Monggrel – ‘Dhobi Ghat’

Monggrel is US producer – AKA  B. Wood – who fuses lo-fi beats, dub rhythms, industrial noise, and field recordings into an immersive listening experience.

Monggrel recently released his latest album, Ceremonies, and latest single ‘Dhobi Ghat’ offers a perfect introduction to the record, and the artist. From the first note, Monggrel creates an ominous pitch black soundscape that is suitably murky, eerie and subterranean. Stark, minimal production and haunting repetition creates an eerie vibe for a murmuring malaise of beats, clanking synth and dub infused groove and subterranean tones to swirl around. As ominous as it is, it is super seductive as it thrives amid the sparse, scorched earth tone of the barren atmosphere. ‘Dhobi Ghat’ is bone-chilling but also utterly captivating.

Listen to ‘Dhobi Ghat’ below:

Ian Simmonds – ‘The Falling Tree’

Ian Simmonds is a Welsh musician & producer whose music oscillates between nu jazz or downtempo and heavily produced electronica, often interwoven with hip hop textures.

With 15 studio albums to his name already, Simmonds latest work is the stunning and seductive ‘The Falling Tree’. Lifted from Diffract Records 17-track compilation Rhuba, it is one of many highlights among a superb collection filled with immersive electronica, trip hop, jazzy breakbeats, movie samples, abstract atmospheres, and funky grooves. ‘The Falling Tree’ is one of the most bewitching with its gentle but irresistible groove and soft patter of beats lulling you into a trance as melodies undulate alongside latin flavours, low-slung, bubbling double bass before orchestral bursts and chilling tones create a darker, more sinister atmosphere. It is lush and superbly seductive with its sunken groove and its rich array of colourful sound collages.

Listen to ‘The Falling Tree’ below and Rubba is here.

Elliott Mo – ‘Oceans’

Elliott Mo is an Irish producer / electronic musician who has a flair for dynamic dancefloor focused electronica.

Mo’s Latest single, ‘Oceans’ is a perfect example and is nothing short of stunning. A gorgeous marriage of epic euphoria, ethereal electronica and frosty, crisp elegance – it is spine-tingling immersive and hypnotic – majestically blurring the lines between exhilarating electro and ethereal electronica. A spectacular four minutes that is spearheaded by glistening tones, chimes and elegant splashes of electronics while a deep, propulsive groove bubbles away in tandem with solid beats – swerving energetically for the dancefloor. Lush, glistening and altogether alive, you will be consumed by waves of crunching beats, liquid blissfulness and boundless flourishes of crystalline percussion. ‘Oceans’ is a magnificent introduction to a very promising talent, no question.

Listen to ‘Oceans’ below – it does not disappoint:

MEMES – ‘So What?’

Glasgow lo-fi post punk outfit, MEMES, introduced their fiery, furious and feisty sounds with a series of scintillating singles last year with ‘Blah Blah Blah‘, ‘Funny Man‘, ‘Happy Shopper’ & ‘J.O.B.S.’ making them one of the finest new discoveries of 2019.

The Scottish noise-makers are readying their new EP, MEMES EP coming in November via Fierce Panda and ahead of which, share new single ‘So What?’ – and MEMES are back with a bang. ‘So What?’ rumbles and rattles into view, with all that raw and electrified swagger we’ve come to recognize as MEMES’ sound. Raspy vocals dance over jagged rhythms, looped bass, urgent guitars and scorching riffs for a feverish yet infectious blast of post-punk fury. A thrilling, raw and exhilarating jam, MEMES have nailed it again and will have you hooked from the get go.

Check out  ‘So What?’ below:

Checkmate Corleone – ‘Southpaw’

Checkmate Corleone is a Los Angeles rapper who’s style draws inspiration from hip hop, R&B, rock, jazz and country.

Latest single ‘Southpaw’ is a slick, smooth and seductive groover. It flows majestically along a bubbling bassline that mingles with head-nodding, shuffling percussion submerged amid a lush sea of subtle and melodic instrumental touches amid woozy vibes and layered sunny charms. ‘Southpaw’ oozes with all the smooth and soulful seduction while Checkmate Corleone gently reveals his greatest attribute; his smooth, smokey voice and melodic delivery.

Tune in to ‘Southpaw’ below:


ASTER – ‘Unaware Bliss’

ASTER is a singer, songwriter and musician from Glasgow.

Drawing from a deep well of folk, psych, pop and subtle electronica influences, ranging from  the likes of Big Thief, Perfume Genius and Half Waif, ASTER crafts a unique brand of beautiful, expansive, fragile and experimental psych-folk; something born out on new stunning single ‘Unaware Bliss’. It is an exquisite psych-folk daydreamer that whisks us away on a dreamy meditative journey. ‘Unaware Bliss’ meanders gracefully along a blissful groove and swirling, rhythmic psych-folk, and splashes of electronics complete the mesmeric backdrop for ASTER’s bewitching crystalline vocals entrance the listener completely. An elegant, awe-inspiring and charming blend of shimmering psych-folk and glistening electronica – a hazy, soothing and altogether wonderful song.

Listen to ‘Unaware Bliss’ below.

Psych-O-Positive – ‘Make Me Wanna’

Psych-O-Positive are New Jersey outfit – Andy Gilchrist (vocals, lead guitar), Karyn Kuhl (drums), Judy Nock-Olsen (vocals, electric sitar), Debby Schwartz (vocals, bass) & Louis Zhelesnik (lead guitar) – with a flair gloriously ramshackle and instantly addictive lo-fi garage pop.

Psych-O-Positive’s latest single ‘Make Me Wanna’ is an utterly infectious, sun-drenched lackadaisical garage jam with a nods to 60’s garage band The Prophets and a Who-based tangent and back again. Sun-drenched, hazy and whimsical vibes combine with rumbling drums, scratchy guitars, seductive reverb-soaked guitars and melodies and memorable harmonies. This rollicking adventure is draped with infectious exuberance, inherent sassiness and layers of scuzz – not too far away from Jonathan Richman / The Modern Lovers – what’s not to like? 

Tune into ‘Make Me Wanna’ below: 

Bee Bee Sea – ‘Day Ripper’

Italian garage-psych trio Bee Bee Sea specialize in loud, propulsive and guitar-driven psych infused garage rock stompers – something patently clear from a cursory glance at their output to date.

Following on from ‘Daily Jobs’ & ‘Gonna Get Me’ early in the year, the Italian outfit continue to get us hyped for their new album Day Ripper – due on October 9 via Wild Honey Records – with the record’s title track. ‘Day Ripper’ is packed with all those trademark upbeat, frenzied riffs, sharp tempo shifts, melodic choruses, singalongs and huge hooks; all bathed in a haze of warm fuzz and distortion. Driven relentlessly onward with a propulsive motorik groove and  mesmerising, angular guitars, hypnotic vocals and bold and addictive choruses do battle with the jerky, spiraling riffs and swirls of distortion. ‘Day Ripper’ is a relentless, all-consuming and addictive jam – no question about it!

Listen to the single below and Day Ripper (the album) is due on October 9 via Wild Honey Records.

Low Hummer – ‘Sometimes I Wish (I Was a Different Person)’

Low Hummer are a Hull quintet who do a fine line in wonderfully crafted post-punk meets indie-pop, sprinkled with synths, it is danceable and ridiculously infectious.

Having formed in 2019, Low Hummer have been indulging us with a steady stream of superb singles of the aforementioned ilk – the latest of which, ‘Sometimes I Wish (I Was a Different Person)’, is the best yet. A song about alienation, confusion, contradictions and wishing you could be someone else. ‘Sometimes I Wish (I Was a Different Person)’ opens  with a twinkle of electronics and buzzing angular guitar riff, it swaggers along a deep groove interspersed with jerky rhythms, synth riffs, stellar guitar work, fuzz and formidable vocals, and all dripping with syrupy smooth melodies. A massive, powerful and memorable jam – you will be all the better for a wee bit of Low Hummer in your life,

‘Sometimes I Wish (I Was a Different Person)’ is out now through Dance to the Radio.

Karras – ‘Blades of Grass’

Karras is a rapper from America’s midwest who’s style finds a sweet spot between the grit of classic hip hop and off-kilter surrealism as he marries the mystical with manifest.

The latest from Karras is ‘Blades of Grass’ and it brings all the smooth, soulful and funky strutting vibes that you need in your life. Karras has an ear for melody and rhythm, and more pertinently, knows how to put it to good use and allowing space to enhance the potency of his lyrical prowess – all patently clear from even just the opening bars of ‘Blades of Grass’. It ambles along cooly, and calmly, over a seductive groove and rumbling bassline as lyrics are delivered unhurried and in his own time backed by dusty beats, funky riffs and stabs of brass. ‘Blades of Grass’ is a treasure trove of head-nodding, melodic and super smooth swaggering seduction that gets inside your head and refuses to leave; but hey, you’ll be all the better for it. 

Tune in below: