Jinx Lennon Shares ‘North Louth’; New Album Out Now

Jinx Lennon is a unique talent – a national treasure to be exact – and one of Ireland’s most insightful songwriters who is influenced as much by hip hop and post-punk, Jinx is the embodiment of a modern folk singer. 

Whether it is an acoustic guitar or sampled disco beat, raw garage noise or breakbeats his are songs of raw truth that push us to confront uncomfortable home truths in our society while kicking back against the humdrum bullshit of the modern world. Jinx’s new album Border Schizo Fffolk Songs for the Fuc**d was released on Friday last, and came accompanied by single ‘North Louth’. The tune, and the video, are immense. ‘North Louth’ is a hard-edged tune but one that has more than modicum of infectious allure, not to mention extremely danceable. While bristling with rawness as Jinx delivers his powerful lyrics in his distinct and brilliant manner, fizzing synths, frazzled electronics and break-beat add the dancey grooves.  Jinx Lennon’s music isn’t for everyone, sure but there is no one else quite like him and it hard to be unique nowadays but Jinx does it with ease and is searingly brilliant as always.

Border Schizo FFFolk Songs For The Fuc**d is out now – watch the superb video for ‘North Louth’ below:

Introducing: Anton Che

Anton Che is a producer from Khabarovsk, Russia who has a preference for captivating, escapist and cinematic sounds, matched in no small way by a supreme ear for groove.

The latter is a constant, a hallmark or calling card throughout his work, and more specifically on Che’s latest singles ‘UFO’ and ‘Loose. The former is an elegant arrangement that glistens and flickers as minimal flourishes of synths and frazzled electronic radiate a sense of wonderment and awe before the soft and seductive beat emerges to navigate through a world cosmic splendor. ‘UFO’ is an atmospheric beauty; an engrossing and transfixing escape. ‘Loose’ meanwhile is more earthy and grounded as it stutters and shuffles along seductive, bubbling bassline and choppy chords while soft beats click-clack amid a sea of fresh and hazy tones.  Both tracks lean heavily on groove; from the subtle bassy swagger of ‘Loose’ to the relaxing stasis of ‘UFO’ – and are captivating and mesmerizing in their own ways.

Listen to ‘UFO’ & ‘Loose’ below:

Koresma – ‘New Frontier’ (Remix by Nifty Earth)

Koresma (aka Ryan Lindberg) is an electronic producer based in the mountains of Asheville, North Carolina who favours a blend of chilled electro-acoustic music grounded by strong grooves and inspired by the natural world around him.

Over the past 18 months or so, Koresma has treated our ears to a series of hypnotic, chilled and easy on the ear bouts of escapism – and with those qualities, it is as opportune time as any to return with some soothing sounds. Koresma has enlisted the talents of fellow US producer Nifty Earth on remix duties. It is a perfect union; both have a flair for the colorful, the imaginative and chilled-out rhythms and grooves – something born out exquisitely here. Centered around the dual power of the piano melody and mesmerizing beat, we are whisked away to an aura of calm and beauty, as percussive grooves project a hypnotic, trance like state of breezy tones, lush colours and soft, precise beats that weave in and out of lush melodies. This is absolutely stunning, simple as that.

Let the bewitching tranquility of Nifty Earth’s rework of ‘New Frontier’ wash over you below & it is lifted from North Remixes, you can listen to that here.


bad tuner – ‘Fluid Borders’

Born in Yugoslavia, raised in Russia and is now residing in Brooklyn, bad tuner is moniker of musician and producer Jozef Sergei Dimitrov.

Bad tuner’s specialty appears to be woozy dancefloor focused electronica and introduced said penchant with ‘Adelaide’s Voyage’, and he’s returned with a similarly a stunning sonic distillation in the shape of ‘Fluid Borders’. Shuffling along a sweet and seductive groove, it basks in a shimmering, sunkissed haze peppered with warm synths, lush textures and bright chimes riding a woozy wave of soft beats and danceable allure. With a protracted promise of the euphoric, the rhythmic oscillations woo the soul as the deep groove bewitches the listener into a state of blissful stupor. Yet another lavish, woozy wonder from Dimitrov.

Listen to  ‘Fluid Borders’ below, it is lifted from his new record Operational Interference, you can listen to that here.


Kelly Lee Owens Announces New Album, Shares ‘Melt!’

Kelly Lee Owens released her superb self-titled debut back in 2017 – a bewitching creations oscillating somewhere between the avant-garde, pop, techno and almost everything in between.

Since then, the London-based Welsh producer has busied herself with remixes for St. Vincent and Björk, released two new tracks in the Adult Swim Singles series and joined forces with Jon Hopkins on ‘Luminous Spaces’ in late 2019.

Now though, she’s announced her second album Inner Song, due in May, and this is heralded by lead single ‘Melt!’. It is urgent and intense while simultaneously graceful and elegant. Samples of ice skating and melting ice are intricately weaved with glistening tones and ethereal vocals as we are propelled along winding grooves and thumping techno beat. ‘Melt!’ is mesmerising and Majestic, and a dancefloor ready banger.

Watch and listen below. Inner Song is out May 5th 2020 via Smalltown Supersound.

Introducing: Opera23

Opera23 iis the moniker of Barcelona-based producer, composer and multi-instrumentalist, Vincenzo Germano.

Utilising both analogue and digital instruments, Germano’s sound leans heavily on repetition and minimalism, something explored with great detail on his recently released debut album Internal with Figures, Lights. And Shadows. Capturing the genesis of the album are singles ‘Room 3’ and ‘Blob-Tragedy’. ‘Room 3’ opens with intense flash of transfixing static which flesh out to fuzzy waves of repetitive, fluctuating and glitchy 8-bit sounds which flow to meet a rising soft but strident beat. It is powerfully compelling and epic, moving with an air of awesome (in the truest sense of the word) as it transfixes with cinematic expanse. ‘Blob-Tragedy’ meanwhile is similarly minimal but while the former was awe inspiring and hopeful, this a much more pensive affair. It navigates its was slowly along droning stabs of synths while electronics flicker and hum amid a sea of moody, murky and shadowy swirling textures.

Listen to  ‘Room 3’ and ‘Blob-Tragedy’ below and if you like what you hear, check out the album here.

Nicolas Godin – The Border (Pierre Rousseau Remix)

Five years after his debut solo album, Nicolas Godin, best known as one-half of French electronic duo Air, is releasing a new album Concrete and Glass on January 24.

Soft, electronic lullaby ‘The Border’ is a perfect entry-point to Godin’s new record,  arranged and co-produced with Pierre Rousseau – a collection of lush hymns to buildings and architectural triumphs. It is the latter’s stunning rework of ‘The Border’ that immediately concerns us today. The original lush and dreamy electronic undulations are fleshed out into an eight-minute epic. The pop warmth is retained and re-enforced by a subtle undercurrent of euphoria as rushes of soft ambient pulses and melting minimalism creates a spellbinding groove that transfixes the soul. It is a super seductive wonder delivered with poise and style, and plenty to spare.

Tune in below and keep an eye out for the album in a few weeks.

Mayfly – ‘Selfish Girl’

London’s Mayfly (aka Elena Garcia) captivates and transfixes with deceptively sad but spellbinding electronic pop songs.

Debut track ‘Losing You’ and follow up ‘Breathe’ served as a breathtaking introduction to what the 22-year-old Londoner has to offer – and with ‘Selfish Girl’, conjures up another truly glorious single. Written and produced by Garcia, ‘Selfish Girl’ ratchets things up a gear or two. While retaining the icy, steeliness of her previous work, this glacial excursion is anchored by a propulsive groove and steady beats that drive the track forward as simmering synths and pulsing electronics illuminate a path for Garcia’s exquisite and steely vocals to mesmerise. Mayfly has already proven a reliable source of spellbinding sounds but this is her finest yet, and demonstrates a knack for crafting infectious alt-pop but with bite.

Check out the stunning new single below:


Otha – ‘Tired and Sick’

Born and raised on the west coast of Norway, producer Otha’s (aka Othalie Husøy) sound draws on a rich vein of Scandinavian pop and electronica.

Following on from her 2018 double bill of dreamy and hazy dance tracks ‘I’m on Top’ and ‘One of the Girls’ comes ‘Tired and Sick’; equally danceable but more a more hyperactive, muscular and jittery experience. ‘Tired and Sick’ is a manic, stress-induced stream-of-consciousness transformed into an irresistible dancefloor ready jam. She recounts her internal monologue of life’s anxieties over an addictive pulsing and driving club beat. Or, as Otha succinctly puts it, “It’s an outburst song. And I hope that one day we can all be a little nicer to each other.” While previous singles are while less manic / more dreamy, all three songs have a commonality; they look to the dance-floor to explore ideas about the outsider, control, public identity, and a private, more hidden self – and, of course, are phenomenal tunes.

Listen to ‘Tired and Sick’ below:

Ed Han – ‘Blissful Tranquility’

Ed Han is a musician and producer hailing from Los Angeles with a preference for atmospheric, downtempo excursions.

Ed Han’s latest single ‘Blissful Tranquillity’ exemplifies his approach and does exactly what it says on the tin. It is a warm, cinematic, and ambient track which drifts by with minimalist sensibilities amid rich textures and atmospheric haze leaving us in a place of relaxing stasis. ‘Blissful Tranquillity’ is ethereal and beautiful as it swells with emotion and blissful joy. An utterly stunning composition.

Listen to ‘Blissful Tranquillity’ below: