Dreaming of Islands – ‘Silencio’


Dreaming of Islands are Ida Gyllensten and Magnus Hedberg, a Swedish duo from Malmö who experiment with a post-rock sound infused with nods to trip hop and dark electro, and their creations are brooding, ominous and beguiling.

The pair’s latest release is ‘Silencio'; an elegant, atmospheric and spectral dose of ethereal electronica. A hypnotic and captivating track, with a powerful dark groove that pulsates with vibrant emotion, dark, mysterious and atmospheric as it goes with the semi-chanted lyrics increasing the primal vibe and enthralling. Beauty and ominous darkness work simultaneously as the semi-chanted lyrics increase the primal vibe as ‘Silencio’ ebbs and flows to an epic crescendo. ‘Silencio’ is an irresistible and entrancing six minutes plus, that quickly locks you under its spell and enthral no end.

Listen to ‘Silencio’ below:

Introducing: Likvid


Likvid is Slovakian born, London-based musician and producer Allan Vilhan, who’s music is a blend of ambient and beat-driven tunes, with subtly and a deft touch, it is a wonderful hinterland somewhere between trip-hop, d’n’b and electronica; where both industrial and ethereal moments can coexist and thrive.

Themes are loaded with spirituality, illuminated by deep and dark lyrics, and primed to thrust you on a ethereal voyage of tranquil discovery. Recent single, ‘Unreal Lies’ is probably his most outstanding work to date. Working in collaboration with Swedish singer and musician Marta Karis, it is a subtle blend of heavenly atmospherics and sensual sounds, complimented perfectly by Karis’ bewitching vocals, which adds a veil of the mysteriousness to this reposing sojourn to a world of alluring escapism. While retaining the ambient atmospherics, ‘Can You Hear Me?’ has more of a subterranean vibe albeit interspersed with splashes of light. It is much more beat driven, propelled by heavier hitting beats, it is cloaked with a ghostly aura, due in no small part to the haunting vocals of Krisztian Karpati. These are hopefully just two of many delights to come from a potentially very fruitful merging of the industrial and ethereal.

Listen to ‘Unreal Lies’ & ‘Can You Hear Me?’ below – two quality introductions to Likvid.


2015 According to Seth Mowshowitz from Fold

One of my proudest achievements on the blog this year, or any year for that matter, is the release of GruffWuff; a 19 track compilation of new, previously unreleased and exclusive recordings from some of my very favourite acts over the past 5 years of blogging.

It was a truly fantastic way to mark 5 years of BarryGruff and I am incredibly grateful to everyone involved and the overwhelmingly positive and enthusiastic response. As 2015 draws to a close, I have enlisted help from people who made the compilation what it was, to chat about their favourite moments and sounds from year, and up next is Seth Mowshowitz, from Fold.

Leeds based Trip Hop / Breakbeat / Hip-Hop outfit Fold have the propensity for producing the magnificent. The inventive and experimental quartet pride themselves on live production, ceating incredible music while blending their enviable creativity with a social consciousness. In a similar sort of vein to Public Service Broadcasting, spoken word samples are set to real drums, bass, guitar and a blend of triggered samples, together they combine for an utterly stunning sound of funk, groove, urgency and cool. Long-standing BarryGruff favourites, Fold are one of the most unique and exciting acts around.

Before we take a look at his 2015 sound selections, you should check out Fold’s superb self-titled debut album, and their GruffWuff inclusion, ‘That’s It’ – of which you can download here for FREE.

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Fold – ‘A Victim’s Mentality’


Leeds based Trip Hop / Breakbeat / Hip-Hop outfit Fold are gearing up to release their long-awaited and much anticipated debut album, released on November 3rd.

Long-standing BarryGruff favourites, the inventive and experimental quartet have the propensity for the magnificent, producing incredible music blending their enviable creativity with a social consciousness. Prior to their self-titled debut album, Fold have released lead single ‘A Victim’s Mentality’, which exhibits their pre-eminence in compelling fashion. A smooth, lavish and carefully weaved blend of mellow hip hop and trip hop grooves – peppered with brass above and a muffled, dreamy bassline running beneath it – accentuating the natural spoken rhythms of Mr Gee’s eloquent and thought provoking, poetic lyricisms. Absolutely stunning work from one of the most unique and exciting acts around. 

You can listen to ‘A Victim’s Mentality’ below and it is out now. Fold’s self-titled debut album meanwhile, is released on November 3rd – you can pre-order it here.

Oh, and, Fold featured on GruffWuff – a 19 Track Compilation to celebrate 5 years of BarryGruff  – you check out their inclusion ‘That’s It’ here, and download the entire album for FREE too.


Fold – ‘Two Past Midnight’

Fold - Two Past Midnight - ARTWORK

Leeds based Trip Hop / Breakbeat / Hip-Hop outfit Fold have the propensity for the magnificent, producing incredible music blending their enviable creativity with a social consciousness.

Following on from last year’s sensationally good ‘Oil-Powered Machine / Detroit Red’, Fold have announced the release of a new single, ‘Two Past Midnight’, penned in for a May 4th release. Fold’s interest in social justice is no secret and we’ve become accustomed to the band using vocal samples from speeches to convey messages, and ‘Two Past Midnight’ is in keeping with this trend. The new single pays tribute to Fannie Lou Hamer, a civil rights activist who advocated for the right to vote for black Americans and was instrumental in passing the 1965 US Voting Rights Act.

‘Two Past Midnight’ is a powerful fusion of beats and politics, as they sample Fannie Lou Hamer’s famous 1969 speech in Berkeley California to deliver a funky, cool and groovy tune that feels mightily dangerous (it reminds me of how a younger me felt, hearing Public Enemy or Immortal Technique for the first time – that’s a good feeling). The single spreads the message, if we needed to be reminded, that the scourge of racism still exists and is still an issue throughout the world. This is the sound of a band with a message, one that needs to be spread and with the music to match, while providing a timely reminder of their musical prowess and the power of music. It also raises that question again; why have musicians and artists so little to say nowadays? ‘Two Past Midnight’ comes backed with B-side ‘Don’t Kid Yourself Baby’, which is pure, unadulterated funk and will be released on May 4th. You can pre-order it now from Bandcamp.

You can listen to both it, & the B-side below, along with Fold’s GruffWuff inclusion, ‘That’s It’ – of which you can download here for FREE.

Fold – ‘Oil-Powered Machine / Detroit Red’

Fold 2014

Leeds based Trip Hop / Breakbeat / Hip-Hop outfit Fold, the brains behind the magnificent ‘Be Water, My Friend’ back in the summer, and Salvation EP last year, are signing off on 2014 with double A-side single ‘Oil-Powered Machine / Detroit Red’.

Fold’s latest release, out this week as a limited edition 7” and digital download, is inspired by Public Enemy as the group sample resounding speeches by Malcolm X and Mike Ruppert, to pay tribute to both. Priding themselves as they do on live production, the spoken word samples are set to real drums, bass, guitar and a blend of triggered samples. And in a typical Fold way, it enhances the natural rhythm of the speech and accentuates the message. ‘Oil-Powered Machine’ sees Ruppert put the proverbial boot into the petrochemical industry along an urgent guitar-led beat, in a similar way to Public Service Broadcasting, who they have both re-mixed and supported. ‘Detroit Red’ meanwhile, features Malcolm X taking equality (or lack of) in America to task, backed with a recognizable force, funk and urgency, we’ve become accustomed to from Fold. Another two superb tracks from Fold and outstanding additions to their unique and ever growing catalog.

You can stream ‘Oil-Powered Machine / Detroit Red’ below and you can buy the double A-side from here.

Ceiling Demons – ‘Every Step (Fold – Follow The Lights remix)’

ceiling demons fold 2014

Following the release of their debut album Dual Sides, alternative hip-hop group Ceiling Demons are releasing ‘Every Step Is Moving Me Up’ as a digital single, along with a brand new remix from Leeds based trip hop extraordinaires Fold.

The single aims to raise awareness for CALM, short for Campaign Against Living Miserably, a charity dedicated to raising awareness and the prevention of suicide – an issue that has affected far too many of our lives for sure. Accompanying the Yorkshire trio’s own ‘Every Step Is Moving Me Up’, an assured, sincere and wholly positive track, is Fold’s re-imagined and re-titled ‘Follow The Lights’. Uplifting and warm, it underpinned by a soft driving beat, trip hop grooves and dubby layers, peppered with uplifting bouts of brass and chanting samples which extenuates Ceiling Demons’ deft lyrical dexterity, which ingrains a positive message within their music. A marvelous anthem of positivity, which is quite apt and all for a very good cause.

The single is available from all the usual haunts as well as a ‘name your price’ via bandcamp, with all proceeds going to CALM. You can also check out their debut LP, Dual Sides, here.