Slim Tin Fox – ‘Feed Me’

We were introduced to Slim Tin Fox‘s energetic and no nonsense rock ‘n’ roll with ‘Molly’ toward the end of last year and the Dublin-based foursome are back with double a-side ‘Feed Me’ & ‘Hometown Blues’.

‘Feed Me’ continues in the same vein as before; it is a thrilling blend of indie, rock, blues, garage, post-punk and punk. Vocals snarl, delivered with a rasp while brash and muscular rhythm rumbles below a deluge of meaty riffs, guitars and feedback. It is powerful, all-action jam delivered with a swagger and an ear for a hooky tune. All this is just a long winded way of saying this foursome from Dublin have come up with yet another thrilling tune.

Listen to ‘Feed Me’ below now:

Jacqueline Tucci – ‘Sweeter Things’

Jacqueline Tucci is a Toronto-based musician who is preparing to release debut EP, Jungle Sounds later this year.

Having provided a superb intro with debut single ‘Fear’, Tuccii has released a second single from the forthcoming EP, Jungle Sounds. ‘Sweeter Things’ is born from feelings of frustration at so many things that are happening around her and in the world, ‘Sweeter Things’ is about having a voice and wanting to use it through music, but feeling pressure to not step on any toes and to not say things that might make people upset. It is a powerful and passionate jam that’s bristling with a defiant tone as crunching guitars, meaty riffs and bounding beat cut a swathe through the fuzz and feedback with Tucci’s powerful vocals soaring above. It is a huge tune that while meaty, raw and powerful, there is deftness to it too as it once again demonstrates Tucci’s brilliant ear for melody, a catchy chorus and lyricism.

Check out ‘Sweeter Things’ below – it will not disappoint.

LØE – ‘People Have The Power’

LØE are a UK based alternative-rock outfit who’s raison d’etre is weaving speech and music to create a reflection of our times, and to capture and reflect triumph, heroism, anguish and struggle throughout society.

On their debut single ‘People Have The Power’ they marshal all their might to craft an artful and powerfully evocative mix of post-rock, post-punk and krautrock, with a hint of instrumental hip hop and electronica. It is an epic and electrifying powerhouse that opens with a relative whisper as John Lennon speech flutters through a cinematic air, twinkly synth and glistening guitars line before exploding into a riff fueled frenzy – riffs roar, guitars crunch and drums bang as it ebbs and flows with power and a deft touch of elegance. It is a stunning jam that captivates from the first note to the rousing and explosive concluding climax of thundering drums and serrated, buzzsaw riffs. A mighty, riotous and epic debut – an absolute must listen.

Check out ‘People Have The Power’ below:

Jo Marches – ‘Long Term Parking’

Jo Marches – an Utrecht outfit fronted by the inimitable Johanneke Kranendonk – specialise in heady brew of psych-infused swirling synth-pop, sophisticated pop sensibilities and infectious melodies.

Having impressed no end with a seemingly endless supply of excellence, Jo Marches dazzle us again with new single ‘Long Term Parking’. The first single lifted from a third EP, Moon Mirror, expected in October 2020, ‘Long Term Parking’ is all dreamy and ethereal allure. Kranendonk’s breathy, elegant vocals float breezily along, smouldering with emotion, as sparse origins give way to a growing swell of bass, shimmering synths, keys and glistening guitar. It is a gorgeous song filled with woozy vibes and lush melodic allure and all sprinkled with cosmic dust.

‘Long Term Parking’ is another enchanting piece of psych-infused cosmic synth-pop. Tune in below. 

The Whags – ‘Fraction Of’

The Whags are a Seattle-based five piece whose sound is a joyous amalgam of indie, psych, funk and soulful Americana with rich vocal harmonies and a deep seductive grooves.

‘Fraction Of’ is the first in a series of singles set for 2020, and is the perfect distillation of their sound. It is a deep grooving and swaggering slice of soulful pop the slowly unfurls into a beautifully bright, breezy and wholly optimistic jam. Everything feels big and bright as soaring choruses, lush harmonies and sweet licks are peppered with an uplifting air shimmering tones while the lilting, soul-filled vocals roll across the top.This a heavenly jam dripping with melody and lavishly coated with lush harmonies as it swells to enraptured bouts of euphoria. This an absolute joy, a treasure in fact and food for the soul.

Tune in to the wondrous sounds of ‘Fraction Of’ below:

Adwaith – ‘Lan y Môr’

With a string of brilliant singles and Welsh music prize winning debut album Melyn, in the past few years, Welsh outfit Adwaith – Hollie Singer, Gwenllian Anthony & Heledd Owen – never cease to amaze with their intense, compelling and unique experimental post punk sounds.

The Carmarthenshire trio are back with new single ‘Lan y Môr’, marking Welsh Music Day, and adding to their ever growing catalogue of brilliance. Bursting with potent energy ‘Lan y Môr’ is built around bright grooving melodies, buzzing bass, surfy guitar and interlocking riffs as it takes off, fizzing like a rocket underpinned by frenetic and transfixing motorik beats. As always, Adwaith are fearless in their creative endeavor as trio deliver yet another potent blast of post-punk – and it goes without saying, Adwaith are unique and one of the most exciting bands on the planet.

Listen to ‘Lan y Môr’ below and if you haven’t done so already, check out their Welsh music prize winning debut album Melyn here.

Catholic Action – ‘People Don’t Protest Enough’

Glasgow outfit Catholic Action – Chris McCrory, Ryan Clark, Jamie Dubber & Andrew Macpherson – will release their second LP, Celebrated by Strangers on March 27 next year.

In building excitement they have already shared ‘One Of Us’ which took aim at the billionaire-owned media and their Bullingdon Club buddies, latest single is no less potent or politically charged. Entitled ‘People Don’t Protest Enough’ it is an upbeat call to get organised for a progressive, positive future – and it is simply sensational. Built around insatiable lockstep groove, propulsive bassline and kinetic rhythms ‘People Don’t Protest Enough’ is urgent, pulsing and also, incredibly catchy and danceable. Jerky art-rock riffs dart in-between twitchy vocals while all peppered with shimmering synths, hand claps and Casio tones completing the stunning sonic onslaught. Unleashing a relentless propulsive energy, it hits the sweet spot between melodic repetition, pent up aggression and danceable infectiousness – a la a fortuitous coming together of Franz Ferdinand, Django Django and LCD Soundsystem.

Listen to the phenomenal ‘People Don’t Protest Enough’ below now – and keep an eye out for Celebrated by Strangers in the new year.


Worldcub – ‘Here Comes The Moonshadow’

Formerly known as CaStLeS, Worldcub are Welsh psych-pop outfit piloted by brothers Cynyr and Dion Hamer, in addition to new members Carwyn Ginsberg (Hippies V Ghosts / Fauna Twin) on guitar and Dion Wyn Jones (Alffa) on bass.

Under previous guise of CaStLeS, their swirling sonic brew of psychedelic surf rock kraut-rock grooves never disappointed and 2016 debut Fforesteering is magical. To accompany the new handle, Worldcub have released a new single ‘Here Comes The Moonshadow’. With its layers of beautiful vocal harmonies engulfing stomping percussive loops, it is hypnotic and blissful psych.It is underpinned by hazy, reverb-heavy guitars which gradually become more erratic and off-kilter while cosmic flashes and frazzled effects cascade from above as lilting Welsh vocals float above this sonic brew. Beautiful, blissful and utterly bewitching.

Check out ‘Here Comes The Moonshadow’ below, it is out now alongside equally wonderful Welsh language b-side ‘Hel y Hadau’.

Cousin Kula – ‘MIMO’

Bristol six-piece Cousin Kula specialise in explorations of dreamy, jazz-influenced psych-tinged pop, and with latest single ‘MIMO’ they do that with aplomb.

MIMO is the final single lifted from second EP STROODLES, follow up to 2017’s OODLES, and it is a smooth, smouldering and seductive slice of proggy psych-pop. Taking in an eclectic blend of music from pop and jazz through to psych and prog, it slinks languidly through a cosmic world of colourful synths, frazzled electronics, bubbling bass and free form rhythms. It is simultaneously laid back and bursting with passion as empowering lyrics flow over this exploration in sound collage. It is an amazing track with layers upon layers of intricately pieced together components revealing more and more with each listen – and by the same virtue, rewarding more with each and every listen. 

Check out ‘MIMO’ below – and the entire EP is here too.

Maddie Jay – ‘I Got You’

Maddie Jay is a Canadian musician, bassist, producer, writer and multi-instrumentalist with a penchant for jangle pop, experimental music, synthesizers and sloths.

Having grown up in the relative wilderness of the small mountain town of Smithers, British Columbia, Jay traded that for the warmer climes of Los Angeles, where she now resides, crafting music in her bedroom studio.

Jay introduced herself to use earlier in year with ‘Little Love’ – a gentle whirlpool of shimmering and lush dream-pop – and has returned with another suitably lush and woozy wonder in ‘I Got You’. Written for her roommate’s dog, it is a lush and alluring blend of irresistible slinky grooves and woozy tones as a soft wave of hypnotising shimmering synths cascade over a twinkling guitar. ‘I Got You’ is a lavish composition, one of breathtaking and beguiling beauty. The swirling textured haze mellow undulation is the perfect companion for for Jay’s soothing vocals.

Do yourself a favour, give ‘I Got You’ a spin below: