Simen Mitlid – ‘Murders’

Simen Mitlid is a Norwegian singer-songwriter hailing from the woodlands of Os, has a proven himself a precocious talent for lush, dreamy indie-folk; a statement given great clout by two sublime albums – 2017’s Everything is the Same & 2019’s Neutral.

And not long since ushering the latter into the world, Mitlid is back with delectable offerings from a forthcoming new album Birds. Mitlid shared the beautiful ‘Weeks’ and gorgeous title track, ‘Birds’ earlier this year and now it is the turn of ‘Murders’. It is another carefully crafted and sincere indie-folk ballad. Mitlid’s lilting vocals, serene and tender, rise gracefully above the softly plucked guitar, twinkly tones and gushing haze. It is yet another charming, heartwarming and utterly bewitching slice of indie-folk – Mitlid’s calling card.

Listen to ‘Murders’ below and the new album is expected in the Autumn.

Abracadabra – ‘Dirty Pan’

Abracadabra are Oakland-based outfit comprised of core duo Hannah Skelton (cassiopeia) and Chris Niles (Maus Haus) that craft unconventional electro-pop music littered with imaginative ideas and unique sounds.

The pair have just released new single ‘Dirty Pan’ into the world which captures the essence of their exquisite sound in just four-minutes. A reflection on the struggles we face as a society, both in a social and environmental sense, that have been amplified by the current pandemic, ‘Dirty Pan’ radiates an otherworldly dreamlike surrealism that is utterly transfixing. It skips and swaggers along a strutting drum machine led rhythm amid a sea of atmospheric textures, sparkling synth and fizzing electronics while ethereal vocals, mesmerise and enchant in equal measure. A tantalizing and groove-driven slice wonky-electro-pop – magnificent!

Listen to’Dirty Pan’ below, and keep your eyes peeled for their debut album which is expected later this year on See Jungle! Records. 

AfriCali – ‘Daughters of the Sun’

AfriCali is a California-based musical collective embracing a broad base of influences as evidenced by their work to date; a journey of musical exploration and fusion of sounds.

Their latest single ‘Daughters of the Sun’, and indeed the album in which it is lifted from Taught Of A Culture captures the very essence of what Africali and their sound is all about. It is a jazzy and soulful cut with a funky base-line that swaggers along a seductive groove and soft beats while guitars twang amid the sun-kissed shimmering feedback. A genre-hopping jam mixing up afrobeat, rock, pop, and hip-hop and topped with coastal-psych seasoning and catchy melodies. A superb, seductive and sunny groover – tune in below.

Listen to ‘Daughters of the Sun’ below and if that is to your liking, check the album here.

Ynys – ‘Aros Am Byth’

Ynys is the moniker of Welsh artist Dylan Hughes (formerly of Race Horses and Radio Luxembourg) who has dazzled us with his work to date; namely singles ‘Mae’n Hawdd’ and  ‘Caneuon.

Teaming up with the excellent Libertino Records once again, Hughes has returned with a super smooth and hypnotic new single; ‘Aros Am Byth’. It is yet another lavish psych-washed synth-pop beauty filled with starry-eyed wonder as Hughes brings together 70s Italian disco synths and power pop harmonies – a magical combo. ‘Aros Am Byth’ washes over you with ease as lush vocals flow above a slinking groove and seductive beats while woozy flourishes of synth ripple amid the psychedelic swirl. A beautiful hypnotic tune tinged with melancholy and swelling heart and soul – another dazzling display from Ynys.

Listen to ‘Aros Am Byth’ below:


Luke Hawker – ‘Uno Mono’

Luke Hawker is a musician and producer from Bournemouth on England’s south coast, mixing it up between electronic, downtempo and trip-hop.

Hawker’s latest single ‘Uno Mono’ came to fruition as an attempt to create “Nintendo meets Tame Impala” – he’s arrived there, and a whole lot more. At its core, it is built upon a charming blend of bright synths, seductive grooves and melodic allure. ‘Uno Mono’ danders along a bed of colour synths and playful melodies (that bring to my mind The Specials) with an airy, carefree vibe while more sounds, riffs and frazzled electronics enter the fray. It is measured, melodic and never overdone – everything has its place to which it fits perfectly for an utterly irresistible electronic excursion.

A beautiful charming delight – listen to ‘Uno Mono’ below:


Sprints – ‘The Cheek’

Sprints are Dublin-based post-punk foursome of Karla Chubb (vocals/guitar), Colm O’Reilly (guitar), Sam McCann (bass) and Jack Callan (drums).

Together, Sprints create a raw, raucous and potent post-punk sound – one filled with a ferocious blend snarling vocals, driving rhythms, meaty riffs, swagger and noise. The aforementioned attributes are captured perfectly by their latest single ‘The Cheek’; re-released as part of  Nice Swan Records’ monthly singles club. ‘The Cheek’ is loud, confident, and defiant. Driven by a fierce and propulsive bass line, it grabs you from the off and refuses to relent as it swaggers along barrelling drumbeat. Guitars rumble, buzz and crunch amidst the hail of noise and feedback as Chubb’s vocals increase their bite, growing increasingly defiant, leading the charge to an electrifying climax. A huge, thrilling and furious jam, delivered with a swagger and laced with sarcasm, ‘The Cheek’ tackles sexuality head on.

An absolutely massive tune, listen ‘The Cheek’ below:

Eoin Dolan – ‘June Hope’

Whenever Galway musician and singer-songwriter Eoin Dolan, one of Ireland’s finest talents as it goes, releases new material it is a great day.

Following on from last year’s Commander of Sapiens – Dolan’s third album to date – new EP June Hope is a gentle, carefully crafted collection of psych-inflected indie-pop. Dolan has a remarkable ability for crafting sci-fi-tinged surf pop, marrying heartbreaking melodies and gentle instrumentation, sadness with beauty and interstellar psych-pop exploration – and this signature sound is all over ‘June Hope’. Breezy, light and thoughtful, it charts a journey from youth to young adulthood through the prism of seasonal change. It is woozy and dreamy as it drifts along a gently waltzing groove flanked by Dolan’s breezy air and twinkly guitar, while radiating a sense of hopeful optimism. As always, Dolan has delivered an absolute treasure.

Listen to the single below and check out the David Boland aka New Pope crafted video – the EP is here too.


Nia Wyn – ‘Atlantis / Ghosted’

Forever serving us with stunning soulful jams, London-via-North-Wales soul singer-songwriter Nia Wyn has returned’, with not one, but two singles.

Wyn has been busy in 2020 and this double dose of soul – ‘Atlantis’ and ‘Ghosted’ – comes hot on the heels of debut EP Love I Can’t Ruin and single ‘Who Asked You’. ‘Atlantis’ is a vintage soul ballad filled with soft guitar lines, plush beats, seductive grooves and all submerged in soothing, woozy waters with Wyn’s smooth vocals bobbing along above. An utterly beautiful stirring ballad delivered with passion and emotion. ‘Ghosted’ meanwhile is also a laid-back and woozy wonder but fleshed out with more of a R&B/hip hop feel. Wyn’s inimitable vocals take centre stage with a backdrop of bouncy beats, addicting groovy rhythms and warm parps of brass as she tells a heartfelt tale of a friendship drifting apart. Two superb additions to an ever growing catalogue of brilliance from a huge talent that impresses time and time again – long may it continue.

Listen to ‘Atlantis / Ghosted’ below now:

Introducing: SadoSan

SadoSan is a hip hop artist hailing from the Bronx, New York. His style is effortlessly cool, steeped in soul, delivered from the heart and super smooth.

SadoSan’s latest work is nine-track EP Special Moves, arriving on July 3, it encapsulates what he is all about in 12 plus minutes – as do taster cuts ‘Infinity’ and ‘Anti-Air’. The former sees SadoSan team up with fellow NYC native Sentry Sinvil for a vocal match made in heaven. as the pair’s bars work beautifully together and compliment one another exquisitely; one laidback and dusky, the other brighter and sweeter. The pairs’ vocal waltz is played out against a woozy and melodic backdrop that flows over lush and seductive grooves, soft dusky, brushed beats and all illuminated by parps of hazy brass.’Anti-Air’ is of a similar vintage; a melodic, seductive and super smooth marrying of lush hazy tones with seductive grooves as rich, soulful vocals flow over dusty beats, distant fading parps of brass amid a dusky air. Two bewitching and super smooth introductions to both SadoSan and the new record.

Listen to ‘Infinity’ and ‘Anti-Air’ below now and remember, the Special Moves EP is out on July 3.


Laughed the Boy – ‘Thirde’

Comprised of brothers Chris and Sean Panacci and Brennan Hrehoruk, Toronto-based indie trio Laughed The Boy have made a name for themselves in embracing and exploring a genuine love of unpretentious 90’s nostalgia.

The Canadian trio’s two albums to date – Here is Fine and Change of Scenery – are marvellous and littered with easy going tunes filled with catchy melodies and fuzzy guitars; a trend, along with  ear for melody and affection for 90s nostalgia, that continues with new single ‘Thirde’. It bobs along a gently undulating and merry groove as guitars jangle and shimmer while sweet and charming vocals roll breezily by. ‘Thirde’ is a sunny, shimmering and delightfully catchy earworm that will be spinning around your heads for days and days. No word on whether this is a stand alone single or we can expect an EP or LP in the future but for now, just enjoy the wonderful charming delights of ‘Thirde’.

Listen to ‘Thirde’ below: