Gushh – ‘Here We Are Still’

Gushh is the solo project of Bristol-based artist Richard Stockley who looks after everything involved; composing, recording, mixing, mastering and artwork.

Gushh revolves around the concept of looping elements and building tracks up whilst telling a narrative through old-timey samples from forgotten pieces of media and having introduced the project with ‘Drifting Through the Emptiness of Space’ back in June, Stockley has returned with new single ‘Here We Are Still’. Propelled by a hypnotic cosmic groove, steady beats build and build whisking us through a misty haze of psychedelic and ambient textures while bright, clipped riffs spark alongside shimmering guitars. Oozing with a cosmic aura, ‘Here We Are Still’ builds and builds to a triumphant explosion of epic proportions, marked with a real sense of awe, wonder and hope. Magnificent once again from Gushh!

‘Here We Are Still’ is lifted from a forthcoming – so far unnamed – EP due in the Autumn. Till then, give the single a spin below:

Asta Hiroki – ‘Slumber’ feat. Dontmesswithjuan

Brighton-based producer Asta Hiroki deals in beautiful, cinematic and soulful electronica.

Drawing from jazz, electronica, post-Dilla hip hop, lo-fi and glitch music Asta Hiroki resides in a space between downtempo hip hop, chillout and ambient electronica and glitchy beats – and demonstrating this perfectly is new single ‘Slumber’. Aided and abetted by Dontmesswithjuan the aptly titled ‘Slumber’ is an elegant, lush and woozy slice of dreamy electronica. Hushed, syrupy smooth vocals drift above a sea of atmospherics meandering along a seductive slo-mo groove and dusty beats pattering below. ‘Slumber’ is rich, melodic and dripping with soulful vibes – a mellow and super seductive groover.

Listen to ‘Slumber’ below now:

Fable – ‘Orbiting’

Brighton’s Fable (aka Holly Cosgrove) has a real flair for captivating, cinematic electronica; something that is patently clear from new single ‘Orbiting’.

With a debut album recorded and newly-signed to Naim Records, ‘Orbiting’ should be the first of many offerings from Fable throughout 2021 – and if they are anything like this, we are in for a treat. Hauntingly stark, yet hopeful, ‘Orbiting’ is an expansive yet cosy trip-hop-inspired sound as Fable’s stunning vocals glide across a super smooth, downtempo groove and serene bassline while the atmospheric surrounding smoulder with rich allure and moving emotion.  The deftness of touch here is breathtaking, it remains simultaneously blissfully dreamy and intimate and yet expansive and epic – no mean feat.

‘Orbiting’ is out now and it’s a truly stunning single, and perfect introduction to Fable. Tune in below.


El Levtchenko – ‘After Hours’

We were introduced to Brazilian / American pairing El Levtchenko and their lush, sun-kissed and world encompassing sonic distillations throughout 2020 – offering beautiful and beguiling bouts of escapism as they did. 

El Levtchenko’s sound is magpie like, in the very best way possible, borrowing from a world of influences; there’s Cuban guitar music, a touch of hip hop, some Middle Eastern and African influences, funk and soul, and a whole lot of beautiful psychedelia. Their latest single ‘After Hours’ is – like previous singles ‘Hopeton Overton’ and ‘Sunday Social’ – a perfect exposition of their well honed style. It is an intoxicating brew, built on seductive grooves and cool, calm and chilled vibes, offering a zen-like state as it drifts along a funky, hypnotic groove as guitars chime and chords strut their languid wares amid the late night vibes. This is super chill, beautifully addictive and mellow, while oozing nocturnal vibes, it is a tune make the day better no matter the hour.

Check out the sunny delights of ‘After Hours’ below:


Monggrel – ‘Dhobi Ghat’

Monggrel is US producer – AKA  B. Wood – who fuses lo-fi beats, dub rhythms, industrial noise, and field recordings into an immersive listening experience.

Monggrel recently released his latest album, Ceremonies, and latest single ‘Dhobi Ghat’ offers a perfect introduction to the record, and the artist. From the first note, Monggrel creates an ominous pitch black soundscape that is suitably murky, eerie and subterranean. Stark, minimal production and haunting repetition creates an eerie vibe for a murmuring malaise of beats, clanking synth and dub infused groove and subterranean tones to swirl around. As ominous as it is, it is super seductive as it thrives amid the sparse, scorched earth tone of the barren atmosphere. ‘Dhobi Ghat’ is bone-chilling but also utterly captivating.

Listen to ‘Dhobi Ghat’ below:

Ian Simmonds – ‘The Falling Tree’

Ian Simmonds is a Welsh musician & producer whose music oscillates between nu jazz or downtempo and heavily produced electronica, often interwoven with hip hop textures.

With 15 studio albums to his name already, Simmonds latest work is the stunning and seductive ‘The Falling Tree’. Lifted from Diffract Records 17-track compilation Rhuba, it is one of many highlights among a superb collection filled with immersive electronica, trip hop, jazzy breakbeats, movie samples, abstract atmospheres, and funky grooves. ‘The Falling Tree’ is one of the most bewitching with its gentle but irresistible groove and soft patter of beats lulling you into a trance as melodies undulate alongside latin flavours, low-slung, bubbling double bass before orchestral bursts and chilling tones create a darker, more sinister atmosphere. It is lush and superbly seductive with its sunken groove and its rich array of colourful sound collages.

Listen to ‘The Falling Tree’ below and Rhuba is here.

El Levtchenko – ‘Hopeton Overton’

We were introduced to Brazilian / American pairing El Levtchenko and their lush, sun-kissed and world encompassing sonic distillations earlier in the summer.

El Levtchenko’s sound is magpie like in the best way possible, their compositions borrow from a world of influences; there’s Cuban guitar music, a touch of hip hop, some Middle Eastern and African influences, funk and soul, and a whole lot of beautiful psychedelia. Their latest single is ‘Hopeton Overton’ and like its predecessor ‘Sunday Social’, has a suitably seasonal sound. A sort of a funk and dub fusion, ‘Hopeton Overton’ brings all the good vibes as it slinks and swaggers along a super seductive groove as a guitar chirps, ripples and twangs amid the hazy, dub-esque echoes. It is a catchy, feel good and vibrant jam that will work its way into your psyche and leave you all the better for it.

Check out the sunny delights of ‘Hopeton Overton’ below:

123 Mixtape – ‘Cloud Into River’

123 Mixtape is both the pseudonym of Producer/Mixer/Engineer, Brett Shaw and conveniently, the name of the project.

Shaw is better known for his work with Foals and Florence and the Machine among others but being at a loose end with no one else to record during lockdown, Shaw set out on a simple mission; make some music he’d like to listen to and share with friends. The fruits of his labour is 123 Mixtape which is released on August 24 and preceded by sublime single ‘Cloud Into River’. All recorded on old funky tape machines at 123 studios, ‘Cloud Into River’ oozes with coolness as it swaggers along a super seductive and irresistible groove. The funky bassline plumbs the depths of soul as soft beats ripple beneath the rich swells of brass and grandiose strings sweep by with an orchestral air and touch of pure class.

Listen to ‘Cloud Into River’ below, it is quite simply stunning!

AfriCali – ‘Daughters of the Sun’

AfriCali is a California-based musical collective embracing a broad base of influences as evidenced by their work to date; a journey of musical exploration and fusion of sounds.

Their latest single ‘Daughters of the Sun’, and indeed the album in which it is lifted from Taught Of A Culture captures the very essence of what Africali and their sound is all about. It is a jazzy and soulful cut with a funky base-line that swaggers along a seductive groove and soft beats while guitars twang amid the sun-kissed shimmering feedback. A genre-hopping jam mixing up afrobeat, rock, pop, and hip-hop and topped with coastal-psych seasoning and catchy melodies. A superb, seductive and sunny groover – tune in below.

Listen to ‘Daughters of the Sun’ below and if that is to your liking, check the album here.

Luke Hawker – ‘Uno Mono’

Luke Hawker is a musician and producer from Bournemouth on England’s south coast, mixing it up between electronic, downtempo and trip-hop.

Hawker’s latest single ‘Uno Mono’ came to fruition as an attempt to create “Nintendo meets Tame Impala” – he’s arrived there, and a whole lot more. At its core, it is built upon a charming blend of bright synths, seductive grooves and melodic allure. ‘Uno Mono’ danders along a bed of colour synths and playful melodies (that bring to my mind The Specials) with an airy, carefree vibe while more sounds, riffs and frazzled electronics enter the fray. It is measured, melodic and never overdone – everything has its place to which it fits perfectly for an utterly irresistible electronic excursion.

A beautiful charming delight – listen to ‘Uno Mono’ below: