Introducing: The Orange Kyte

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The Orange Kyte is an experimental music project with an admirable manifesto to release a single a month, throughout 2016.

The brainchild of Vancouver-based, Dublin-raised Stevie Moonboots (House of Dolls & The Subterranean Satellite Band), along with a revolving cast of collaborators and cohorts, promise sonic explorations in sound. Drawing heavily from a love of ethereal tones, fuzz, reverberation and all things psychedelic, they deliver just that. Debut single ‘Morning Pages’, featuring Chris van der Laan of Vancouver punks Wars, is a woozy, dreamy & hypnotic, shoegaze tinged brand of psych-rock, all shimmering guitars and hazy vibes. As far as opening gambits go, this ranks pretty damn high. It’s going to be very intriguing (and rewarding, hopefully) to track the continuous evolution of The Orange Kyte project.

You can check out The Orange Kyte’s debut single, ‘Morning Pages’, below now. And track the progress of the project here, too.

 

 

BarryGruff’s Irish Albums of the Year 2012

BG12IrishAlbums

Pretty self explanatory this one. There’s been a lot of great music released in Ireland over the past 12 months & here’s ten Irish albums I’ve enjoyed the most in 2012. You can also check out the ‘Albums of 2012‘ & ‘Irish Songs of 2012‘ if you want.

10. The Expert – ‘Neckbreakers’

Not strictly an album, more of a beat tape as it happens but who makes theses rules? Over seven glorious cuts of jazzy instrumentals The Expert takes us on a head nodding journey from start to finish. Having produced beats for over fifteen years, mainly with his band MJEX, it certainly shows. A worthy addition to any record collection.

09 Imploded View – ‘Picnics With Pylons’

Picnics With Pylons is the debut album from Longford based producer Imploded View (aka Jerome McCormick). Continuing with his forte for atmospheric downtempo electronic music, his debut rarely if ever, emerges from first gear. Preferring to meander through a vast and cloudy world of extremely chilled ambient sounds, an air of calmness permeates the entire record. McCormick is certainly comfortable in this skin, he seems at peace, a feeling transposed to the listener as the airy productions wash over you, allowing time for delicate detail, added emotional depth and mood and thought provoking atmospherics. An assured and composed debut.

08 The P Affection – ‘Cakes For Occasions’

The P Affection’s debut was a scatter-shot of indie-pop, rock, ska, and folk, a very good one it must be said. While staying true to the influences of that record, with Cakes For Occasions, The P Affection have grown as a band and refined their sound. It’s a pretty irresistible and varied selection of power-pop and harder edge indie-rock coated in a mix of humorous and heartfelt lyrics. The P Affection continue to improve in all that they do, it’s going to be exciting to see where to next.

07 House of Dolls – ‘House of Dolls’

Taking their cue from the likes of The Chameleons, The Verve, Jesus & Mary Chain and Black Rebel Motorcycle Club; there is no messing around with House of Dolls. Equally adept in the psych-rock/shoegaze department or rip-roaring  dirty rocking guitar riffs. It is here where the albums persona lies, flipping seamlessly between the two styles, on the one hand the fired up brutish rock sounds and on the other, the more measured and steady but no less captivating psych-rock sounds. A very good album, one deserving of much greater exposure.

06  Our Krypton Son – ‘Our Krypton Son’

Our Krypton Son is Derry man Chris McConaghy, who on gathered close musician friends together to create the band in early 2010, they have taken time to produce their self-titled debut. It is a warm collection of alt-rock/folk songs, imbued with an eerie sense of melancholy and an autumnal feel. McConaghy proves himself an excellent songwriter and his voice is possess a real richness and warmth. Our Krypton Son is a solid debut with so much to like but, having seen them live, there is even more to come.

05 Knoxville Morning – ‘Knoxville Morning’

A trip across the US left Ciaran Dwyer of Band On An Island with a collection of songs and stories, of a distinctly different variety to those of BOAI, and so Knoxville Morning was born. Under this new alias, with Dwyer at the helm, he is joined by fellow BOAI members and The Mighty Stef, Gavin Elsted (We Are Losers), Brian Gallagher (Humanzi), Stephen Fahey (Super Extra Bonus Party) and Claire Prendergast. The record is a sweet blend of folk, country and Americana, and while it wears it’s US influences on it’s sleeve, Ciaran’s intuitive storytelling remains a linchpin that holds everything together. It maybe shouldn’t work, but it does, and remarkably well too, which is a credit to Dwyer and all involved.

04 Lethal Dialect – LD 50 Part II

LD 50 Part II is the second record from Dublin rapper Lethal Dialect and it is extremely impressive. Composed, confident and intelligent, there is no bullshit bravado here, just great rap tunes. LD’s greatest asset is his voice, spitting salient bars above beats and samples, he utilises every breath to paint an all too realistic depiction of life in Dublin. Delving into a whole raft of topics and issues others tend to refrain from, he’s cool, calm, sometimes agitated and angry but always passionate. A refreshing and thought-provoking new voice, not only for Irish hip-hop but Irish music in general.

03 Ghost Estates – ‘Ghost Estates’

Prior to this release, Ghost Estates had already carved out quite a name for themselves, their debut album goes someways to realising their potential. With three songwriters in the band, stylistically it’s diverse, taking in a mix of new wavey sounds, reach for the sky guitar anthems and straight up indie rock. This amalgam has seen them arrive at their own distinct sound of hazy electronica edged indie which send a shiver down the spine. It is said two heads are better than one, well, judging by Ghost Estates’ debut, three are certainly better than two. Easily one of the best Irish indie album for some time.

02 Nathan Conway & The River Valley Band – ‘Nathan Conway & The River Valley Band’

Nathan Conway & The River Valley Band certainly borrow from the past to create a timeless soulful country sound, and have found their niche. The tone is soulful country, set to overarching themes of demise and redemption, draped in Conway’s intuitive storytelling which paints vivid pictures with his words. Mostly you feel they are working together, from the swinging uptempo tracks to the less blustery, slower numbers. They have a rapport with one another; brass, percussion strings and Conway’s deep bellowed croon, all work in perfect tandem. Sonny Boy requires a degree of patience, but it is worth it. A beautiful, timeless and assured album.

01 Conor Mason – ‘Standstill’

Standstill continues where 2009’s When It’s Over left off, flowing gently by, amid a sea of soft lilting vocals, whispering lyrical poeticisms and subtle instrumentation. It is permeated by an air of richness, comforting tranquillity and shrouded in melancholy. Standstill is a slow burner and requires patience, understanding and repeated listens to be fully appreciated. Standstill is a beautiful, simplistic and assured album and sometimes that is quite enough.

House Of Dolls – Welcome To The Department Of Nuclear Medicine

Welcome To The Department Of Nuclear Medicine is the long awaited Debut Album from Dubliners House Of Dolls.

Taking their cue from the likes of The Chameleons, The Verve, Jesus & Mary Chain and Black Rebel Motorcycle Club; there is no messing around. An attitude emphatically set out by rip-roaring openers ‘Murder Machine’, ‘I Thought You Were My Friend’ and ‘Prostitutes’ . A series of driving bass-lines, dirty rocking guitar riffs and ominous vocals form a fresh rock n roll sound, delivered with both swagger and confidence.

The band are equally adept in the psych-rock/shoegaze department with haunting echoing vocals shining through a haze of noise, demonstrated by the likes of ‘Photograph’ or ‘Into The Void’. It is here where the albums persona lies, flipping seamlessly between the two styles, on the one hand the fired up brutish rock sounds and on the other, the more measured and steady but no less captivating psych-rock sounds. Importantly it works remarkably well.

For anyone who has followed House of Dolls’ progress thus far there are no real surprises here. It is what it is, an album and band which wears it’s influences on their collective sleeves and deliver their sound with impeccable verve and vigor. It is a very good album, one deserving of much greater exposure.

Video: House Of Dolls – ‘ills’

One of the high points of HWCH ’11, House of Dolls, are busy readying their debut album which is expected early next year.

As a taste of what to expect they put together this video for ‘ills’ using footage of the band over the past twelve months. The track which is taken from their forthcoming debut is another fine slice of dirty rock n roll from the Dublin outfit.

Watch the video below and stream two tracks from their double-a-side single, which can be acquired for free on BandCamp.

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House Of Dolls – Before She Wakes

House Of Dolls – Gimme Some Glory