Mayfly – ‘Selfish Girl’

London’s Mayfly (aka Elena Garcia) captivates and transfixes with deceptively sad but spellbinding electronic pop songs.

Debut track ‘Losing You’ and follow up ‘Breathe’ served as a breathtaking introduction to what the 22-year-old Londoner has to offer – and with ‘Selfish Girl’, conjures up another truly glorious single. Written and produced by Garcia, ‘Selfish Girl’ ratchets things up a gear or two. While retaining the icy, steeliness of her previous work, this glacial excursion is anchored by a propulsive groove and steady beats that drive the track forward as simmering synths and pulsing electronics illuminate a path for Garcia’s exquisite and steely vocals to mesmerise. Mayfly has already proven a reliable source of spellbinding sounds but this is her finest yet, and demonstrates a knack for crafting infectious alt-pop but with bite.

Check out the stunning new single below:


Otha – ‘Tired and Sick’

Born and raised on the west coast of Norway, producer Otha’s (aka Othalie Husøy) sound draws on a rich vein of Scandinavian pop and electronica.

Following on from her 2018 double bill of dreamy and hazy dance tracks ‘I’m on Top’ and ‘One of the Girls’ comes ‘Tired and Sick’; equally danceable but more a more hyperactive, muscular and jittery experience. ‘Tired and Sick’ is a manic, stress-induced stream-of-consciousness transformed into an irresistible dancefloor ready jam. She recounts her internal monologue of life’s anxieties over an addictive pulsing and driving club beat. Or, as Otha succinctly puts it, “It’s an outburst song. And I hope that one day we can all be a little nicer to each other.” While previous singles are while less manic / more dreamy, all three songs have a commonality; they look to the dance-floor to explore ideas about the outsider, control, public identity, and a private, more hidden self – and, of course, are phenomenal tunes.

Listen to ‘Tired and Sick’ below:

Ed Han – ‘Blissful Tranquility’

Ed Han is a musician and producer hailing from Los Angeles with a preference for atmospheric, downtempo excursions.

Ed Han’s latest single ‘Blissful Tranquillity’ exemplifies his approach and does exactly what it says on the tin. It is a warm, cinematic, and ambient track which drifts by with minimalist sensibilities amid rich textures and atmospheric haze leaving us in a place of relaxing stasis. ‘Blissful Tranquillity’ is ethereal and beautiful as it swells with emotion and blissful joy. An utterly stunning composition.

Listen to ‘Blissful Tranquillity’ below:

Introducing: Mazoulew

UK-based producer Mazoulew has been creating captivating electronic sounds since 2004.

Drawn from a deep source inspiration from trip-hop, jazz, downtempo, drum&bass and more, his sound continues to evolve and be refined over time. More recently he’s teamed up with the eclectic Stereofox Records for a series of releases (four to date) with the latest being ‘Shogun’ & ‘Overdue’.

The former is a hypnotic, transfixing and dancefloor minded, techno influenced sound. Heavy on mood, texture and atmosphere, relentless oscillations and skittering percussion bend you to its will, leaving you utterly powerless to resist the tempting allure. Although everything is delivered with a pin point accuracy, it has a grainy and dusty atmospheric feel. ‘Overdue’ affords a different but equally exquisite side to Mazoulew’s talent. It is a gorgeous slice of downtempo electronica; all warm tones, lush strings, bright chimes and breathtaking melodies, and swells of brass. It is a swelling, alluring and dreamy downtempo excursion. Both takes help whisk you away, in their different way, taking you on a journey to a place of musical excellence.

You can check out both tracks below:

Cotton Wolf – ‘Ofni’

Cardiff duo Cotton Wolf – Llion Robertson & Seb Goldfinch – are back with a brand new album ‘Ofni’ (‘Fear’ in Welsh), which will be released on October 4th.

Ofni is the follow up to their spellbinding debut LP, Life In Analogue in 2017, one of the year’s finest. A gorgeous marriage of epic euphoria, ethereal electronica and frosty, crisp elegance – it is spine-tingling musical cinematography at its very finest.

Set against a thematic backdrop of social uncertainty, the album’s darker material is simultaneously imbued with anxious paranoia and a hopeful positivity. The pair embrace faster tempos and purer electronic sounds, alongside hypnotic, abstract and melodic ideas that so marked to their previous work. Whilst the vast majority if the record is instrumental, latest single and title track features Adwaith’s Hollie Singer. Singer’s exquisite, ethereal vocal is set to a backdrop of a well whisked blend of lush electronics, warm tones, hypnotic beats and stabs of synth, and undulating ripples of ethereal escapism. Elegant, bewitching and altogether mesmerising – ‘Ofni’ is simply gorgeous.

Listen to ‘Ofni’ below now and keep an eye out for Cotton Wolf’s new record on October 4th.

Superheart – ‘Opening Credits’

UK-based producer Luke Batt aka Superheart has proven a reliable source of comforting and dreamy, electronic synthpop jams with a string of suitably sublime singles over the past two years or so.

The most recent of which – ‘Count On Me’, ‘After Midnight’, ‘Satellite’ & ‘Talk About It’ – make up the bones of a new EP called Opening Credits, which is fronted by a new single of the same name. ‘Opening Credits’ has a soul soothing quality and grooves along with a dreamy allure. It floats along a soothing layer of synths, pillowy soft beats and flickers of warm electronics that coalesce beautifully, swelling to create a hopeful and positive vibe. All the dreamy and blissful vibes, warm and endearing soundscapes, are given a last beautifully, tranquil and soothing finish – namely the heavenly (and somewhat hypnotic) vocals. ‘Opening Credits’ is like a breathe a fresh air and utterly divine, and as lush and alluring as anything else Superheart has released to date.

Check out ‘Opening Credits’ below – the entire EP is here too, it comes highly recommended.

Safetalk – ‘I Know’

Since introducing themselves in 2017, Anglo-French trio Safetalk – comprised of two Parisian producers Hugues Tonnet and Thomas Desnoyers and Berlin-based British vocalist, David Harks – have yet to disappoint.

A slew of seductive singles – ‘Universal’, ‘Static’ & ‘Layback’ to name a few – served as a nexus to their lush electronic-pop; of cosmic vibes, inspirational lyrics and shimmering synthesis. The trio’s latest ‘I Know’ is cut from a similar exquisite cloth. It is sonic sculpture that slinks along in a slow mo fashion with some deep heavy future R N B overtures and skeletal beat coupled with a passion for surreal storytelling. Harks’ hypnotic vocal transmit a tale of digital darkness amid gloriously lush backdrop of enveloping flickers of light and shimmers of warm synth. It is a seductive slice of lush and transfixing electronic-pop; and one that will leave you all the better for making its acquaintance.

The superb ‘I Know’ is out now – tune in below:

Introducing: K J M

K J M is the moniker for Irish musician and producer Kevin James Murphy (who also records as The Key Rocks).

The K J M project offers a series of thoughtful and cinematic explorations of electronic sound, utilising only sounds and loops available on Garage Band, as evidenced on debut album Jelacate. The album traverses various electronic musical landscapes, exploring themes of melody and mood as a gorgeous confection of ambient instrumental music that ebbs and flows through lush, atmospheric, cinematic drifts of retro futurism as it depicts a trip to Tokyo. Take ‘Divide’ and ‘The Sea’ as examples. ‘Divide’ harnesses a deep, warm, winding synth, hypnotic phasing sound and floaty atmospherics to create a gripping, transportive and transfixing track; moody, atmospheric and elegant, it will consume you. ‘The Sea’ hypnotises as it opens softly, lapping like its namesake but propelled forward by tidy percussion as a steady release of shimmering warm sounds, cloudy atmospherics and gentle guitar chords complete the lush picture. As an experiment, one could only say it is a success, delivering as it does, an abundance of ethereal beauty and cinematic escapism.

You can check out ‘Divide’ and ‘The Sea’ below and if they are to your liking, you can check out the album here.

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Mindchatter – ‘Kerosene’

NYC producer Mindchatter has been dazzling us with genre-hoping aural delights; ‘Trippy’, ‘Blood’ & ‘Tough as Nails’.

Mindchatter is back with a similarly seductive single ‘Kerosene’. It is a sombre, slumbering sound that gentle meanders through a rich and textured soundscape marked by a bittersweet feel as hushed tones hover above the shimmers of synth and soft, popping beats. There is a tension and unease at play here but it is nicely cushioned by a sweetness and charm, creating a dremay and effortlessly chilled musical atmosphere. ‘Kerosene’ has a devastatingly powerful magnetism and becomes increasingly addictive and alluring with each and every listen.

Listen to ‘Kerosene’ below and if you like what you hear, you can check out previous single here too.

Menik – ‘Long Distance’

Menik is a producer with a preference for music that is colourful, ambient, melodic and driving, and drawing inspiration from everything from blues, rock and hip hop, jazz, house and techno, and everything in between.

Menik introduced himself with the seductive, dreamy and wide-eyed ‘Brothers’ and having released debut album Story Time this month, he’s lifted another single from it ‘Long Distance’ unfurls with poise, shuffling along a soft and seductive hip hop inspired beat. Dripping with melody, it slinks on its merry mellow way through a sea of soothing sounds and dreamy undulations only to be shaken from its slumber by intermittent bouts of frazzled electronics. It is warm and washed-out, chilled and soothing but the beatwork entrusts it is not only transfixing but also infectious.

‘Long Distance’ is below and if you like what you hear, you can listen to the entire album here.