bdrmm – ‘Happy’

Hull-based outfit bdrmm have been blurring the lines between ‘90s indie, shoegaze, psych and dream pop since 2018, and dazzling us in the process.

Following on from their debut EP in 2019, bdrmm are now focused on their debut album. Recorded and mixed by Alex Greaves (Working Mens Club, Bo Ningen) and mastered by Heba Kadry (Slowdive, Beach House) the record is led by new single ‘Happy’. Simultaneously taut and dreamy, ‘Happy’ hares off along a propulsive rhythmic groove with clipped guitar lines and while reverb-drenched vocals float above the shimmering haze of atmospheric splendor. It is whizzes and fizzes by as those guitars glisten amid the glorious cloud of mild fuzz and distortion. An utterly dazzling tune, and one that harnesses its core strength from embracing the combination of seemingly opposites as the lead guitar spirals into the hushed, dreamy vocals and emphatic rhythmic energy.

Listen to ‘Happy’ below – there is no concrete date for the album but expect it sometime later in the year.


BDRMM – ‘Heaven’

BDRMM are a Hull based 5-piece who explore the worlds of ‘90s indie-rock, shoegaze, psychedelic-rock and slacker dream pop.

This knack for weaving dreamy sonics and sentimental tales together was illustrated to perfection with single ‘C.U.’ toward the end of last year, and latest single ‘Heaven’ repeats the trick. It’s a real doozy, too. A perfect cocktail of synth soaked layers and shoe-gazing moments, ‘Heaven’ floats dreamily on by with sweeping cinematic grandeur. There is an other-worldliness to it as intricate glistening guitar lines and warm jangle provide an elegant foundation for those evocative vocals to leave their mark. A twinkling, heartfelt and simply exquisite slice of dream-pop perfection.

Listen to ‘Heaven’ below: 

BDRMM – ‘C.U.’

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BDRMM are a Hull based 5-piece who explore the worlds of ‘90s indie-rock, shoegaze, psychedelic-rock and slacker dream pop – demonstrated to perfection with latest single ‘C.U.’.

Armed with the combined power of burning guitars, bubbling basslines and crashing drums, they craft a compelling sulky rock sound that is full of youthful yearning and glistening guitar lines. Amid dreamy synths, gauzy guitars, and heart-filled harmonies, ‘C.U.’ unravels gradually, channelling a cocktail of hurt and numbing anxieties into a sprawling epic of burning guitars and synth-soaked and lethargic vocals splattered with melancholy – for a mesmerizing four-and-a-half minutes that whooshes by with an electrifying, sonic alchemy.

Tune into ‘C.U.’ below: