Introducing: Exmagician

12109240_10154370131579778_4590349686765983509_n

Cast your mind back a few years, to 2011, you may remember a delightful debut album from Belfast’s Cashier No. 9.

It was called To the Death of Fun and was produced by David Holmes, it is an album which I have retained an enduring fondness for. Alas, Cashier No. 9 are no more, having called time on the band earlier this year – but fortunately, it has been revealed that two of the guys from the band, Danny Todd and James Smith, have been working on new project. The new band is called exmagician and their debut EP Kiss That Wealth Goodbye will be released via Bella Union on November 20th. Prior to their forthcoming EP, exmagician cast a first spell (*ba dum tss) with a brand new single of the same name, and it is glorious. It is a lot more urgent, hard-edged and rockier than their previous band. Still present, though, is their preference for shimmering psychedelics, echoed instrumentation and melodiousness. It is anthemic and quite cool, mixing up swirling melodies with a catchy groove to fall somewhere between BRMC, Supergrass and Cashier No. 9. It is an extremely promising start to Smith and Todd’s latest musical project.

‘Kiss That Wealth Goodbye’ is the lead track from exmagician’s debut E.P, which will be released on November 20th. Check it below.

 

Introducing: A. S. Fanning

A.S. Fanning Photo by Maren Michaelis

A.S. Fanning was the front-man of the criminally underrated Dublin band The Last Tycoons, now based in Berlin, he’s returned with his own solo project.

With this news comes new music, and he’s debuted a first single in the shape of ‘Carmelita’. Opening with a rich organ hum and scratchy acoustic strum, he regales dark tales from his native Dublin, perfectly complimented by Fanning’s world-weary and distinctive Dublin-accented, vocal. The organ seeps into every fibre of this four-and-a-half minutes of melodic, further accentuating Fanning’s finest attribute; namely his profoundly brilliant songwriting and storytelling abilities, which enables him to depict a vivid, yet dark vision. It is a strong and extremely promising start Fanning’s latest musical venture, of which, hopefully there is more sooner rather than later.

You can listen to ‘Carmelita’ below and it is out now via iTunes.

 

Daniel Avery – ‘Sensation’

Daniel-Avery-Gullick-Clear-press-shot

It has been two years since Daniel Avery released his sensational debut Drone Logic; fusing house, techno and more left field electronics into one of the finest records in recent years.

The UK producer is back with his first new material (proper, there was a remix series) in the shape of ‘Sensation / Clear’, out through Phantasy later this month. Avery has brought our wait for new material to an end in some style. It’s dark themes show a hint of lineage from his Drone Logic days, but his sound has clearly developed in the two years since his debut album release. ‘Sensation’ is a slow-building, minimal number drifting toward the driving depths of techno with a deft percussive touch breaking through swathes of noise, synth and pulsating atmosphere. It is complex, dynamic, and dark, and more importantly, it has us wishing for more. On that front, there’s nothing concrete on a new album but watch this space.

‘Sensation / Clear’ is out on 12” on November 27th. You can listen to ‘Sensation’ in full below.

 

Hinds – ‘San Diego’

HINDS PR 2015

Madrid quartet Hinds previously shared ‘Garden’, one of the best tunes this year, from their debut album, Leave Me Alone, which will be out on January 8 via Mom + Pop.

Now, Hinds have shared another track from their aforementioned LP, the bopping new single ‘San Diego’. It’s an upbeat, jolly slice of scratchy lo-fi surf-punk, with an unashamedly west coast vibe. ‘San Diego’ crashes and bangs with snappy drums, reverb-soaked guitar melodies, playful harmonies and back-and-forth vocal. It’s not all sunshine and cheer however, the lyrics tell a darker tale of struggles with insomnia and deals with the devil. Of course, this rollicking adventure is draped with frenzied chants and relentless infectious energy; fast becoming group’s signature scuzzy calling card.

You can stream ‘San Diego’ below while Leave Me Alone will be out on January 8 via Mom + Pop/Lucky Number.

Hinds just wrapped up their North American tour but they’ve got a pile of European dates coming up. All the dates are listed here.

Millions Like Us Podcast – Episode #5

Millions Like Us logo (1)

Delighted to once again to share a brand new episode of ‘Millions Like Us’, a music podcast with myself & Justin Beats, in conjunction with Vancouver news & culture site 604now.

A bi-weekly digest of music from metro Vancouver and beyond, the fifth installment has the usual chatter and top tunes, comprised from an eclectic mix of styles and genres. There’s also a chance of winning tickets to see the excellent Joanna Gruesome, in The Cobalt, Vancouver on November 15th – tune into the show and then email your name to millionslikeuspodcast[at]gmail[dot]com – winners be notified before 5pm, Friday, November 13th.

That’s about that then, we hope you enjoy episode #5. You can read more on it here and listen to episode #5 below, and the tracklist (with links) is after the jump. You can subscribe to ‘Millions Like Us’ on iTunes & Podcast Republic or find them on Facebook & Twitter.

Hopefully you enjoy our curated pickings, here’s to good listening.

Episode #5:
Unalaska – ‘Air Transylvania’
Kyross – ‘Fragments’
Queen of Jeans – ‘Dance (Get Off Your Ass)’
Big Harp – ‘Diev’
The Statics – ‘Fake Sorrow’
Soft Serve – ‘Better Off When You’re Gone’
Hippies Vs Ghosts – ‘Three Shadows’
Joanna Gruesome – ‘Psykick Espionage’
White Poppy – ‘Sublimity Form Natural Phenomena’
Avid Walker – ‘Who’s Your Lover’
Soft Haze – ‘Love Song’
Super Furry Animals – ‘Slow Life

 

 

Avid Walker – ‘Who’s Your Lover’

Avid Walker - Photo by Amanda Anderson

Vancouver duo Avid Walker – Jared Langerud and Brendan Bleker – introduced us to their sun-soaked, melodic lo-fi not so long ago with two sublime singles; ‘Sun In Eyes’ and ‘Conversations’.

Completing a hat-trick of terrific singles is new one ‘Who’s Your Lover'; which is also 3 for 3 with the Vancouver based nbd label. It is another elegant example of the pair’s musical mastery, ‘Who’s Your Lover’ is a gentle, bubbling and woozy number. Imbued with a laid-back and super easy-going vibe, owing much to the majestic combination of soft instrumentation and hushed, whispering vocals; it is sweetly melodic and layered with harmonies, it climaxes with a babbling sort of mild euphoria. Magnificent stuff from Avid Walker as usual, who as it goes, are one of this year’s finest new discoveries.

A debut EP is expected soon but there’s no confirmed release date as yet. Until then? Well, there’s ‘Who’s Your Lover’, which you can check out below. And if it is to you liking? You can check out ‘Conversations’ & ‘Sun In Eyes’ here.

 

Introducing: New Cardinals

12015174_744037455708364_3945069349248997162_o

New Cardinals are Seattle duo Peter Tilton (guitar/vocal) and Sam Rice (bass/keys), who are tapping into a rich vein of psychedelia, ’60s sunshine filled pop, ’70s proggy vibes, new wavey guitars and synth sounds.

All that said, on their recently released eponymous debut EP, New Cardinals supply an ample amount of their own distinctive twist, while channeling various influences from both past and present (some contemporary comparisons to Tame Impala, The Bees and a touch of Django Django). Opener ‘Window Days’, is a free-flowing, idea-filled psych-pop wonder. Lush sounds combine and cascade upon shimmering guitars, blissed-out swirling atmospherics and synth work. ‘Let’s Talk’ is just so silky smooth, as a slinking and utterly irresistible groove mixes it up between swirling keys, choppy guitar, synth wonder and some pointed post-punk riffs. Aside from overwhelmingly joy-filled blissfulness and spacey wonder, New Cardinals’ EP is anchored by alluring layered vocal harmonies and an undeniable groove, which combined, is the pièce de résistance of a magnificent sound.

There a few choice cuts below and if they are to your liking, the entire wonderful EP is available from Bandcamp, just ‘name your price’.