthy Italian Trotskyite, an eccentric car designer, and a movie in search of lost Welsh tribes in Argentina, nothing should surprise us when it comes to Super Furry Animals frontman Gruff Rhys. His fourth solo album is inspired by a recent discovery that he’s a descendent of John Evans, an 18th-century explorer, who mapped the Missouri river in a vain search for a mythical, Welsh-speaking American tribe. Concept aside, this record shares certain similarities with his previous work, cooking up lush pop songs with more immersive and introspective fare, beautiful orchestral moments and even a couple of more surreal, out-there moments. From the title track, the mournfully mesmerising ‘American Interior’ and it’s expansive, slightly melancholic rock with an infectious melody at its heart, to the rumbling rockabilly of ‘100 Unread Messages’ on synth-splashed carnival tune ‘The Whether (Or Not)’ we’re treated to exemplary spectrum of his talents. American Interior reminds us how captivating a storyteller Rhys is, who wistfully spins wonderful narratives of being carried through new worlds and visions, and only adds to the particular idiosyncratic charm that this Welshman personifies.

Malachai – ‘Beyond Ugly’

Malachai‘s latest effort, Beyond Ugly serves as a closing chapter to the Bristol duo’s ‘Ugly’ triptych, an unplanned trilogy of albums and pre-dated by the excellent Ugly Side of Love (2010) and Return to the Ugly Side (2011). Beyond Ugly is enjoyable as a standalone record if you’re unfamiliar with the previous two. It’s an imaginative journey through controlled chaos which seamlessly flits between trip-hop, hip-hop, acoustic folk, ’60s psychedelia, dance-funk and XTRMNTR era Primal Scream doses of aggressive political anger within the same breath. Expect to witness lavish sonic mayhem and delicate, thought-provoking moments on love, loss, life, politics and society. Vacuous it isn’t, there’s quite a bit of substance behind the aural salvo. A fitting conclusion to this unlikely of trilogies, saying that, hopefully it isn’t the last we’ve heard from Malachai.

Coves – ‘Soft Friday’

There are plenty of bands of Coves‘ ilk about at the moment – boy-girl duo, spectral vocals, ’60s psychedelic influences, dreamy synths – but they are in a class of their own and their debut, Soft Friday, casts a chilling spell. Swirling psychedelia is met with sweeping grandeur, as Wood’s mellifluous cooing floats above as driving riffs mingle with propulsive electro beats, drones and flickers of electronics, in a gentle whirlpool of shimmering psychedelic and glacial atmospherics. Soft Friday is a fine debut. Atmospheric, distinctive and very enjoyable, and a worthy inclusion in any record collection.

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Introducing: Mowbird

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Ignore the yawning in the image above, it’s difficult to envisage boredom being an issue when it comes to Wrexham quartet, Mowbird.

Formed in 2010, Mowbird have been steadily building themselves a reputation in their native North Wales, and it’s easy to why. They fuse their predilection for lo-fi-fuzz pop, with parts surf-rock, slacker indie and some garage punk nuances to create fun filled blasts of sub 3 minute, easy to listen to, yet not run of the mill tunes. There is a real spontaneity and energy to their sound, a theme that runs throughout their excellent debut LP, Islander. It kind of feels like an unrehearsed and unplanned journey into the unknown, that succeeds in going where feels right without putting a single foot wrong. The album is filled with scuzzy, charming, soul-consuming guitar jams, of which ‘Return to the Sea’, ‘Islander’ and ‘Empress’ are fine examples of their prowess. Hurled together with exuberant bursts of energy, and a sheen of poppy harmonies, melodies, catchy hooks and some stunning organ work (an intrinsic part of their sound), and you’ve got yourself absolute joyous amalgam of sounds that lives in the moment. The right moment. There is no issue concerning their qualities, the question is; how have they remained a secret for so long?

You can check out some choice cuts from Islander below, and if they are to your liking, check out the album in it’s entirety here.