Berlin-based, Dublin-raised, singer/songwriter A.S. Fanning will be bringing his Irish tour to BRÚ House, Newbridge on Saturday, October 14 – and the tour coincides with the release of Fanning’s debut solo album Second Life.
This is the first in a series of collaborative shows between Broken Home & I, bringing some of our favourite musicians and artist to Newbridge – of which Fanning fits the bill for us both.
Previously the frontman and chief songwriter of Dublin bands The Last Tycoons and Porn Trauma, Fanning’s songs are often lyrically driven, taking inspiration from Irish literary tradition and folk music as well as from ‘60s psychedelia and gothic rock n roll. Fanning’s finest attribute is his profoundly brilliant songwriting and storytelling abilities, and observational eye, which enable him to depict vivid tales such as his meaty debut single ‘Carmelita’.
As a multi-instrumentalist he has played with acts such as Dublin troubadour The Mighty Stef, Berlin Industrial Electro outfit Suzies Ashes, and Irish songstress Candice Gordon, most recently producing and playing on Gordon’s debut LP, Garden of Beasts.
Support on the night comes from the equally wonderful Appo & the Disappointments & Rory Hughes – Doors @ 8.30pm | Tickets €5/€7.
Ahead of the weekend’s show I caught up with A.S. Fanning, to chat about the project, touring and all things music.
Tell us a little bit about A.S. Fanning. How did it come about? And what is the essence/inspiration behind the new project?
When I moved to Berlin I was working on my my own a lot. The Last Tycoons were still going at that point but we weren’t playing very often except for the occasional tour in Germany so I just started working on stuff on a laptop. That combined with being surrounded by electronic music in Berlin led to the songs taking on a kind of electro incarnation for a while.
I eventually stripped that back quite a bit, but I never really wanted to be a solo guy with an acoustic guitar. I always heard the songs having quite a full sound and having a kind of intensity in them, so I started building the songs around an acoustic guitar and vocal and adding in bits of synthesizers and organ and other atmospheric stuff to fill out the sound.
You’ve just returned from some shows in Ireland – how does it feel to go back after relocating to Berlin and starting a life there?
It feels kind of strange to be honest. Just because I haven’t played here very much in the last 5 years or so, and it’s a strange feeling to come on tour to somewhere I’m so familiar with, but which has obviously changed a lot in the last 5 years as well. But I feel like this album is largely about moving away from here so it’s nice to be able to come back to launch it, it feels like a sort of closing of the circle.